Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Story of the Volsungs is an epic work by William Morris, numbering over 10,000 lines and notable for inspiring the high fantasy literature of J. R. R. Tolkien and other famous authors. In his lifetime, Morris was praised by contemporaries for this poem, inspired by the existing legends of Nibelungenlied and the Volsungs, dating to the Middle Ages. The warrior society these tales depict are thought to have a reasonable measure of grounding in the reality of Nordic life as it was during antiquity; a martial culture, where strength and iron playing their pivotal part. We are introduced to the legend with a wedding; King Volsung's daughter Signy marries Siggeir, king of the Goths. However the God Odin, disguised as an elderly man of benign appearance, enters the ceremony and drives a blade into a tree trunk. Inviting everyone in the room to draw their swords in response, it is to the shock of those attending the ceremony that only Sigmund, a young and otherwise undistinguished man, is able to do so.

The first of William Morris's great fantastic romances is a translation of the old Norse saga, The House of the Wolfings. Of this tale, The Encyclodedia of Fantasy wrote: "The first step toward the characteristic large-scale fantasies which have had such influence on the genre . . . is The House of the Wolfings. Here the setting is quasi-historical: a European Saxon community is resisting the decadent advances of late Imperial Rome. The romantic-supernatural story contains a large admixture of verse." Indeed, Morris's chief contribution to the book is his beautiful prose and poetry, for his version of the story is actually a collaboration with Norse scholar Eirikr Magnusson, who provided a literal translation of the original text, which Morris then reset as prose and poetry. Morris's version of The House of the Wolfings has influenced generations of writers, including J.R.R. Tolkien, C.S. Lewis, and countless hundreds more.

A translation of the old Norse tale "The Tale of Hogni and Hedinn," translated by Eirikr Magnusson and William Morris.

This Old Norse text and English translation, prepared by the librarian and scholar Eirikr Magnusson (1833-1913) and published in two volumes between 1875 and 1883, remains the standard edition of the 'Saga of Archbishop Thomas'. Composed in Iceland in the early fourteenth century, it narrates the life, death and miracles of Thomas Becket, based on earlier Latin and Old French traditions. Embedded in the saga is a lost Latin life by Robert of Cricklade, written soon after Becket's murder in 1170, which contains some unique details: for example, that he had a stammer. The saga is valuable not only as evidence for Becket's life, but as an insight into the development of his saintly cult in Iceland. Volume 1 contains the account of Thomas's childhood, his life as chancellor and archbishop, his conflict with the king and his murder at Canterbury.

This Old Norse text and English translation, prepared by the librarian and scholar Eirikr Magnusson (1833-1913) and published in two volumes between 1875 and 1883, remains the standard edition of the 'Saga of Archbishop Thomas'. Composed in Iceland in the early fourteenth century, it narrates the life, death and miracles of Thomas Becket, based on earlier Latin and Old French traditions. Embedded in the saga is a lost Latin life by Robert of Cricklade, written soon after Becket's murder in 1170, which contains some unique details: for example, that he had a stammer. The saga is valuable not only as evidence for Becket's life, but as an insight into the development of his saintly cult in Iceland. Volume 2 includes an extensive introduction to the text and its place in the tradition of Becket historiography, an account of St Thomas's miracles, several appendices of related texts, and an extensive glossary of words and phrases.

Old lore, rituals, ceremonies and undead hauntings occur in this Story.There are also several references to the colonization of Greenland and one reference to an expedition to Vinland. It also mentions a journey by Guoleifr Guolaugsson and his crew to Great Ireland, which was said to exist beyond Vinland. Whether your interest is exploration or even the Undead, this classic tale is for you

"The Saga of the Volsungs" is one of the truly great Icelandic sagas. Composed sometime in the twelfth or thirteenth century by an unknown author, it is the story of Sigurd the dragon-slayer. Filled with elements of Norse mythology and great human drama, "The Saga of the Volsungs" has greatly influenced the fantasy genre of literature. Presented in this volume is the translation of Eir kr Magn sson and William Morris.

The Story of the Volsungs is an epic work by William Morris, numbering over 10,000 lines and notable for inspiring the high fantasy literature of J. R. R. Tolkien and other famous authors. In his lifetime, Morris was praised by contemporaries for this poem, inspired by the existing legends of Nibelungenlied and the Volsungs, dating to the Middle Ages. The warrior society these tales depict are thought to have a reasonable measure of grounding in the reality of Nordic life as it was during antiquity; a martial culture, where strength and iron playing their pivotal part. We are introduced to the legend with a wedding; King Volsung's daughter Signy marries Siggeir, king of the Goths. However the God Odin, disguised as an elderly man of benign appearance, enters the ceremony and drives a blade into a tree trunk. Inviting everyone in the room to draw their swords in response, it is to the shock of those attending the ceremony that only Sigmund, a young and otherwise undistinguished man, is able to do so.