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Undertaken at the interface of critical theory and world
literature, Moments of Capital sets out to grasp the unity and
heterogeneity of global capital in the postcolonial present. Eli
Jelly-Schapiro argues that global capital is composed of three
synchronous moments: primitive accumulation, expanded reproduction,
and the "synthetic dispossession" facilitated by financialization
and privatization. These moments correspond to distinct economic
and political forms, and distinct strands of theory and fiction.
Moments of Capital integrates various intellectual traditions-from
multiple trajectories of Marxist thought, to Weberian inquiries
into the "spirit" of capitalism, to anticolonial accounts of racial
depredation-to reveal the concurrent interrelation of the three
moments of capital. The book's literary readings, meanwhile, make
vivid the uneven texture and experience of capitalist modernity at
large. Analyzing formally and thematically diverse novels-works by
Fiston Mwanza Mujila, Marlon James, Jennifer Egan, Eugene Lim,
Rafael Chirbes, Neel Mukherjee, Rachel Kushner, and
others-Jelly-Schapiro evinces the different patterns of feeling and
consciousness that register, and hypothesize a way beyond, the
contradictions of capital. This book develops a new conceptual key
for the mapping of contemporary theory, world literature, and
global capital itself.
Undertaken at the interface of critical theory and world
literature, Moments of Capital sets out to grasp the unity and
heterogeneity of global capital in the postcolonial present. Eli
Jelly-Schapiro argues that global capital is composed of three
synchronous moments: primitive accumulation, expanded reproduction,
and the "synthetic dispossession" facilitated by financialization
and privatization. These moments correspond to distinct economic
and political forms, and distinct strands of theory and fiction.
Moments of Capital integrates various intellectual traditions-from
multiple trajectories of Marxist thought, to Weberian inquiries
into the "spirit" of capitalism, to anticolonial accounts of racial
depredation-to reveal the concurrent interrelation of the three
moments of capital. The book's literary readings, meanwhile, make
vivid the uneven texture and experience of capitalist modernity at
large. Analyzing formally and thematically diverse novels-works by
Fiston Mwanza Mujila, Marlon James, Jennifer Egan, Eugene Lim,
Rafael Chirbes, Neel Mukherjee, Rachel Kushner, and
others-Jelly-Schapiro evinces the different patterns of feeling and
consciousness that register, and hypothesize a way beyond, the
contradictions of capital. This book develops a new conceptual key
for the mapping of contemporary theory, world literature, and
global capital itself.
When in 1492 Christopher Columbus set out for Asia but instead
happened upon the Bahamas, Cuba, and Hispaniola, his error
inaugurated a specifically colonial modernity. This is, Security
and Terror contends, the colonial modernity within which we still
live. And its enduring features are especially vivid in the current
American century, a moment marked by a permanent War on Terror and
pervasive capitalist dispossession. Resisting the assumption that
September 11, 2001, constituted a historical rupture, Eli
Jelly-Schapiro traces the political and philosophic genealogies of
security and terror-from the settler-colonization of the New World
to the wars in Afghanistan, Iraq, and beyond. A history of the
present crisis, Security and Terror also examines how that history
has been registered and reckoned with in significant works of
contemporary fiction and theory-in novels by Teju Cole, Mohsin
Hamid, Junot Diaz, and Roberto Bolano, and in the critical
interventions of Jean Baudrillard, Giorgio Agamben, Judith Butler,
Michael Hardt and Antonio Negri, and others. In this richly
interdisciplinary inquiry, Jelly-Schapiro reveals how the erasure
of colonial pasts enables the perpetual reproduction of colonial
culture.
When in 1492 Christopher Columbus set out for Asia but instead
happened upon the Bahamas, Cuba, and Hispaniola, his error
inaugurated a specifically colonial modernity. This is, Security
and Terror contends, the colonial modernity within which we still
live. And its enduring features are especially vivid in the current
American century, a moment marked by a permanent War on Terror and
pervasive capitalist dispossession. Resisting the assumption that
September 11, 2001, constituted a historical rupture, Eli
Jelly-Schapiro traces the political and philosophic genealogies of
security and terror-from the settler-colonization of the New World
to the wars in Afghanistan, Iraq, and beyond. A history of the
present crisis, Security and Terror also examines how that history
has been registered and reckoned with in significant works of
contemporary fiction and theory-in novels by Teju Cole, Mohsin
Hamid, Junot Diaz, and Roberto Bolano, and in the critical
interventions of Jean Baudrillard, Giorgio Agamben, Judith Butler,
Michael Hardt and Antonio Negri, and others. In this richly
interdisciplinary inquiry, Jelly-Schapiro reveals how the erasure
of colonial pasts enables the perpetual reproduction of colonial
culture.
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