Amnesiopolis explores the construction of Marzahn, the largest prefabricated housing project in East Germany, built on the outskirts of East Berlin in the 1970s and 1980s, and touted by the regime as the future of socialism. It focuses particularly on the experience of East Germans who moved, often from crumbling slums left over as a legacy of the nineteenth century, into this radically new place - one defined by pure functionality and rationality - a material manifestation of the utopian promise of socialism. Eli Rubin employs methodologies from critical geography, urban history, architectural history, environmental history, and everyday life history to ask whether their experience was a radical break with their personal pasts and the German past. Amnesiopolis asks: can a dramatic change in spatial and material surroundings sever the links of memory that tie people to their old life narratives, and if so, does that help build a new socialist mentality in the minds of historical subjects? The answer is yes and no-as much as the East German state tried to create a completely new socialist settlement, divorced of any links to the pre-socialist past, the massive construction project uncovered the truth buried-literally-in the ground, which was that the urge to colonize the outskirts of Berlin was not new at all. Furthermore, the construction of a new city out of nothing, using repeating, identical buildings, created a panopticon-like effect, giving the Stasi the possibility of more complete surveillance than they previously had.

Eli Rubin takes an innovative approach to consumer culture to explore questions of political consensus and consent and the impact of ideology on everyday life in the former East Germany. Synthetic Socialism explores the history of East Germany through the production and use of a deceptively simple material: plastic. Rubin investigates the connections between the communist government, its Bauhaus-influenced designers, its retooled postwar chemical industry, and its general consumer population. He argues that East Germany was neither a totalitarian state nor a niche society but rather a society shaped by the confluence of unique economic and political circumstances interacting with the concerns of ordinary citizens. To East Germans, Rubin says, plastic was a high-technology material, a symbol of socialism's scientific and economic superiority over capitalism. Most of all, the state and its designers argued, plastic goods were of a particularly special quality, not to be thrown away like products of the wasteful West. Rubin demonstrates that this argument was accepted by the mainstream of East German society, for whom the modern, socialist dimension of a plastics-based everyday life had a deep resonance.