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This book focuses from a chronological perspective on photography
as a tool for a new visuality and the rupture of the role of the
spectator: photographic exhibitions from 1928 to 1955, from the
spaces designed by Lissitzky's to The Family of Man; the trajectory
of utopian architectural-photographic space and from
post-Revolutionary Russia to America during the Cold War. This
space documents the exhibitions designed by Lissitzky (Pressa, Film
und Foto, etc); German, Italian and Spanish exhibitions in the
1930s, and exhibitions in MOMA during the Second World War.
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Loot
Nadine Gordimer
Paperback
 (2)
R367
R340
Discovery Miles 3 400
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