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An intellectual history of contrasting ideas around the power of the arts to bring about personal and societal change - for better and worse. A fascinating account of the value and functions of the arts in society, in both the private sphere of individual emotions and self-development and public sphere of politics and social distinction.
What is the value of the arts and humanities today? This question points to a long and extensively discussed dilemma. Eleonora Belfiore and Anna Upchurch have compiled a collection of original essays that offer a novel approach to tackling this difficult question. These contributions offer examples that show that, rather than relying on the narrowly utilitarian notion of 'research impact' that has developed within current educational policies and debates, it may be more appropriate to look at the ways in which arts and humanities research is already engaged in collaborative endeavours, both within academia and beyond, in order to address the big ethical, political, technological and environmental challenges of contemporary life. The contributors are scholars from diverse backgrounds, cultural and business professionals as well as policy makers from both the UK and the US. The wealth and diversity of perspectives and experiences they bring to the consideration of the place and role of the arts and humanities in contemporary society allows for a refreshed debate that does not rely on simplistic and questionable notions of socio-economic impact as a proxy for value.
This collection of essays by scholars with expertise in a range of fields, cultural professionals and policy makers explores different ways in which the arts and humanities contribute to dealing with the challenges of contemporary society in ways that do not rely on simplistic and questionable notions of socio-economic impact as a proxy for value.
This book develops the first integrated, critical-historical examination of the terms, narratives and assumptions constructing present day notions of participation and value, and the relations between them. Histories of Cultural Participation, Values and Governance proposes a radical re-evaluation of these relationships, organized in two inter-related sections, on political discourses of participation and value, and on culture and governance. The essays collected here provide an in-depth historical understanding of the development of definitions, assumptions and beliefs around the nature and value of cultural participation, their place in contemporary cultural governance and exploitation in local socio-economic development strategies. They also bring a novel perspective to current policy, practice and scholarly debates on the connections between culture, place-making and the creative economy. As such, the essays provide vital historical insight that sheds light on contemporary issues of cultural participation, value and governance.
This book develops the first integrated, critical-historical examination of the terms, narratives and assumptions constructing present day notions of participation and value, and the relations between them. Histories of Cultural Participation, Values and Governance proposes a radical re-evaluation of these relationships, organized in two inter-related sections, on political discourses of participation and value, and on culture and governance. The essays collected here provide an in-depth historical understanding of the development of definitions, assumptions and beliefs around the nature and value of cultural participation, their place in contemporary cultural governance and exploitation in local socio-economic development strategies. They also bring a novel perspective to current policy, practice and scholarly debates on the connections between culture, place-making and the creative economy. As such, the essays provide vital historical insight that sheds light on contemporary issues of cultural participation, value and governance.
Now in paperback, an intellectual history of contrasting ideas around the power of the arts to engender personal and societal change - for better and worse. A fascinating account of the value and functions of the arts in society, in the private sphere of individual emotions and self-development and public sphere of politics and social distinction.
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