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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
2011 marks the centenary of the death of Edward Whymper, one of the
most important figures in the history of mountaineering. His ascent
of the Matterhorn in 1865, and the deaths of four members of his
party on the way down, attracted attention throughout the world,
bringing him praise and criticism in equal measure. In later years,
he largely devoted his life to lecturing and writing guidebooks,
touring Britain, Europe and America. Whymper was an early member of
the Alpine Club and in the club's archives is a set of magic
lantern slides he used to illustrate his lectures. Based on
extensive research, former AC Archivist Peter Berg has combined
these images with extracts from Whymper's books and diaries and
writings by his contemporaries, to recreate the lecture 'My
Scrambles amongst the Alps', first given in 1895. These pictures,
mostly not seen for 100 years and never been published as a set
before, give us a unique glimpse of the mountain world at the end
of the 19th century. We visit the Zermatt valley and its peaks,
passes and glaciers, experience Whymper's many attempts to climb
the Matterhorn, explore the Mont Blanc region, including the
ill-fated building of an observatory on the summit, and share some
of the joys and sorrows of mountaineering. Setting the lecture in
context, is a foreword by the distinguished mountaineer and former
AC President, Stephen Venables.
Commemorating the 150th anniversary of the first climb of the
Matterhorn by Edward Whymper and his party in July1865, this large
format pictorial book features over 100 pages of photographs of the
world's most recognisable mountain, together with tantalising
extracts from Whymper's own book The Ascent of the Matterhorn, and
the details of Graeme Wallace's attempt to traverse the summit up
via the Lion Ridge in Italy and down the Hornli Ridge in
Switzerland, 150 years later in 2015. Back in 1865, a series of
remarkable coincidences brought together several ambitious British
mountaineers in a race to first ascend the 4478 metre Matterhorn.
Referred to as The Devil's Mountain and believed to be the place
where only spirits dwelt, the Matterhorn was considered
un-scalable. While the hurriedly formed British team tackled the
unknown north-east ridge, a well-funded Italian team, with a two
day head start, approached up via the south-west ridge. The race to
finally conquer the mighty Matterhorn was truly on.Success was
followed by disaster and despite becoming the most successful
mountaineer of his day, stories of triumph, transgression and
tragedy would follow Whymper for the rest of his 46 years of life.
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