The remarkable true story of how a toy duck smuggled forged identity papers for Jewish refugees during WWIIDuring World War II, families all across Europe huddled together in basements, attics, and closets as Nazi soldiers rounded up anyone Jewish. The Star of David, a symbol of faith and pride, became a tool of hate when the Nazis forced Jewish people to carry papers stamped with that star, so that it was clear who to capture. But many brave souls dared to help them.Jewish teenager Jacqueline Gauthier, a member of the French Resistance who had to conceal her identity, was one who risked her life in secret workshops, forging papers with new names and without stars in order to help others escape. But how to get these life-saving papers to families in hiding? An ordinary wooden toy duck held the answer, a hidden compartment: hope in a hollow.Written by award-winning journalist Elisa Boxer and movingly illustrated by the acclaimed Amy June Bates, Hope in a Hollow celebrates the triumph of freedom and the human spirit, a story of everyday heroism, resilience, and finding hope in unexpected places.

A vibrantly illustrated biography about visionary artist Christo, encouraging creativity, perseverance, and appreciating the beauty all around usChristo (1935-2020) and Jeanne-Claude (1935-2009) are renowned for their large-scale, ambitious art installations that wrapped landmarks and swaths of land in fabric, including Berlin's Wrapped Reichstag, Paris's The Pont Neuf Wrapped, and concluding with New York City's The Gates in Central Park (2005). This lively biography chronicles Christo's humble childhood in Soviet-controlled Bulgaria-under a regime that suppressed individuality and creativity-to his international fame as a bold (and controversial) innovator in the art world. Christo discovered an early love of art and found a way to make a living out of his passion by wrapping bottles, cans, stacks of magazines, and even an air conditioner. When he met his wife, Jeanne-Claude, they moved to New York City as undocumented immigrants and became equal partners in both life and work-he, the artist, and she, the dealmaker. Together, Christo and Jeanne-Claude made elaborate, visually stunning installations that transformed public spaces around the world, all free to the public. Christo never explained why he felt compelled to wrap things in fabric-rather, his work celebrated individual interpretation and the simple joy of seeing something familiar in a new way. And though each work was temporary, their awe-inspiring designs, uniting nature with the manmade, stayed with viewers long afterward. Covered in Color inspires readers to appreciate the beauty around us, however fleeting, and to push the boundaries of "possible."