A moving journey of discovery into the unexplored continent that is often our families’ past. It can be read as a reconstruction of one’s own Jewish and at the same time European-South African roots, but through these micro-histories we arrive at the events of the Second World War and the Holocaust to the level of macro-history.

Egonne Roth’s work brilliantly illustrates the complex mechanism of intergenerational, communicative memory and cultural memory (described by Jan and Aleida Assmann, among others). On a feminist level, it is also a personal history of the daughter-father relationship, leading to a kind of purification, a catharsis.

The detective-like reconstruction of the multi-ethnic segments of the family’s history has as its backdrop the arduous completion of one’s own biography from scraps of documents, accounts of the now few witnesses, secrets, and traumas hidden for decades.

Although Olga Kirsch’s is the only Jewish voice in Afrikaans poetry, it is scarcely known among members of the South African Jewish community. Olga Kirsch was, after Elisabeth Eybers, only the second woman to publish a collection of poetry in Afrikaans.

The aims of this biography are to reverse this slide into obscurity and to show why her work is important not only in South Africa but also in Israel.

It does not only investigate Kirsch’s role as Afrikaans Jewish poet but also examines her as an example of a cross-cultural, multi-lingual immigrant poet. As such some of her English and Hebrew poetry are included in this work.

Hoewel Olga Kirsch die enigste Joodse stem in die Afrikaanse digkuns is, is dit skaars bekend onder lede van die Suid-Afrikaanse Joodse gemeenskap. Olga Kirsch was, na Elisabeth Eybers, maar die tweede vrou wat ‘n digbundel in Afrikaans laat verskyn het.

Die doelwit van hierdie biografie is om te keer dat haar werk vergete raak en om te wys waarom haar werk belangrik is, nie net in Suid-Afrika nie, maar ook in Israel.

Dit ondersoek nie net Kirsch se rol as Afrikaanse Joodse digter nie, maar ook haar as voorbeeld van ‘n grensoorsteker tussen kulture en veeltalige immigrante-digter. Daarom is van haar Engelse en Hebreeuse digkuns ook ingesluit in hierdie werk.