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Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary
Music, edited by Eric James Abbey and Colin Helb, is a collection
of writings on music that is considered aggressive throughout the
world. From local underground bands in Detroit, Michigan to bands
in Puerto Rico or across Europe, this book demonstrates the
importance of aggressive music in our society. While other volumes
seek to denigrate or put down this type of music, Hardcore, Punk,
and Other Junk forces the audience to re-read and re-listen to it.
This category of music includes all forms that could be considered
offensive and/or move the audience to become aggressive in some
way. The politics and values of punk are discussed alongside the
emerging popularity of metal and extreme hardcore music. Hardcore,
Punk, and Other Junk is an important contribution to the newest
discussions on aggressive music throughout the world.
In Heavy Metal Music in Latin America: Perspectives from the
Distorted South, the editors bring together scholars engaged in the
study of heavy metal music in Latin America to reflect on the heavy
metal genre from a regional perspective. The contributors' southern
voices diversify metal scholarship in the global north. An extreme
musical genre for an extreme region, the contributors explore how
issues like colonialism, dictatorships, violence, ethnic
extermination and political persecution have shaped heavy metal
music in Latin America, and how music has helped shape Latin
American culture and politics.
In Heavy Metal Music in Latin America: Perspectives from the
Distorted South, the editors bring together scholars engaged in the
study of heavy metal music in Latin America to reflect on the heavy
metal genre from a regional perspective. The contributors' southern
voices diversify metal scholarship in the global north. An extreme
musical genre for an extreme region, the contributors explore how
issues like colonialism, dictatorships, violence, ethnic
extermination and political persecution have shaped heavy metal
music in Latin America, and how music has helped shape Latin
American culture and politics.
Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary
Music, edited by Eric James Abbey and Colin Helb, is a collection
of writings on music that is considered aggressive throughout the
world. From local underground bands in Detroit, Michigan to bands
in Puerto Rico or across Europe, this book demonstrates the
importance of aggressive music in our society. While other volumes
seek to denigrate or put down this type of music, Hardcore, Punk,
and Other Junk forces the audience to re-read and re-listen to it.
This category of music includes all forms that could be considered
offensive and/or move the audience to become aggressive in some
way. The politics and values of punk are discussed alongside the
emerging popularity of metal and extreme hardcore music. Hardcore,
Punk, and Other Junk is an important contribution to the newest
discussions on aggressive music throughout the world.
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