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Modern philosophy continues to grapple with the idea of
subjectivity--and, as the concept of subjectivity has consequently
been repeatedly refined and redefined, the struggle has spread to
the ways we conceive of sovereignty, collectivity, nationality, and
identity as a result. Yet, in the absence of an authoritative
account of these central philosophical concepts, exciting new ways
of thinking have emerged which continue to develop and evolve.
Epidemic Subjects--Radical Ontology brings together a renowned team
of contributors, including Levi Bryant, Angela Melitopoulos, and
Susan Stryker, who together forge a radically inclusive definition
of subjectivity. Drawing on Gilles Deleuze and Felix Guattari's
concept of the "girl" as a heuristic device for examining modern
society and its foundations, they tie together recent trends in
philosophy and offer a concrete way forward from the conception of
the "thing" or "object" privileged by new materialism, speculative
realism, and other theories of subjectivity.
A close examination of the relationship between media, art, and the
"Electra complex" The feminist counterpart to Deleuze and
Guattari's Anti-Oedipus, Anti-Electra is a philosophy of "the girl"
as a model of contemporary transgressive subjectivity. Elisabeth
von Samsonow asserts that focusing on the girl's escape from the
Oedipus complex leads to a fundamental shift in our most common
views on media and art. Presenting an interpretation of
contemporary technics, Anti-Electra argues that technology today
encompasses Electra's gadgets and toys. According to von Samsonow,
satellite drive technologies such as wireless telephones, WLAN, and
GPS echo the "preoedipal constellation" that the girl specializes
in. And with the help of the girl, the cartography of overlapping
zones between humankind and animals, as well as between humankind
and apparatuses, is redesigned through what the book holds as a
"radical totemism." Anti-Electra ultimately offers a new view on
gender, the contemporary world dyed by symbolic girlism, and the
(universal) girl in critical dialogue with media, ecology, and
society.
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