Proving Grounds brings together a wide range of scholars across disciplines and geographical borders to deepen our understanding of the environmental impact that the U.S. military presence has had at home and abroad. The essays in this collection survey the environmental damage caused by weapons testing and military bases to local residents, animal populations, and landscapes, and they examine the military's efforts to close and repurpose bases-often as wildlife reserves. Together they present a complex and nuanced view that embraces the ironies, contradictions, and unintended consequences of U.S. militarism around the world. In complicating our understanding of the American military's worldwide presence, the essayists also reveal the rare cases when the military is actually ahead of the curve on environmental regulation compared to the private sector. The result is the most comprehensive examination to date of the U.S. military's environmental footprint-for better or worse-across the globe.

In Four Decades On, historians, anthropologists, and literary critics examine the legacies of the Second Indochina War, or what most Americans call the Vietnam War, nearly forty years after the United States finally left Vietnam. They address matters such as the daunting tasks facing the Vietnamese at the war's end-including rebuilding a nation and consolidating a socialist revolution while fending off China and the Khmer Rouge-and "the Vietnam syndrome," the cynical, frustrated, and pessimistic sense that colored America's views of the rest of the world after its humiliating defeat in Vietnam. The contributors provide unexpected perspectives on Agent Orange, the POW/MIA controversies, the commercial trade relationship between the United States and Vietnam, and representations of the war and its aftermath produced by artists, particularly writers. They show how the war has continued to affect not only international relations but also the everyday lives of millions of people around the world. Most of the contributors take up matters in the United States, Vietnam, or both nations, while several utilize transnational analytic frameworks, recognizing that the war's legacies shape and are shaped by dynamics that transcend the two countries. Contributors. Alex Bloom, Diane Niblack Fox, H. Bruce Franklin, Walter Hixson, Heonik Kwon, Scott Laderman, Mariam B. Lam, Ngo Vinh Long, Edwin A. Martini, Viet Thanh Nguyen, Christina Schwenkel, Charles Waugh

Beginning where most histories of the Vietnam War end, ""Invisible Enemies"" examines the relationship between the United States and Vietnam following the American pullout in 1975. Drawing on a broad range of sources, from White House documents and congressional hearings to comic books and feature films, Edwin Martini shows how the United States continued to wage war on Vietnam ""by other means"" for another twenty-five years. In addition to imposing an extensive program of economic sanctions, the United States opposed Vietnam's membership in the United Nations, supported the Cambodians, including the Khmer Rouge, in their decade-long war with the Vietnamese, and insisted that Vietnam provide a ""full accounting"" of American MIAs before diplomatic relations could be established. According to Martini, such policies not only worked against some of the stated goals of U.S. foreign policy, they were also in opposition to the corporate economic interests that ultimately played a key role in normalizing relations between the two nations in the late 1990s. Martini reinforces his assessment of American diplomacy with an analysis of the ""cultural front"" - the movies, myths, memorials, and other phenomena that supported continuing hostility toward Vietnam while silencing opposing views of the war and its legacies. He thus demonstrates that the ""American War on Vietnam"" was as much a battle for the cultural memory of the war within the United States as it was a lengthy economic, political, and diplomatic campaign to punish a former adversary.

In Four Decades On, historians, anthropologists, and literary critics examine the legacies of the Second Indochina War, or what most Americans call the Vietnam War, nearly forty years after the United States finally left Vietnam. They address matters such as the daunting tasks facing the Vietnamese at the war's end-including rebuilding a nation and consolidating a socialist revolution while fending off China and the Khmer Rouge-and "the Vietnam syndrome," the cynical, frustrated, and pessimistic sense that colored America's views of the rest of the world after its humiliating defeat in Vietnam. The contributors provide unexpected perspectives on Agent Orange, the POW/MIA controversies, the commercial trade relationship between the United States and Vietnam, and representations of the war and its aftermath produced by artists, particularly writers. They show how the war has continued to affect not only international relations but also the everyday lives of millions of people around the world. Most of the contributors take up matters in the United States, Vietnam, or both nations, while several utilize transnational analytic frameworks, recognizing that the war's legacies shape and are shaped by dynamics that transcend the two countries. Contributors. Alex Bloom, Diane Niblack Fox, H. Bruce Franklin, Walter Hixson, Heonik Kwon, Scott Laderman, Mariam B. Lam, Ngo Vinh Long, Edwin A. Martini, Viet Thanh Nguyen, Christina Schwenkel, Charles Waugh