'All she wants is a new country, a new language, new food. New people, new stories ... She wants all this newness - which is as old as the hills - to encourage her, enclose her, remake her... She feels this, though she doesn't really believe it.' In these eleven stories, E ili s Ni Dhuibhne draws us into the lives of characters struggling to find equilibrium. Visited by change and crisis, they are forced to confront the stories that define their sense of themselves and their place in the world. Beautifully written and sharply observed, this dazzling and daring collection is a deft exploration of the complexities of human desire - its darkness, its incoherence, its potential to help us tell a new story.

Mapping the changes that have occurred in Irish literature over the past fifty years, this volume includes twenty-one writers, poets, and playwrights from the North and South of Ireland, who tell their own stories. They are funny, tragic, angry, philosophical, but all are vivid personal accounts of their experiences as women writing during a pivotal period in the history of Ireland. With a foreword by Martina Devlin, and an introduction by Eilis Ni Dhuibhne, the anthology includes essays by Cherry Smyth, Mary Morrissy, Lia Mills, Moya Cannon, Aine Ni Ghlinn, Catherine Dunne, Eilis Ni Dhuibhne, Mary O'Donnell, Mary O'Malley, Ruth Carr, Evelyn Conlon, Anne Devlin, Ivy Bannister, Sophia Hillan, Medbh McGuckian, Mary Dorcey, Celia de Freine, Mairide Woods, Liz McManus, Mary Rose Callaghan, and Phyl Herbert.

This volume collects new short stories from one of Ireland's leading writers in both the Irish and English languages. Eilis Ni Dhuibhne's stories are widely acclaimed for their acute perception of Irish women's lives, the power of her verbal economy, and her skillful and unique use of bothhumor and the fantastic.

'I caught a glimpse of him, behind the veil. And he knew I'd caught it. There was that understanding between us. We were members of the club of the X-ray eyes, the club of people who can see into the human heart.' Eilis Ni Dhuibhne's candid and moving memoir tells the story of her thirty-year relationship with the love of her life, internationally renowned folklorist Bo Almvqvist, capturing brilliantly the compromises and adjustments and phases of their relationship. Twelve Thousand Days is a remarkable story about love, grief and time, shot through with wry and sharp observations on Irish life, culture and morality.

2016 marks the centenary of the Easter Rising, known as "the poets' rebellion", for among their leaders were university scholars of English, history and Irish. The ill-fated revolt lasted six days and ended ignominiously with the rebels rounded up and their leaders sentenced to death. The signatories of the Proclamation of the Irish Republic must have known that the Rising would be crushed, must have dreaded the carnage and death, must have foreseen that, if caught alive, they would themselves be executed. Between 3 and 12 May 1916, the seven signatories were among those executed by firing squad in Kilmainham Gaol. Now 100 years later, eight of Ireland's finest writers remember these revolutionaries in a unique theatre performance. The forgotten figure of Elizabeth O'Farrell - the nurse who delivered the rebels' surrender to the British - is also given a voice. Signatories comprises the artistic responses of Emma Donoghue, Thomas Kilroy, Hugo Hamilton, Frank McGuinness, Rachel Fehily, Eilis Ni Dhuibhne, Marina Carr and Joseph O'Connor to the seven signatories and Nurse O'Farrell.They portray the emotional struggle in this ground-breaking theatrical and literary commemoration of Ireland's turbulent past. A performance introduction on the staging of the play is given by Director Patrick Mason, and an introduction by Lucy Collins, School of English, Drama and Film, UCD, sets the historical context of the play.