Introducing Britain's finest examples of brutalist architecture. Brutalist architecture is more popular now than it has ever been. Imposing and dramatic, with monolithic concrete exteriors, it forms an enduring part of our post-war urban landscape. This beautifully photographed book is an authoritative survey of the finest British examples from the very late 1950s to the 1970s, from leading architectural writer Elain Harwood, following on from her acclaimed books on art deco and mid-century architecture. It features iconic public buildings like London's National Theatre, imposing housing such as the Trellick Tower in West London and Park Hill in Sheffield, great educational institutions including the University of Sussex, and places of worship such as Liverpool's glorious Metropolitan Cathedral, along with some lesser-known buildings such as Arlington House on Margate's sea front. Headed up with an introduction that places British brutalism within the context of global events and contemporary world architecture, the huge range of buildings is arranged into Private Houses and Flats, Public Housing, Educational Buildings, Public Buildings, Shops, Markets and Town Centres, Culture and Sport, Places of Worship, Offices and Industry and Transport, and there is a chapter on the atmospheric brutalist sculptures and murals that dot our cities. If you're part of the increasingly large ranks of brutalism fans, or interested in late 20th-century architecture and society in general, Brutalist Britain is the book for you.

England's Post-War Listed Buildings is a comprehensive and stylish guide to over 500 of the country's most striking and historically relevant architectural gems, from private houses to schools, churches, military buildings, monuments and parks.Listed buildings include traditional works by Raymond Erith and Donald McMorran and many of the 'pop icons' of the 1960s (including Centre Point). Also featured are internationally outstanding modern works like Stirling and Gowan's Leicester Engineering Building and Foster Associates' offices for Willis Faber Dumas in Ipswich.This fully updated and expanded edition contains numerous new entries arranged in an accessible, regional structure, as well as features on telephone boxes, landscapes, memorials and sculptures. Each entry is illustrated with photographs and includes information on architect, date of construction and listing grade date, as well as a detailed description of the site and what makes it unique.

A lively, authoritative and practical guide to the buildings of Nottingham, from its medieval beginnings to the innovative architecture of the 21st century. Outstanding buildings range from the famous Castle, a Baroque palace on an unforgettable cliff-top site, to the internationally important 1930s complex for Boots at Beeston. A rich legacy also remains from Nottingham's Georgian and Victorian prosperity, explored here in a series of walks around the regenerated city centre and its distinctive and varied inner suburbs. Illustrated throughout in colour with specially commissioned photographs, augmented by a wealth of maps and historic views, "Nottingham" is at once the indispensible visitor's companion and an essential reference work.

An illuminating look at a controversial architectural style--and its finest examples. Postmodern architecture, which emerged in the 1980s, has been much maligned--but in this book historians Elain Harwood and Geraint Franklin celebrate the genre with a fascinating discussion of its background and key concepts. Each lavishly illustrated entry focuses on what characteristics make the structure unique and provides information on the architect who created it. Eye-opening examples include No 1 Poultry, a London office building by James Stirling; the Sainsbury Wing of the National Gallery, designed by Robert Venturi; the striking TV-am studios in Camden; and the iconic SIS Building in central London.

Ernö Goldfinger (1902-1987) is noted for his pre-war Hampstead house, preserved with all its contents by the National Trust, and for his high-rise housing of the late 1960s. These buildings bookend a long and varied career as a modernist who thought deeply about domestic space, cities and the constructional discipline of architecture. Inspired by his teacher Auguste Perret, he carried the spirit of 1920s Paris to enliven the English architectural scene. Goldfinger offered imaginative alternatives to standard solutions for post-war schools, housing and offices, and excelled at the composition of clusters of free-standing buildings as well as fitting neatly into existing streets. An unexpected aspect of his work was the collaboration with Paul and Marjorie Abbatt, founders of Britain’s first modernist toy business. Based on thorough research in Goldfinger’s extensive archive and close knowledge of the full range of his projects, this book provides an accessible and generously illustrated account of a fascinating figure. A unique collaboration by two of Britain’s leading architectural historians of the twentieth century, Elain Harwood and Alan Powers have campaigned for the preservation of Goldfinger’s work for over thirty years.