The essence of true love is in the yearning not in the consummation.
This literary analysis of the "Song of Songs" employs the methods of New Criticism. Each analysis aims to uncover the messages conveyed by the poems and the inner world of the characters. The analysis brings to the fore the highly sophisticated and the original creativity of the love poetry of the "Song of Songs." In the introduction, the question is posed as to whether the "Song of Songs" is an anthology or one literary whole. After discussing the strengths and weakness of the various approaches, the author proposes a novel structure for the Book predicated on the various genres of the love poems.
Assis discerns poems of physical description, poems of adoration, and poems of yearning. In addition, he discerns what he takes to be a previously unrecognized genre, poems of rendezvous - a new structure which is based on a psychological understanding of passionate love is now discovered.
One of the undisputed dominant features of passionate love is the longing for union with the beloved. Based on this premise, the book is divided into five sections, each of which ends with an attempt to unite or in a union. The structure of the book reflects an emotional and inner development in the psyche of the lovers and in the relationship between them. Throughout the book the interrelationships between the various genres of the love poems, and the development of the characters is spelled out

Prophetic sayings are generally a reaction to immediate realities, and therefore attempts to understand prophetic literature without the benefit of the prophet's historical milieu are limited or inaccurate. Contrary to the prevailing opinion that Joel is post-exilic, the book is located within the exilic period, recognising the lack of any rebuke consistent with a people experiencing deep despair. The Book of Joel places great emphasis on the motif of the divine presence residing in the midst of Israel, and it is asserted that the prophet's main purpose was to bring the people to renew their connection with the Lord after the destruction of the Temple, which, though physically ruined, had not lost its religious significance. A literary and rhetorical analysis demonstrates how the prophet sought to influence his audience. Literary devices and rhetorical tools are investigated, and their relevance and contribution to the book's meanings are explored. One central feature of the book is its focus on a detailed discussion of the position and purpose of the locust plague, employing recent literary approaches.

The essence of true love is in the yearning not in the consummation. This literary analysis of the Song of Songs employs the methods of New Criticism. Each analysis aims to uncover the messages conveyed by the poems and the inner world of the characters. The analysis brings to the fore the highly sophisticated and the original creativity of the love poetry of the Song of Songs. In the introduction, the question is posed as to whether the Song of Songs is an anthology or one literary whole. After discussing the strengths and weakness of the various approaches, the author proposes a novel structure for the Book predicated on the various genres of the love poems. Assis discerns poems of physical description, poems of adoration, and poems of yearning. In addition, he discerns what he takes to be a previously unrecognized genre, poems of rendezvous - a new structure which is based on a psychological understanding of passionate love is now discovered. One of the undisputed dominant features of passionate love is the longing for union with the beloved. Based on this premise, the book is divided into five sections, each of which ends with an attempt to unite or in a union. The structure of the book reflects an emotional and inner development in the psyche of the lovers and in the relationship between them. Throughout the book the interrelationships between the various genres of the love poems, and the development of the characters is spelled out

Following the great periods of national leadership by Moses and Joshua, the book of Judges depicts the stewardship of various judges that rose to power to solve local religious and military challenges in the premonarchic period. This volume provides a close reading of the entire book of Judges, taking seriously the distinct elements of the book and how they are interconnected. Elie Assis explores the ways in which the ideology and theology of Judges unfold through a careful literary analysis. Moving beyond the cycle of sin, punishment, and salvation, Assis demonstrates how differences in the descriptive language applied to each judge, as well as the evaluations in the opening and concluding chapters, provide clues as to the organization and message of the text. Most works on Judges focus on the historical background of the period or the historical process of the book’s composition and seek to dissolve its stories into component parts. In contrast, Before There Were Kings points to the deep underlying unity of Judges and the function of the individual stories within the whole. New and carefully drawn insights related to the purpose of each section and the themes that shape the book as a whole make this a groundbreaking, programmatic contribution to research on the book of Judges. It will be of particular interest to students and scholars of the Old Testament and the Hebrew Bible.

Prophetic sayings are generally a reaction to immediate realities, and therefore attempts to understand prophetic literature without the benefit of the prophet's historical milieu are limited or inaccurate. Contrary to the prevailing opinion that Joel is post-exilic, the book is located within the exilic period, recognising the lack of any rebuke consistent with a people experiencing deep despair. The Book of Joel places great emphasis on the motif of the divine presence residing in the midst of Israel, and it is asserted that the prophet's main purpose was to bring the people to renew their connection with the Lord after the destruction of the Temple, which, though physically ruined, had not lost its religious significance. A literary and rhetorical analysis demonstrates how the prophet sought to influence his audience. Literary devices and rhetorical tools are investigated, and their relevance and contribution to the book's meanings are explored. One central feature of the book is its focus on a detailed discussion of the position and purpose of the locust plague, employing recent literary approaches.