This study challenges the easy assumption that peacekeeping as we've known it in the past will be the 'pill for every ill' in the future. A 'new world order' means new types of conflict breaking out almost anywhere in a world that is more volatile and less predictable than before. Contributors to this volume argue that we need to get back to basics; that there are sobering lessons to be learnt from Somalia, the Lebanon and Cambodia; that we need to ask some fundamental questions. Can peacekeeping be 'reformed' or must it be totally 'reinvented'? Are soldiers the best peacekeepers and, if not, who should replace them?

This study challenges the easy assumption that peacekeeping as we've known it in the past will be the 'pill for every ill' in the future. A 'new world order' means new types of conflict breaking out almost anywhere in a world that is more volatile and less predictable than before. Contributors to this volume argue that we need to get back to basics; that there are sobering lessons to be learnt from Somalia, the Lebanon and Cambodia; that we need to ask some fundamental questions. Can peacekeeping be 'reformed' or must it be totally 'reinvented'? Are soldiers the best peacekeepers and, if not, who should replace them?

Are police forces agents of the state or of society? How do different police forces maintain order? How does the nature of a country's political system affect the state's reaction to disorder? This study identifies trends in public-order policing across a broad sample of seven countries: Britain, Northern Ireland, the Irish Republic, the United States of America, Israel, South Africa and China. It explains why the handling of disorder has become a controversial and topical issue in different parts of the world. Each chapter provides a range of data on the size, make-up and cost of the police and follows a common format in analysing the place of the police at the junction of state-society relations.

Challenging the orthodox view that European integration is eroding national identity, this groundbreaking volume links identity, citizenship and democratic legitimacy in a unique way by focusing on key themes: c the suggestion that the EMU project is much more than an economic enterprise: it will invade national sovereignty and destroy cherished national symbols. c relating assertive regional and ethnic identities to evolving concepts of EU citizenship and a European identity. c the danger the whole European project may be in if a genuine EU-level citizenship is not created. The role of frontiers in the integration process is ambiguous and double-edged. Frontier zones once had a life of their own and, ironically, integration emphasizes frontiers in a new way. Written by authors of different nationalities and disciplines, this timely volume is accessible for readers from many backgrounds, and will lead them to a clearer understanding of the metamorphosing 'New Europe'.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Moxon's Standard Readings And Recitations, Ed. By T. Hood Edward Moxon (and co.) Thomas Hood

Title: Christmas. A poem.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The POETRY & DRAMA collection includes books from the British Library digitised by Microsoft. The books reflect the complex and changing role of literature in society, ranging from Bardic poetry to Victorian verse. Containing many classic works from important dramatists and poets, this collection has something for every lover of the stage and verse. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Moxon, Edward; 1829. 12 . 994.k.25.

This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.