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Rocks, Riddles and Mysteries: Folk Art, Inscriptions and Other Stories in Stone, by Edward J. Lenik Archaeologist and author Ed Lenik is widely known for his expertise in northeastern Native American rock art. In the course of his travels and research, he has encountered many strange and curious historical rock and stone carvings and structures, some of which may be regarded as Indian, but the majority of which by his reckoning are "white guy" art. This book describes those sites and objects and the fascinating stories behind their creation. Puzzling, captivating, and at time bewildering, these historical curiosities include faces, animals, designs, patterns and scenes carved on rocks through New England, New York, New Jersey and Pennsylvania. The author has personally probed and researched each site in some detail, learning when it was first noticed and what the local people had to say about why it was there and who carved or painted it. Tourist attractions? Boy Scout art? Idle play among quarry workers? Archaeological fraud? Hebrew inscriptions? Outsider art? Norse runes? You can decide, since a "See For Yourself" section invites you to visit the sites that are publicly accessible so that you may draw your own conclusions. Lenik, a Registered Archaeologist, is a past president of the Archaeological Society of New Jersey and the Eastern State Archaeological Federation. As Honorary curator of archaeology at Bear Mountain's (New York) Trailside Museums, he is a well-known speaker and hike leader in northern New Jersey and southeastern New York., Designed to be used in the field, or as an enjoyable read in the armchair, this guide will transport the reader on an adventure of discovery, visiting curious places, looking at mysterious rocks and hearing the stories they have to tell.
Decorated stone artifacts are a significant part of archaeological studies of Native Americans in the Northeast. The artifacts illuminated in Amulets, Effigies, Fetishes, and Charms: Native American Artifacts and Spirit Stones from the Northeast include pecked, sculpted, or incised figures, images, or symbols. These are rendered on pebbles, plaques, pendants, axes, pestles, and atlatl weights, andare of varying sizes, shapes, and designs. Lenik draws from Indian myths and legends and incorporates data from ethnohistoric and archaeological sources together with local environmental settings in an attempt to interpret the iconography of these fascinating relics. For the Algonquian and Iroquois peoples, they reflect identity, status, and social relationships with other Indians as well as beings in the spirit world.  Lenik begins with background on the Indian cultures of the Northeast and includes a discussion of the dating system developed by anthropologists to describe prehistory. The heart of the content comprises more than eighty examples of portable rock art, grouped by recurring design motifs. This organization allows for in-depth analysis of each motif. The motifs examined range from people, animals, fish, and insects to geometric and abstract designs. Information for each object is presented in succinct prose, with a description, illustration, possible interpretation, the story of its discovery, and the location where it is now housed. Lenik also offers insight into the culture and lifestyle of the Native American groups represented. An appendix listing places to see and learn more about the artifacts and a glossary are included.  The material in this book, used in conjunction with Lenik’s previous research, offers a reference for virtually every known example of Northeastern rock art. Archaeologists, students, and connoisseurs of Indian artistic expression will find this an invaluable work.
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