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The first films were shorts. Most leading filmmakers made shorts,
including Chaplin, Keaton, Orson Welles, Stanley Kubrick, Lindsay
Anderson, and--more recently--Lynne Ramsey and Damian O' Donnell.
Though a standard and much-loved part of the cinemagoing experience
for decades, short films are now rarely seen, even though more are
made than ever. Hundreds of student films are made annually and
television stations use shorts as fillers. Dotcom companies fight
to secure rights and short film festivals take place all over the
world. There is even the beginning of a comeback for the cinema
short.
This book traces the history of the short film and its current
role. Focusing on short-film producers and directors, it looks at
the short film as a training opportunity for new talent. It covers
issues of distribution, funding (including the lottery boom),
exhibition, festivals, training, and publications.
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