Technology and sexuality meet in a head-on collision in Crash, director David Cronenberg's controversial adaptation of writer J.G. Ballards hugely transgressive 1973 novel starring James Spader and Holly Hunter.

Spader stars as James Ballard, a film producer whose deviant sexual desires are awakened by a near fatal automobile accident with Dr. Helen Remington. Soon the pair, alongside Ballard's wife Catherine, are drawn into an underground world of car crash fetishism presided over by renegade scientist Vaughan.

Danger, sex and death become entwined as eroticism and technology join together in a disturbing, deadly union.

Awarded the Special Jury Prize at the 1996 Cannes Film Festival for originality, daring and audacity, Crash remains an incredibly subversive and confrontational piece of cinema.

This Academy Award nominated film is set in 1942 and was Terrence Malick's first film for twenty years. As US soldiers land on the island of Guadalcanal, hoping to capture it from the Japanese, the job of venturing into the jungle falls to the 'C for Charlie' company and the troops are faced by both the enemy and struggles within their own camp. The war takes a heavy toll upon the young soldiers, leading them on a path of disillusion and possibly death.

A triple bill of the 'Look Who's Talking' films. In 'Look Who's Talking' (1989), Mollie (Kirstie Alley) is pregnant by Albert (George Segal), a married man who won't leave his wife. When her contractions start, she leaps into a taxi, driven by James (John Travolta) who accompanies her not only to the hospital but into the delivery room. Mollie gives birth to a healthy boy, Mikey (voice of Bruce Willis), and soon James is baby-sitting for her while she goes in search of a suitable father. The sequel, 'Look Who's Talking Too' (1990), picks up where the first film left off, with James and Mollie having another baby. Meanwhile, Mikey deals with growing up, the intrusion of a new baby sister Julie (voice of Roseanne Barr) and that daunting rite of passage - toilet training. In 'Look Who's Talking Now' (1993), Mollie is fired from her job, and takes a position in a toy department as a Christmas elf and James lands a job as a private pilot for the vampy socialite Samantha (Lysette Anthony). When the local street dog Rocks (voice of Danny DeVito) is taken home for son Mikey (David Gallagher), Samantha also turns up with her pampered poodle Daphne (voice of Diane Keaton) who Julie (Tabitha Lupien) instantly takes to. The dogs take an instant dislike to each other, but the parents are too tied up with their own problems to notice. When Mollie discovers that Samantha has whisked her husband off for a secret rendezvous on Christmas Eve, she determines to intercept them with kids and dogs in tow.

Live action sequel following the anthropomorphic ninjutsu-trained turtles Leonardo (voice of Brian Tochi), Michaelangelo (Robbie Rist), Donatello (Corey Feldman) and Raphael (Tim Kelleher). The film follows the turtles as they leave the sewers and go back in time to medieval Japan with the help of an ancient scepter and defend a village from an evil warlord.

Supernatural horror. The Campbell family are forced to move to upstate Connecticut in order to be near the clinic where their teenage son Matt (Kyle Gallner) is being treated for cancer. When they begin experiencing disturbing events, the Campbells attribute them to their stress over Matt's illness - but they soon discover that their picturesque Victorian home has a dark and disturbing history, and that an unspeakable terror awaits them...

Double bill of crime thrillers starring Jesse Eisenberg, Isla Fisher, Woody Harrelson, Dave Franco, Mark Ruffalo and Mélanie Laurent. In 'Now You See Me' (2013), a group of magicians called The Four Horsemen attract the attention of the FBI and Interpol when they pull off a bank heist during one of their shows, robbing Arthur Tressler (Michael Caine) of 140 million dollars. Fellow illusionist and magic act debunker Thaddeus Bradley (Morgan Freeman) then warns Tressler that the group's heist may be part of a bigger operation and that they must be observed very closely. In 'Now You See Me 2' (2016), a year on from their last daring heist, The Four Horsemen emerge from hiding to expose the unethical practices of a corrupt tech magnate. Unfortunately for them, they instead find themselves blackmailed into stealing a powerful piece of technology by businessman Walter Mabry (Daniel Radcliffe). Their quest to steal the decrypting device known as The Stick takes magicians Danny (Eisenberg), Merritt (Harrelson), Jack (Franco) and their new partner Lula (Lizzy Caplan) across the globe as they try to pull off another elaborate life-or-death illusion, with help from their FBI insider Dylan Rhodes (Ruffalo).

Matt Reeves writes and directs this vampiric coming-of-age romance based on the Swedish novel 'Let the Right One In' by John Ajvide Lindqvist and Tomas Alfredson's 2008 Swedish-language film adaptation. Kodi Smit-McPhee stars as Owen, a solitary 12-year-old in 1980s New Mexico who is continually tormented by a gang of bullies. When the enigmatic Abby (Chloe Moretz) moves in next door, the two form an unlikely friendship that will change Owen's life forever as it emerges that Abby is a 200-year-old vampire, frozen in childhood and condemned to live on a diet of fresh human blood. With Abby on his side, Owen is finally able to face up to the bullies - but Abby's unquenchable thirst for blood gives rise to a fresh set of problems.

Collection of seven films from Canadian writer/director Atom Egoyan. In 'Exotica' (1994), pet shop owner Thomas (Don McKellar) arrives in town with a secret cache of rare bird eggs. Sharing a cab from the airport he ends up in Exotica, a local strip club. Fascinated by star stripper Christina (Mia Kirshner), he becomes drawn into her sordid lifestyle, along with the club DJ (Elias Koteas) and a disturbed tax auditor (Bruce Greenwood). As the multiple narratives and chronological twists unfold, the characters find their lives becoming inexorably intertwined as they head towards a shocking conclusion. In 'The Adjuster' (1991), Koteas plays Noah Render, an insurance adjuster whose attempts to help others mask a deeper malaise in his own life. His wife Hera (Arsinée Khanjian) is a disillusioned film censor who obsessively copies the most explicit scenes in the films she is supposed to review. After Noah helps a rich young woman whose house has burned down, Hera invites a young film-maker into their home to shoot a movie, and as their elaborate sexual fantasies are acted out on video, they begin to explore a world where voyeurism and exhibitionism are all-consuming. In 'Family Viewing' (1987), Van (Aidan Tierney) finds himself in a difficult situation when he realises that his father Stan (David Hemblen) is recording over the family's home movies with home-made pornography. Not only is Stan's lover Sandra (Gabrielle Rose) completely at the mercy of his dark fantasies, but she also expresses a sexual interest in Van. Dividing his time between the family home and a nearby nursing residence caring for his aging grandmother Armen (Selma Keklikian), Van meets Aline (Khanjian), who works as a phone-sex operator, and the two concoct a plan to escape his emotionally cold father. In 'The Sweet Hereafter' (1997), powerful lawyer Mitchell Stephens (Ian Holm) arrives in a small town in British Columbia after 14 children die in a school bus crash. Announcing that he will win compensation for the townsfolk, Stephens investigates the mysterious circumstances surrounding the accident, discovering various dark secrets lurking beneath the surface. In 'Calendar' (1993), a photographer (Egoyan) and his wife (Khanjian) travel to Armenia to photograph churches for use in a calendar, employing a native speaking driver (Ashot Adamyan) to escort them around the country. On their travels a relationship develops between the photographer's wife and the Armenian guide. Looking back on this time from his apartment in Toronto, the newly separated photographer contacts women through an escort agency and invites them to dinner, all while his estranged wife tries reconcile with him. In 'Next of Kin' (1984), Peter (Patrick Tierney) is a young man from an Anglo-Saxon family who is constantly under pressure to do something meaningful with his life. The family visit a therapist in the hopes of getting to the bottom of the tension between themselves and Peter's apparent laziness. When Peter visits the clinic before the next session hoping to view the video recording of their last meeting he is given the wrong tape and instead is shown the recording of an immigrant family who had given up their first son for adoption upon entering the country. What Peter then suggests to his family and therapist is that he take a break in order to find himself, but what he actually does is assume the identity of this other family's long lost son. Finally, in 'Speaking Parts' (1989), struggling actor Lance (Michael McManus) works in housekeeping at a local hotel while waiting for his first speaking role. Meanwhile, his co-worker Lisa (Khanjian) is obsessed with him and seeks out all the movies he appears in as a means of satisfying her voyeuristic tendencies. When Lance learns a scriptwriter, Clara (Rose), is staying at the hotel he chooses to leave his résumé in her room in the hope that she'll give him a part in her next film about her late brother. Before long the two become romantically involved and Lance finds himself with his first lead role but Clara becomes increasingly distressed when a series of changes are made to her story by the movie's producer.