This is a collection of research on the European reception of Samuel Taylor Coleridge (1772-1834), the major Romantic poet and author of "The Ancient Mariner", one of the best known poems in British literature. Samuel Taylor Coleridge, poet, philosopher and critic, a founder of British Romanticism, wrote with William Wordsworth the "Lyrical Ballads" (1798), which included his great poem "The Rime of the Ancient Mariner". It was this work which was first to carry his reputation across Europe in many translations and through the rich illustrations by Gustave Dore. His poetry was received as late Romantic, visionary and symbolist, in later phases of European reception; he was known too as the translator of Schiller. His prose was known mainly in selections: chapters of his literary life Biographia Literaria; elements of his Shakespeare lectures; and other literary, political, philosophical and religious lectures, essays, and aphorisms, especially his brilliant Table Talk. In the last fifty years the Notebooks and Letters, and the recent Collected Works, have added to his stature at home and abroad. This collection of essays by an international team of scholars, critics and translators, records how Coleridge's works have been received, translated and interpreted across Europe from his own time to today, and will contribute to the new recognition of one of the greatest of English poets, critics and cultural thinkers.

This is a yearbook sponsored by the British Comparative Literature Association in the belief that at the present time, when English studies are being redefined, comparative literary studies represent a major direction forwards. The Yearbook addresses itself to questions of literary theory and criticism; to comparative studies in terms of theme, genre, movement and influence; and to interdisciplinary topics. It includes translations of literary, scholarly and critical works; substantial reviews of major books and tendencies in the field; and the first bibliographies of comparative literature in Britain. Volume 2 is concerned with the relationship between the text and its reader, a topic of particular interest in current criticism. Some of the major theorists and critics in the field are represented: Mikhail Bakhtin, the Russian theorist obliged for much of his life to write under pseudonyms, whose important work, already influential in France, has only begun to be translated into English in recent years; and the contemporary critics, Wolfgang Iser and John Preston, who have led the way in the exploration of the 'aesthetics of reception' in the English novel.

This is a yearbook sponsored by the British Comparative Literature Association in the belief that at the present time, when English studies are being redefined, comparative literary studies represent a major direction forwards. The Yearbook will address itself to questions of literary theory and criticism; to comparative studies in terms of theme, genre, movement and influence; and to interdisciplinary questions. It will include translations of literary, scholarly, and critical works; substantial reviews of major books in the field; and the first bibliographies of comparative literature in Britain. The first volume considers the changing attitudes to what constitutes the canon of literature. A number of scholars and critics examine a wide range of salient topics. The role of translation in the poetical canon of W. H. Auden is discussed. Some outstanding examples of his translator's art are published for the first time here, together with the first translation of the major poem A Molna Elegy by Gunnar EMU, perhaps Sweden's greatest modern poet.

Samuel Taylor Coleridge, poet, philosopher and critic, a founder of British Romanticism, wrote with William Wordsworth the Lyrical Ballads (1798), which included his great poem 'The Rime of the Ancient Mariner'. It was this work which was first to carry his reputation across Europe in many translations and through the rich illustrations by Gustave Dore. His poetry was received as late Romantic, visionary and symbolist, in later phases of European reception; he was known too as the translator of Schiller. His prose was known mainly in selections: chapters of his literary life Biographia Literaria; elements of his Shakespeare lectures; and other literary, political, philosophical and religious lectures, essays, and aphorisms, especially his brilliant Table Talk. In the last fifty years the Notebooks and Letters, and the recent Collected Works, have added to his stature at home and abroad. This collection of essays by an international team of scholars, critics and translators, records how Coleridge's works have been received, translated and interpreted across Europe from his own time to today, and will contribute to the new recognition of one of the greatest of English poets, critics and cultural thinkers.

George Eliot (born Mary Ann Evans, 1819-1880) was one of the most important writers of the European nineteenth century, as well as a pioneering translator of challenging and controversial Continental thinkers, and an influential editor and essayist. Although such novels of provincial life as Adam Bede, The Mill on the Floss and Middlemarch have seen her characterised as a thoroughly English writer, her reception and immersion in the literary, intellectual and political life of Europe was remarkable. Written by a team of leading international scholars, The Reception of George Eliot in Europe is the first comprehensive and systematic survey of Eliot's place in European culture. Exploring Eliot's deep knowledge of German literature and thought, her galvanizing influence on women novelists and translators in countries as diverse as Sweden and Spain, her travels in Holland, Germany, Switzerland, Austria, the Czech Lands, Italy, and Spain and her friendship with leading figures such as Mazzini, Turgenev, and Liszt, this study reveals her full stature as a cosmopolitan writer and thinker. A film of her Italian Renaissance novel Romola was one of the first to circulate in Europe. Including an historical timeline and a comprehensive bibliography of primary and secondary sources and translations, The Reception of George Eliot in Europe is an essential reference resource for anyone working in the field of Victorian Literature or the European nineteenth century.