Melvin B. Tolson (1898-1966) was both a participant in and historian of the Harlem Renaissance, probably the most significant movement in African American literature and culture. Known mostly for his poetry, and an unduly neglected figure in American literary history, Tolson was one of the first African American critics of the Harlem Renaissance. This book is an edition of his 1940 MA thesis, the first academic study of the Harlem Renaissance written by an African American scholar. Tolson's thesis, previously unpublished in its entirety, provides a unique look at this important era and draws heavily on his familiarity with some of the most important writers of the movement.

Included are discussions of such major figures as Langston Hughes, Claude McKay, and W.E.B. Du Bois, along with chapters on lesser-known authors such as George Schuyler, Eric Walrond, and Jessie Fauset, who are now being rediscovered. An introductory essay surveys the history of Harlem Renaissance criticism and Tolson's place in it and evaluates his methodology and use of sources. The introduction additionally presents a brief biography and details the creation of his thesis. The text of Tolson's thesis appears in its entirety, along with his notes and those of the volume editor. The book closes with a bibliography of works on Tolson and a large but selective bibliography on the Harlem Renaissance in general.

Afro-Cubanism is a movement in Caribbean arts and letters that stemmed from a rediscovery of the region's African heritage during the 1920s and to some extent paralleled the Harlem Renaissance in the United States. Thus the movement was not an isolated fad but the result of a long-standing tradition. Intended for both scholars of Latin American literature and specialists in ethnic studies, this book traces the development of Afro-Cubanism from its origins in medieval Spain to its highest expression in the 1930s. Each chapter offers a close reading of a major text that represents a moment of canonical change. Throughout the volume, special attention is given to the role played by racial ideology in the construction of the literary portrayal of Afro-Cubans.

Through a combination of literary history and insightful examination of key texts, the book clarifies issues regarding both the genesis of Afro-Cubanism and its importance in Spanish-American literature, and it links the movement to recent theories of canon formation by examining how Afro-Hispanic literary works have become valued by academic critics and writers. In order to show how nations of race and nationalism contributed to the shaping of the Afro-Cuban vogue, the volume looks at several major works and provides translations into English of a few short but influential studies.

The Making of Modern Law: Foreign, Comparative and International Law, 1600-1926, brings together foreign, comparative, and international titles in a single resource. Its International Law component features works of some of the great legal theorists, including Gentili, Grotius, Selden, Zouche, Pufendorf, Bijnkershoek, Wolff, Vattel, Martens, Mackintosh, Wheaton, among others. The materials in this archive are drawn from three world-class American law libraries: the Yale Law Library, the George Washington University Law Library, and the Columbia Law Library.Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.+++++++++++++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: +++++++++++++++Harvard Law School LibraryLP2H000560019200101The Making of Modern Law: Primary Sources, Part IISheridan, Wyoming: The Mills Company, 19201444 p.; 27 cmUnited States

The book Young Gladiators will provide the reader with an indepth account of judo, from the past to present time. Changing trends throughout the judo world, with the movement of strenghths predominately shifting away from Japan towards China, Korea and many of the former satelite states of the old Soviet Union, such places as Georgia the Ukrane and many others. The book is not meant to be crytical, however it questions Britains past performances at the Olympic Games, the development programme in place with issues, who should take the glory or blame for results. On a possitive note the book looks at all the hard work the governing bodies have done to advance judo to where it is today. As in the name, Young Gladiators suggests fighters, the book is intended for the young aspireing contest players who have taken this path in the hope one day they will be the champion. The technical side of the book looks in depth at the skills of both Tachi Waza and Ne Waza, and although contest orientated it should be easily understood by all judoka at any level.