In 1960, the FDA approved the contraceptive commonly known as "the pill." Advocates, developers, and manufacturers believed that the convenient new drug would put an end to unwanted pregnancy, ensure happy marriages, and even eradicate poverty. But as renowned historian Elaine Tyler May reveals in "America and the Pill," it was women who embraced it and created change. They used the pill to challenge the authority of doctors, pharmaceutical companies, and lawmakers. They demonstrated that the pill was about much more than family planning--it offered women control over their bodies and their lives. From little-known accounts of the early years to personal testimonies from young women today, May illuminates what the pill did and did "not" achieve during its half century on the market.

When Homeward Bound first appeared in 1988, it forever changed the way we understand Cold War America. Previously, scholars understood the post-World War II era as a time when Americans turned away from politics to enjoy the fruits of peace and prosperity after decades of depression and war, while their leaders remained preoccupied with the Soviet threat and the dangers of the Atomic Age. Homeward Bound challenged the idea of an apolitical private arena, demonstrating that the Atomic Age and the Cold War were not merely the concerns of experts and policy makers, but infused American life on every level, from the boardroom to the bedroom. As Elaine Tyler May argues, the official foreign policy of "containment" toward the Soviet Union had a domestic corollary, in which the perceived dangers of the age--nuclear war, communist subversion, consumer excess, sexual experimentation, and women's emancipation--were "contained" within the family, an institution now expected to fulfill its members hopes and dreams for security and the good life in the midst of a frightening world. "Domestic containment" is now the standard interpretation of the era, and Homeward Bound has become a classic. This new edition includes an updated introduction and a new epilogue examining the legacy of Cold War obsessions with personal and family security in the present day.

Short Plays, Comedy

Charatcers: 2 male, 2 female

3 interior sets

Consists of The Way of All Fish, Virtual Reality and In and Out of the Light, three short plays about the collision of wills that were an Off Broadway comedy sensation starring the authors.

"Classic comedies ... with subversive details that keep catching you off guard.... The evening ... percolates with actorly inventiveness and a willingness to pursue a warped logic step by step into the land of absurdity. Has a heady sense of discovery, of seeing prototypical situations being twisted and spun to the point of dizziness, of disparate comic minds bouncing off each other."-N.Y. Times

"A giddy delight."-N.Y. Post

"Hilarious as well as thoughtful."-N.Y. Daily News

An American re-make of the 1978 film French film 'La Cage aux Folles'. Armand (Robin Williams) runs the Birdcage nightclub in Miami South Beach where his partner Albert (Nathan Lane) is the star drag act. When Armand's son announces his intention to marry the daughter of a right wing senator (Gene Hackman), and the in-laws arrive expecting to meet Armand and his wife, a grand farce ensues.

An American re-make of the 1978 film French film 'La Cage aux Folles'. Armand (Robin Williams) runs the Birdcage nightclub in Miami South Beach where his partner Albert (Nathan Lane) is the star drag act. When Armand's son announces his intention to marry the daughter of a right wing senator (Gene Hackman), and the in-laws arrive expecting to meet Armand and his wife, a grand farce ensues.