Jewish Women's History from Antiquity to the Present is broad in geographical scope exploring Jewish women's lives in what is now Eastern and Western Europe, Britain, Israel, Turkey, North Africa, and North America. Editors Federica Francesconi and Rebecca Lynn Winer focus the volume on reconstructing the experiences of ordinary women and situating those of the extraordinary and famous within the gender systems of their times and places. The twenty-one contributors analyze the history of Jewish women in the light of gender as religious, cultural, and social construct. They apply new methodologies in approaching rabbinic sources, prescriptive literature, and musar (ethics), interrogating them about female roles in the biblical and rabbinic imaginations, and in relation to women's restrictions and quotidian actions on the ground. They explore Jewish's women experiences of persecution, displacement, immigration, integration, and social mobility from the medieval age through the nineteenth century. And for the modern era, this volume assesses women's spiritual developments; how they experienced changes in religious and political societies, both Jewish and non-Jewish; the history of women in the Holocaust, their struggle through persecution and deportation; women's everyday concerns, Jewish lesbian activism, and the spiritual sphere in the contemporary era. Contributors reinterpret rabbinical responsa through new lenses and study a plethora of unpublished and previously unknown archival sources, such as community ordinances and court records, alongside autobiographies, letters, poetry, narrative prose, devotional objects, the built environment, illuminated manuscripts, and early printed books. This publication is significant within the field of Jewish studies and beyond; the essays include comparative material and have the potential to reach scholarly audiences in many related fields but are also written to be accessible to all, with the introductions in every chapter aimed at orienting the enthusiast from outside academia to each time and place.

Rabbi Moses Hagiz was one of the most prominent and influential Jewish leaders of seventeenth-century Amsterdam. During Hagiz's lifetime there was an overall decline in rabbinic authority which the author argues was the result of migration and assimilation. Hagiz devoted his career to restoring rabbinic authority. His most prominent talent was as a polemicist, and he campaigned ceaselessly against Jewish heresy in an attempt to unify the rabbinate.

Elisheva Carlebach focuses on three of the most important episodes in Hagiz' organized campaigns against heresy: The Haylon Controversy in Amsterdam, 1713-1715; a campaign against Sabbatian emissaries in 1725-1726; and the Luzatto controversy of 1730-1736. Each episode, Carlebach argues, illuminates the struggle for control of the Jewish community between rabbinate and lay leaders.

Wide-ranging appeal across the realm of Judaic interest, from fans of artists such as Ben Shahn to illustrators like David Levine. A must-have for collectors of Judaica, both art and written works. Also of interest to anyone interested in the conjunction of fine art and historical and religious art. A magnificent gift published in time for high holidays. Mark Podwal is today's premiere artist of the Jewish experience, with a prolific portfolio of work lauded by visionaries ranging from Elie Weisel to Harold Bloom. His paintings and ink-on-paper drawings are not only beautiful but also offer profound and nuanced commentary on Jewish tradition, history, and politics. This unprecedented collection brings together the widest selection of Podwal's work ever published in a single volume in a stunning, lavishly produced, oversized hardcover. With more than 350 works, each beautifully reproduced, Reimagined is a must-have for every Jewish home.

Jewish Women's History from Antiquity to the Present is broad in geographical scope exploring Jewish women's lives in what is now Eastern and Western Europe, Britain, Israel, Turkey, North Africa, and North America. Editors Federica Francesconi and Rebecca Lynn Winer focus the volume on reconstructing the experiences of ordinary women and situating those of the extraordinary and famous within the gender systems of their times and places. The twenty-one contributors analyze the history of Jewish women in the light of gender as religious, cultural, and social construct. They apply new methodologies in approaching rabbinic sources, prescriptive literature, and musar (ethics), interrogating them about female roles in the biblical and rabbinic imaginations, and in relation to women's restrictions and quotidian actions on the ground. They explore Jewish's women experiences of persecution, displacement, immigration, integration, and social mobility from the medieval age through the nineteenth century. And for the modern era, this volume assesses women's spiritual developments; how they experienced changes in religious and political societies, both Jewish and non-Jewish; the history of women in the Holocaust, their struggle through persecution and deportation; women's everyday concerns, Jewish lesbian activism, and the spiritual sphere in the contemporary era. Contributors reinterpret rabbinical responsa through new lenses and study a plethora of unpublished and previously unknown archival sources, such as community ordinances and court records, alongside autobiographies, letters, poetry, narrative prose, devotional objects, the built environment, illuminated manuscripts, and early printed books. This publication is significant within the field of Jewish studies and beyond; the essays include comparative material and have the potential to reach scholarly audiences in many related fields but are also written to be accessible to all, with the introductions in every chapter aimed at orienting the enthusiast from outside academia to each time and place.

Over the centuries, the messianic tradition has provided the language through which modern Jewish philosophers, socialists, and Zionists envisioned a utopian future. Michael L. Morgan, Steven Weitzman, and an international group of leading scholars ask new questions and provide new ways of thinking about this enduring Jewish idea. Using the writings of Gershom Scholem, which ranged over the history of messianic belief and its conflicted role in the Jewish imagination, these essays put aside the boundaries that divide history from philosophy and religion to offer new perspectives on the role and relevance of messianism today.

Over the centuries, the messianic tradition has provided the language through which modern Jewish philosophers, socialists, and Zionists envisioned a utopian future. Michael L. Morgan, Steven Weitzman, and an international group of leading scholars ask new questions and provide new ways of thinking about this enduring Jewish idea. Using the writings of Gershom Scholem, which ranged over the history of messianic belief and its conflicted role in the Jewish imagination, these essays put aside the boundaries that divide history from philosophy and religion to offer new perspectives on the role and relevance of messianism today.

This pioneering book reevaluates the place of converts from Judaism in the narrative of Jewish history. Long considered beyond the pale of Jewish historiography, converts played a central role in shaping both noxious and positive images of Jews and Judaism for Christian readers. Focusing on German Jews who converted to Christianity in the sixteenth through mid-eighteenth centuries, Elisheva Carlebach explores an extensive and previously unexamined trove of their memoirs and other writings. These fascinating original sources illuminate the Jewish communities that the converts left, the Christian society they entered, and the unabating tensions between the two worlds in early modern German history. The book begins with the medieval images of converts from Judaism and traces the hurdles to social acceptance that they encountered in Germany through early modern times. Carlebach examines the converts' complicated search for community, a quest that was to characterize much of Jewish modernity, and she concludes with a consideration of the converts' painful legacies to the Jewish experience in German lands. "Carlebach's reading of autobiographical texts by converts from Judaism is careful, intelligent, and skeptical--a model of how to treat spiritual memoirs."--Todd M. Endelman, University of Michigan "This superb book highlights the ambiguous identities of these boundary crossers and their impact on both German and Jewish self-definitions."--Paula E. Hyman, Yale University Elisheva Carlebach is professor of history at Queens College and the Graduate Center, City University of New York. She is the author of The Pursuit of Heresy: Rabbi Moses Hagiz and the Sabbatian Controversies, winner of the National Jewish Book Award for Jewish History, and coeditor of Jewish History and Jewish Memory.

One of the most important German poets of the nineteenth century, Heinrich Heine was a convert without conviction. He chose Christianity over Judaism as a means of securing an academic career, but when his conversion failed to yield the hoped-for job opportunities, he devoted himself to writing instead. This volume presents a new translation of Hebrew Melodies, the third cycle of poems in Heine's late masterwork, Romanzero, which many critics have interpreted as Heine's return to his Jewish roots. As Elisheva Carlebach explains in her foreword, Heine's "return to God" in his final years was motivated not by faith but by a deep admiration of the Jewish people-a sentiment that is clearly reflected in the poems that make up Hebrew Melodies. This edition presents the original German alongside new English translations by Stephen Mitchell, widely known for his ability to make old classics thrillingly new, and Jack Prelutsky, the author of more than fifty poetry collections for children and adults. Mark Podwal's illustrations beautifully portray the joyous, playful elements of Jewish tradition and hint at what Carlebach calls the "menacing edges of history's nightmares," echoing Heine's position as a poet "caught between worlds."