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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
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Poems (Paperback)
Davison Edward Lewis 1898-
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R327
Discovery Miles 3 270
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Ships in 12 - 17 working days
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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
In 221 BC, the First Emperor of Qin unified the lands that would
become the heart of a Chinese empire. Though forged by conquest,
this vast domain depended for its political survival on a
fundamental reshaping of Chinese culture. With this informative
book, we are present at the creation of an ancient imperial order
whose major features would endure for two millennia. The Qin and
Han constitute the "classical period" of Chinese history-a role
played by the Greeks and Romans in the West. Mark Edward Lewis
highlights the key challenges faced by the court officials and
scholars who set about governing an empire of such scale and
diversity of peoples. He traces the drastic measures taken to
transcend, without eliminating, these regional differences: the
invention of the emperor as the divine embodiment of the state; the
establishment of a common script for communication and a
state-sponsored canon for the propagation of Confucian ideals; the
flourishing of the great families, whose domination of local
society rested on wealth, landholding, and elaborate kinship
structures; the demilitarization of the interior; and the impact of
non-Chinese warrior-nomads in setting the boundaries of an emerging
Chinese identity. The first of a six-volume series on the history
of imperial China, The Early Chinese Empires illuminates many
formative events in China's long history of imperialism-events
whose residual influence can still be discerned today.
The Lady of Linshui—the goddess of women, childbirth, and
childhood—is still venerated in south China, Taiwan, and
Southeast Asia. Her story evolved from the life of Chen Jinggu in
the eighth century and blossomed in the Ming dynasty (1368–1644)
into vernacular short fiction, legends, plays, sutras, and stele
inscriptions at temples where she is worshipped. The full-length
novel The Lady of Linshui Pacifies Demons narrates Chen Jinggu’s
lifelong struggle with and eventual triumph over her spirit double
and rival, the White Snake demon. Among accounts of goddesses in
late imperial China, this work is unique in its focus on the
physical aspects of womanhood, especially the dangers of
childbirth, and in its dramatization of the contradictory nature of
Chinese divinities. This unabridged, annotated translation provides
insights into late imperial Chinese religion, the lives of women,
and the structure of families and local society.
After the collapse of the Han dynasty in the third century CE,
China divided along a north-south line. Mark Lewis traces the
changes that both underlay and resulted from this split in a period
that saw the geographic redefinition of China, more engagement with
the outside world, significant changes to family life, developments
in the literary and social arenas, and the introduction of new
religions.
The Yangzi River valley arose as the rice-producing center of
the country. Literature moved beyond the court and capital to
depict local culture, and newly emerging social spaces included the
garden, temple, salon, and country villa. The growth of
self-defined genteel families expanded the notion of the elite,
moving it away from the traditional great Han families identified
mostly by material wealth. Trailing the rebel movements that
toppled the Han, the new faiths of Daoism and Buddhism altered
every aspect of life, including the state, kinship structures, and
the economy.
By the time China was reunited by the Sui dynasty in 589 ce,
the elite had been drawn into the state order, and imperial power
had assumed a more transcendent nature. The Chinese were
incorporated into a new world system in which they exchanged goods
and ideas with states that shared a common Buddhist religion. The
centuries between the Han and the Tang thus had a profound and
permanent impact on the Chinese world.
The Tang dynasty is often called China's "golden age," a period of
commercial, religious, and cultural connections from Korea and
Japan to the Persian Gulf, and a time of unsurpassed literary
creativity. Mark Lewis captures a dynamic era in which the empire
reached its greatest geographical extent under Chinese rule,
painting and ceramic arts flourished, women played a major role
both as rulers and in the economy, and China produced its finest
lyric poets in Wang Wei, Li Bo, and Du Fu. The Chinese engaged in
extensive trade on sea and land. Merchants from Inner Asia settled
in the capital, while Chinese entrepreneurs set off for the wider
world, the beginning of a global diaspora. The emergence of an
economically and culturally dominant south that was controlled from
a northern capital set a pattern for the rest of Chinese imperial
history. Poems celebrated the glories of the capital, meditated on
individual loneliness in its midst, and described heroic young men
and beautiful women who filled city streets and bars. Despite the
romantic aura attached to the Tang, it was not a time of unending
peace. In 756, General An Lushan led a revolt that shook the
country to its core, weakening the government to such a degree that
by the early tenth century, regional warlordism gripped many areas,
heralding the decline of the Great Tang.
Distinguished historians of the ancient world analyze the earliest
developments in human history and the rise of the first major
civilizations, from the Middle East to India and China. In this
volume of the six-part History of the World series, Hans-Joachim
Gehrke, a noted scholar of ancient Greece, leads a distinguished
group of historians in analyzing prehistory, the earliest human
settlements, and the rise of the world’s first advanced
civilizations. The Neolithic period—sometimes called the Agrarian
Revolution—marked a turning point in human history. People were
no longer dependent entirely on hunting animals and gathering
plants but instead cultivated crops and reared livestock. This led
to a more settled existence, notably along rivers such as the Nile,
Tigris, Euphrates, Ganges, and Yangzi. Increased mastery of metals,
together with innovations in tools and technologies, led to
economic specialization, from intricate crafts to deadlier weapons,
which contributed to the growth of village communities as well as
trade networks. Family was the fundamental social unit, its
relationships and hierarchies modeled on the evolving relationship
between ruler and ruled. Religion, whether polytheist or
monotheist, played a central role in shaping civilizations from the
Persians to the Israelites. The world was construed in terms of a
divinely ordained order: the Chinese imperial title Huangdi
expressed divinity and heavenly splendor, while Indian emperor
Ashoka was heralded as the embodiment of moral law. From the latest
findings about the Neanderthals to the founding of imperial China
to the world of Western classical antiquity, Making Civilizations
offers an authoritative overview of humanity’s earliest eras.
Norman Moonbloom is a loser, a drop-out who can't even make it as a
deadbeat. His brother, a slumlord, hires him to collect rent in the
buildings he owns in Manhattan. Making his rounds from apartment to
apartment, Moonbloom confronts a wildly varied assortment of
brilliantly described urban characters, among them a gay jazz
musician with a sideline as a gigolo, a Holocaust survivor, and a
brilliant young black writer modeled on James Baldwin. Moonbloom
hears their cries of outrage and abuse; he learns about their
secret sorrows and desires. And as he grows familiar with their
stories, he finds that he is drawn, in spite of his best judgment,
into a desperate attempt to improve their lives.
Edward Lewis Wallant's astonishing comic tour de force is a
neglected masterpiece of 1960s America.
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