In this groundbreaking book, leading Arab and Jewish intellectuals examine how and why the Holocaust and the Nakba are interlinked without blurring fundamental differences between them. While these two foundational tragedies are often discussed separately and in abstraction from the constitutive historical global contexts of nationalism and colonialism, The Holocaust and the Nakba explores the historical, political, and cultural intersections between them. The majority of the contributors argue that these intersections are embedded in cultural imaginations, colonial and asymmetrical power relations, realities, and structures. Focusing on them paves the way for a new political, historical, and moral grammar that enables a joint Arab-Jewish dwelling and supports historical reconciliation in Israel/Palestine. This book does not seek to draw a parallel or comparison between the Holocaust and Nakba or to merely inaugurate a "dialogue" between them. Instead, it searches for a new historical and political grammar for relating and narrating their complicated intersections. The book features prominent international contributors, including a foreword by Lebanese novelist Elias Khoury on the centrality of the Holocaust and Nakba in the essential struggle of humanity against racism, and an afterword by literary scholar Jacqueline Rose on the challenges and contributions of the linkage between the Holocaust and Nakba for power to shift and a world of justice and equality to be created between the two peoples. The Holocaust and the Nakba is the first extended and collective scholarly treatment in English of these two constitutive traumas together.

Milia's response to her new husband Mansour and to the Arab World of 1947 is to close her eyes and drift into parallel worlds. Identities shift. Present, past, and future mingle and merge: she finds herself able to converse with the dead and foresee the future. As the novel progresses in glimpses, Milia's dreams become more navigable than the strange and obstinate "reality" in which she finds herself, and the two realms grow ever more entangled. This wondrous tapestry of love, faith, history, poetry, and vision cuts to the very heart of the deep-rooted conflicts of the region and breaks new literary ground.

Written in the opening phases of the Lebanese Civil War (1975--1990), "Little Mountain "is told from the perspectives of three characters: a Joint Forces fighter; a distressed civil servant; and an amorphous figure, part fighter, part intellectual. Elias Khoury's language is poetic and piercing as he tells the story of Beirut, civil war, and fractured identity.

In this groundbreaking book, leading Arab and Jewish intellectuals examine how and why the Holocaust and the Nakba are interlinked without blurring fundamental differences between them. While these two foundational tragedies are often discussed separately and in abstraction from the constitutive historical global contexts of nationalism and colonialism, The Holocaust and the Nakba explores the historical, political, and cultural intersections between them. The majority of the contributors argue that these intersections are embedded in cultural imaginations, colonial and asymmetrical power relations, realities, and structures. Focusing on them paves the way for a new political, historical, and moral grammar that enables a joint Arab-Jewish dwelling and supports historical reconciliation in Israel/Palestine. This book does not seek to draw a parallel or comparison between the Holocaust and Nakba or to merely inaugurate a "dialogue" between them. Instead, it searches for a new historical and political grammar for relating and narrating their complicated intersections. The book features prominent international contributors, including a foreword by Lebanese novelist Elias Khoury on the centrality of the Holocaust and Nakba in the essential struggle of humanity against racism, and an afterword by literary scholar Jacqueline Rose on the challenges and contributions of the linkage between the Holocaust and Nakba for power to shift and a world of justice and equality to be created between the two peoples. The Holocaust and the Nakba is the first extended and collective scholarly treatment in English of these two constitutive traumas together.

With empathy, tenderness, and pain, Elias Khoury tells the tragedy of the Lebanese Civil War through the eyes and lives of five Beirutis. Khalil Ahmed Jaber is found dead in a refuse heap, and we follow a journalist investigating the crime. We learn about Khalil from his widow, an engineer, a concierge, the garbage collector who discovered his body, and a doctor. Beirut itself is also a transfigured victim, buried in the rubble of violence, destruction, and inhumanity.

Elias Khoury's Gate of the Sun (deemed a "masterwork" by The New York Times) was a 2006 New York Times Notable book and was named Best Book of the Year by both The Christian Science Monitor and the San Francisco Chronicle. His Yalo inspired the Los Angeles Times to assert that "the beautiful, resilient city of Beirut belongs to Khoury."

"Khoury is one of the greatest writers of our times and perhaps the greatest Arabic-language writer of this generation, definite Nobel Prize material" Avraham Burg, Haaretz Who is Adam Dannoun? Until a few months before his death in a fire in his New York apartment - a consequence of smoking in bed - he thought he knew. But an encounter with Blind Mahmoud, a father figure from his childhood, changed all that. From Mahmoud he learned the terrible truth behind his birth, a truth withheld from him for fifty-seven years by the woman he thought was his mother. This discovery leads Adam to investigate what exactly happened in 1948 in Palestine in the city of Lydda where he was born: the massacre, the forced march into the wilderness and the corralling of those citizens who did not flee into what the Israeli soldiers and their Palestinian captives came to refer to as the Ghetto. The stories he collects speak of bravery, ingenuity and resolve in the face of unimaginable hardship. Saved from the flames that claimed him, they are his lasting and crucial testament. Translated from the Arabic by Humphrey Davies

Yalo was a soldier on one of the many sides in Lebanon's sectarian civil war, before becoming a deserter and a thief, a nightwatchman in Paris, an arms smuggler, and then a rapist. And then he falls in love with his victim - who turns him in to the police. This novel is a modern Thousand and One Nights, a series of confessions extracted under torture, a recitation of all of his memories, all his sorrows, all his guilt - and of the other crimes his interrogators have him confess to. Beirut and the legacy of the wars of the Middle East are the texture of Elias Khoury's extraordinary literary achievement.

In a makeshift hospital in a refugee camp on the outskirts of Beirut, Yunis, an aging Palestinian freedom fighter, lies in a coma. His spiritual son Dr Khaleel - who has no real medical qualifications - nurses the older man, refusing to admit that his hero may never regain consciousness. In an attempt to revive his patient, Khaleel, begins telling Yunis the stories of their people's exile in Lebanon. He evokes deserted peasant villages, the suffering caused by the Lebanese civil war and the refugees' hopes to return home with a subtle mixture of anger and compassion. Khaleel also narrates Yunis' own extraordinary life. Interweaving many true-life tales collected throughout Lebanon and its refugee camps over the course of seven years, Elias Khoury has created a monumental and spellbinding saga.

"Los Angeles has Joan Didion and Raymond Chandler, and Istanbul, Orhan Pamuk. The beautiful, resilient city of Beirut belongs to Khoury."--Laila Lalami, " Los Angeles Times" From the author of "Gate of the Sun "and "one of the most innovative novelists in the Arab World" ("The Washington Post Book World") comes the many-layered story of Little Gandhi, or Abd Al-Karim, a shoe shine in a city fractured by war. Shot down in the street, Gandhi's story is recounted by an aging and garrulous prostitute named Alice. Ingeniously embedding stories within stories, "Little Gandhi "becomes the story of a city, Beirut, in the grip of civil war. Once again, as John Leonard wrote in "Harper's Magazine," Elias Khoury "fills in the blank spaces on the Middle Eastern map in our Western heads."

"City Gates" was first published in Arabic in 1981, and in English in 1993. It is a further exploration of the themes of exile, dislocation, and identity. Elias Khoury's early works show him finding the distinctive voice that explodes in his epic "Gate of the Sun."
A stranger arrives at the gates of a city from which everyone appears to have fled. The once besieged and now deserted city is Beirut. "City Gates" is a fable of displacement and a visionary tale about the consequences of civil war in the Middle East.

The objective of Manufacturing versus Corruption: Who Wins? is to use scientific methodologies and recommendations to motivate young people to participate in rendering the manufacturing ecosystem successful, by creating a socio-political stability amongst communities, counties, states, and nations in an unprecedented way. This book presents the reader with a practical approach and understanding of key scientific, industrial & managerial concepts that constitute a common policy narrative to be embraced, implemented, and executed across all governmental sectors. As a tool for policy makers, the authors demonstrate the need for a digital manufacturing economy grounded in complete transparency. With over 50 years of experience in engineering and manufacturing, Ramy Harik and Joseph Khoury are on a mission to bring together science, economics, technology, and policy making so all work in tandem for the greater good. Topics include digital manufacturing economies, manufacturing ring, importance of infrastructure and power for successful manufacturing, networks and internet, manufacturing policies, economic policies, education systems, water, importance of data in the manufacturing process, good manufacturing practices, and free-market manufacturing.

Bringing together some of the figures most closely associated with Edward Said and his scholarship, Waiting for the Barbarians looks at Said the public intellectual and literary critic, and his political and intellectual legacy: the future through the lens of his work.

Doomed by Hope is a beautifully presented collection of essays by writers and artists which traces the history of contemporary Arab theatre and its relationship to social change. With contributors from Syria, Egypt, Lebanon, Palestine, Kuwait and Yemen, this book includes both academic discussions and personal narratives, alongside a number of specially commissioned portraits of contemporary Arab theatre artists. The essays revolve around the legacy of the late Syrian dramatist Saadallah Wannous, whose monumental plays incited audiences to rise up against tyranny decades ago. This unique book is one of the first English language volumes on Arab theatre. In a highly topical manner following the Arab Spring, it explores cultural practices - from reading plays in a classroom to performing in a security state and directing in theatres, prisons, and international festivals - in times of revolt.