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PICTURE FRAMING- MODERN METHODS OF MAKING AND FINISHING PICTURE
FRAMES by EDWARD LANDON. Contents include: I ABOUT PICTURE FRAMES i
II TOOLS AND EQUIPMENT 9 III MOULDINGS 28 IV MTTER CUTTING 34 V
JOINING THE FRAME 42 VI INSERTS OR LININGS 51 VII FINISHES 57 VIII
DECORATIONS 88 IX REPAIRING DAMAGES 93 X MATS AND MAT-CUTTING 97 XI
MOUNTING PICTURES 105 XII PASSE-PARTOUT 116 XIII GLASS-CUTTING 118
XIV ASSEMBLING 121 XV EXPERIMENTAL FRAMES ORIGINAL DESIGNS . . .
134 XVI SOURCES OF SUPPLIES . 141 XVII INDEX 144. CHAPTER ONE.
ABOUT PICTURE FRAMES. THE PICTURE FRAME, as it exists today, is
derived from the doorway or entrance to temples, palaces and
cathedrals. From a functional viewpoint, it might have been more
practical to place doors at the sides of these buildings, but the
impor tance of the door framing an impressive picture of the
interior was never overlooked. The need to enhance a picture or
bas-relief with a frame is evidenced from the earliest times. The
first decorations were necessarily crude a raised line some times
being the only ornament The earliest examples of frame-like
decorations or borders bear a great resemblance to door frames.
They were composed of two columns surmounted by a con necting
entablature and this form persisted into the i5th century. Even the
decorations painted by the artists around the edges of pictures
before the intro duction of movable frames were similar in form. As
a matter of fact, frames without pictures eventu ally came into
existence because the desire to embel lish with mouldings was so
strong. Rooms in palaces were arbitrarily panelled with mouldings
and their vestigial remains are to be seen today in the senselessly
panelled walls ofapartments in modern cities. Movable picture
frames for easel paintings gained quickly in popularity once they
were introduced. About Picture Frames sides the elaborate and
intricate wood-carving, ebony, ivory, tortoise shell and mother of
pearl were used for inlaid decoration. Gold, silver and every other
metal have also been used for frames. With the perfection of the
technique of making large sheets of glass which were in turn used
to cover and protect pictures, frame-making received a big im petus
in the lyth century. In the i8th century, when cheaper mirrors were
introduced, frames were in greater demand than ever. This century
also saw an invention that was to revolutionize the art of frame
decoration that of the development of moulded composition
ornaments. The use of this easily handled material, which did away
with the need for laborious and expensive hand-carv ing, drove
artisans to other fields. Since then, there has been no large group
of wood-carvers devoted solely to frame decoration. It is
interesting to note that during the Renaissance period, when
movable frames were first introduced, book decoration reached its
highest form. Undoubted ly, the early carvers and framers, besides
using archi tectural designs, took many of their ideas from early
illuminated manuscripts. The frames of the Louis periods certainly
got their inspiration from typograph ical decorative motifs. Before
then, architects and sculptors designed much of the scroll-work,
but later goldsmiths were employed for decoration. Over-elabo
ration became the order of the day until all forms were lost
beneath the gingerbread. With the French revolution, people turned
away from all evidences of bourgeois wealthand returned About
Picture Frames to a refreshing simplicity. Until 1850 all mouldings
were cut from rough boards by hand, but with the invention of
laborsaving machinery, frames could be put on the market for what
the raw material had cost previously. This country was fortunately
spared from the use of moulded ornaments until the advent of the
Victorian era...
Kessinger Publishing is the place to find hundreds of thousands of
rare and hard-to-find books with something of interest for
everyone!
This is a new release of the original 1945 edition.
This is a new release of the original 1945 edition.
Kessinger Publishing is the place to find hundreds of thousands of
rare and hard-to-find books with something of interest for
everyone!
The complete guide to picture frames and how to make them yourself
. Picture framing can be an amazingly profitable venture, so learn
how to do it
PICTURE FRAMING MODERN METHODS OF MAKING AND FINISHING PICTURE
FRAMES by EDWARD LANDON American Artists Group, Inc. New York MOST
WORKS ARE MOST BEAUTIFUL WITHOUT ORNAMENT. WALT WHITMAN CONTENTS I
ABOUT PICTURE FRAMES i II TOOLS AND EQUIPMENT 9 III MOULDINGS 28 IV
MTTER CUTTING 34 V JOINING THE FRAME 42 VI INSERTS OR LININGS 51
VII FINISHES 57 VIII DECORATIONS 88 IX REPAIRING DAMAGES 93 X MATS
AND MAT-CUTTING 97 XI MOUNTING PICTURES 105 XII PASSE-PARTOUT 116
XIII GLASS-CUTTING 118 XIV ASSEMBLING 121 XV EXPERIMENTAL FRAMES
ORIGINAL DESIGNS . . . 134 XVI SOURCES OF SUPPLIES . 141 XVII INDEX
144 CHAPTER ONE ABOUT PICTURE FRAMES IHE PICTURE FRAME, as it ex
ists today, is derived from the doorway or entrance to temples,
palaces and cathedrals. From a functional viewpoint, it might have
been more practical to place doors at the sides of these buildings,
but the impor tance of the door framing an impressive picture of
the interior was never overlooked. The need to enhance a picture or
bas-relief with a frame is evidenced from the earliest times. The
first decorations were necessarily crude a raised line some times
being the only ornament The earliest examples of frame-like
decorations or borders bear a great resemblance to door frames.
They were composed of two columns surmounted by a con necting
entablature and this form persisted into the i5th century. Even the
decorations painted by the artists around the edges of pictures
before the intro duction of movable frames were similar in form. As
a matter of fact, frames without pictures eventu ally came into
existence because the desire to embel lish with mouldings was so
strong. Rooms in palaces were arbitrarily panelled with mouldings
and theirvestigial remains are to be seen today in the senselessly
panelled walls of apartments in modern cities. Movable picture
frames for easel paintings gained quickly in popularity once they
were introduced. Be- 3fcQ xg m 10 K KXVJKAA About Picture Frames
sides the elaborate and intricate wood-carving, ebony, ivory,
tortoise shell and mother of pearl were used for inlaid decoration.
Gold, silver and every other metal have also been used for frames.
With the perfection of the technique of making large sheets of
glass which were in turn used to cover and protect pictures,
frame-making received a big im petus in the lyth century. In the
i8th century, when cheaper mirrors were introduced, frames were in
greater demand than ever. This century also saw an invention that
was to revolutionize the art of frame decoration that of the
development of moulded composition ornaments. The use of this
easily handled material, which did away with the need for laborious
and expensive hand-carv ing, drove artisans to other fields. Since
then, there has been no large group of wood-carvers devoted solely
to frame decoration. It is interesting to note that during the
Renaissance period, when movable frames were first introduced, book
decoration reached its highest form. Undoubted ly, the early
carvers and framers, besides using archi tectural designs, took
many of their ideas from early illuminated manuscripts. The frames
of the Louis periods certainly got their inspiration from typograph
ical decorative motifs. Before then, architects and sculptors
designed much of the scroll-work, but later goldsmiths were
employed for decoration. Over-elabo ration became the order of the
day until all forms were lost beneaththe gingerbread. With the
French revolution, people turned away from all evidences of
bourgeois wealth and returned About Picture Frames to a refreshing
simplicity. Until 1850 all mouldings were cut from rough boards by
hand, but with the invention of laborsaving machinery, frames could
be put on the market for what the raw material had cost previously.
This country was fortunately spared from the use of moulded
ornaments until the advent of the Victorian era...
Kessinger Publishing is the place to find hundreds of thousands of
rare and hard-to-find books with something of interest for
everyone!
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