Fantomina, or, Love in a Maze is a novella by Eliza Haywood which charts an unnamed female protagonist's pursuit of the charming, shallow Beauplaisir. Dealing with major themes such as identity, class and sexual desire, and first published in 1725, Fantomina subverts the popular 'persecuted maiden' narrative, and reaches a climax which would have shocked its contemporary readership. Moving to London, a young woman - let's call her Fantomina - meets a dashing man at the theatre. After a short, but intense, fling, Beauplaisir grows bored of Fantomina, and leaves her. Outraged that she should be so treated, Fantomina discards her disguise in favour of another, and sets off in hot pursuit of her victim, and a game of cat and mouse begins. This edition features an introduction by Dr Sarah R. Creel, Bethany E. Qualls and Dr Anna K. Sagal of the International Eliza Haywood Society.

Idalia: Or, The Unfortunate Mistress (1723) is a novel by Eliza Haywood. Blending tragedy and comedy, Haywood explores the intersection of ambition, family, and desire to reveal how women so often fall victim to the whims of villainous men. Idalia: Or, The Unfortunate Mistress is considered a prime example of the popular genre of amatory fiction, which often used love triangles to expose the imbalance between male and female desire in a patriarchal society. Idalia is a young woman at the center of Venetian social life. Having lost her mother at a young age, she lacks the guidance necessary for navigating the world of courtship. When her father rejects her suitor Florez, a handsome, rakish man, Idalia turns her attentions to Don Ferdinand, with whom she maintains a steady correspondence. When his friend Henriquez falls in love with her, the two men decide to fight for Idalia's affections. Their duel ends in death for both men, leaving Idalia to turn her attentions elsewhere. Soon, she attempts to enter a convent in order to live chastely, beyond the reach of men. But the world has other plans. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood's Idalia: Or, The Unfortunate Mistress is a classic of English literature reimagined for modern readers.

The Anti-Pamela: Or, Feign'd Innocence Detected (1741) is a novel by Eliza Haywood. Blending tragedy and comedy, Haywood explores the intersection of gender and class to reveal how women perform and experience desire. Written in response to Samuel Richardson's Pamela; Or, Virtue Rewarded, a novel in which a young girl resists the advances of her wealthy employer and eventually marries him honorably, Haywood's novel flips the portrayal of static feminine desire on its head. Unlike Pamela, her protagonist is an anti-heroine who wields her sexuality for the purpose of social mobility, showing resilience and determination despite her repeated failures. Syrena Tricksy knows what she wants from men. To get it, she disguises herself as an unmarried aristocrat, a mistress, a widow, and a libertine, each time in pursuit of a wealthy nobleman to marry. Playing these parts with ease, she frequently gets in her own way, failing at the last moment through carelessness and greed. Resourceful and independent, Syrena is a character at odds with the stereotypical portrayal of feminine sexuality. She may not be perfect, but she is never passive. As a parody of Samuel Richardson's popular novel of morality, The Anti-Pamela: Or, Feign'd Innocence Detected lampoons the unrealistic character at the heart of Pamela, a woman who gets what she wants through virtue alone. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood's The Anti-Pamela: Or, Feign'd Innocence Detected is a classic of English literature reimagined for modern readers.

Love in Excess (1719-1720) is a novel by Eliza Haywood. Published in three parts by printer William Chetwood, the novel marked Haywood' debut on the London literary scene. It was an immediate bestseller, going through several reprintings in Haywood's lifetime. Love in Excess is considered a prime example of the popular genre of amatory fiction, which often used love triangles to expose the imbalance between male and female desire in a patriarchal society. Like all young aristocratic women of their time, Alovisa and Amena are expected to wait for a marriage proposal to fall into their laps. Forbidden from expressing her desires, Alovisa decides to send an anonymous letter to the handsome, rakish D'Elmont. When he receives it, however, he thinks it has been sent by Amena, whom her promptly begins to pursue. Disappointed, Alovisa conspires with Amena's father-who disapproves of D'Elmont-to have her rival sent to a convent. Although Alovisa ends up with her beau of choice, she soon realizes that desire has a funny way of concealing a lover's true nature. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood's Love in Excess is a classic of English literature reimagined for modern readers.

The Fatal Secret: Or, Constancy in Distress (1724) is a novel by Eliza Haywood. Blending tragedy and comedy, Haywood explores the intersection of ambition, family, and desire to reveal how women so often fall victim to the whims of villainous men. The Fatal Secret: Or, Constancy in Distress is considered a prime example of the popular genre of amatory fiction, which often used love triangles to expose the imbalance between male and female desire in a patriarchal society. "Nothing is so generally coveted by Womankind, as to be accounted Beautiful; yet nothing renders the Owner more liable to inconveniences." Getting by on looks alone, young Anadea has managed to secure herself a marriage proposal from a wealthy gentleman. Pressured by her father, she believes it is up to her to renew her once-prominent family's fortune and status in eighteenth century Paris. One night, she falls in love with the handsome Count Blessure. Although he reciprocates her feelings, he is keenly aware of his own family's prejudice against the poor, no matter the nobility of their ancestors. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood's The Fatal Secret: Or, Constancy in Distress is a classic of English literature reimagined for modern readers.

The History of Miss Betsy Thoughtless (1751) is a novel by Eliza Haywood. Blending tragedy and comedy, Haywood explores the intersection of ambition, family, and desire to reveal how women so often fall victim to the whims of men. The History of Miss Betsy Thoughtless has been recognized as one of the first novels in English literature to depict the development of an independent heroine, as well as to move away from the more popular genre of amatory fiction toward the marriage plot. Widely read in the eighteenth century, Haywood influenced such authors as Fanny Burney and Jane Austen. Having completed her education at an all-girls boarding school, Betsy Thoughtless moves to the city of London. For the first time, she finds herself thrust into the orbit of young and marriageable men, whose attention and affections she craves, though remains cautious to reciprocate. Betsy knows the dangers inherent to sexual impropriety-pregnancy out of wedlock would all but guarantee her a life of poverty and misfortune, not to mention the shame it would bring to her aristocratic family. Despite these pressures, Betsy finds a way to enjoy single life while learning to recognize the signs of deceitful, unworthy men. When marriage does come, she soon realizes the institution is far from perfect. Unhappy, she grows as a person and looks for a way to regain her former independence. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood's The History of Miss Betsy Thoughtless is a classic of English literature reimagined for modern readers.

Fantomina: Or, Love in a Maze (1725) is a novel by Eliza Haywood. Blending tragedy and comedy, Haywood revolutionizes the novel by turning the common trope of the persecuted maiden on its head. A story of individual autonomy and sexual freedom, Fantomina: Or, Love in a Maze is considered a prime example of the popular genre of amatory fiction, which often exposes the imbalance between male and female desire in a patriarchal society. Fantomina is an independent woman, a prostitute for whom desire is a powerful tool. Celia, an innocent country girl, is a young maiden unfamiliar with the ways of love. Mrs. Bloomer, a widow, knows what it is to love and to lose. Incognita is a mysterious masked woman who meets with men in the dead of night. Each of these women is involved sexually with Beauplaisir, a vain and handsome aristocrat. But they have something else in common-all four lovers are, in fact, the same woman, an unnamed narrator whose infatuation with freedom and innate curiosity lead her on a quest to experience desire in a multitude of ways. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood's Fantomina: Or, Love in a Maze is a classic of English literature reimagined for modern readers.

Haywood's novel is the story of the beautiful Princess Eovaai. Groomed for the throne by her father, who teaches her Lockean notions of liberty, she is overthrown, enmeshed in civil war, and then magically transported to a foreign land by an evil man. Part magician, part politician, he plots to marry her for political reasons. The fascinating reflexive structure of The Adventures of Eovaai incorporates argumentative intrusions (by the Translator, an Historian, etc.), interweaves political and amatory storylines, and blends a wild mix of genres.

Although Eliza Haywood was one of the best known and most prolific writers in her own time, there is no modern edition of her works. This edition provides representative texts from Haywood's entire career, which overlaps that of Daniel Defoe, Samuel Richardson, Henry Fielding, and Tobias Smollett. The six fictions and two plays provided here illustrate the many kinds of writing Haywood produced, the ways she treated important themes and issues, and the contributions she made to the development of the English novel.

The Mercenary Lover (1726) is a novel by Eliza Haywood. Blending tragedy and comedy, Haywood explores the intersection of ambition, family, and desire to reveal how women so often fall victim to the whims of villainous men. The Mercenary Lover is considered a prime example of the popular genre of amatory fiction, which often used love triangles to expose the imbalance between male and female desire in a patriarchal society. Miranda and Althea are young, beautiful, and wealthy. Regardless of their individual merits, however, they both fall victim to unbridled desire in the form of the dastardly Clitander. When he chooses Miranda, she counts herself lucky and prepares for a life of passion and companionship. Meanwhile, the young man begins fantasizing about what he could do with her inheritance, and soon hatches a plan to take control of their family estate. What follows is a tale of betrayal and greed, a series of tragic events that threatens to divide two sisters forever. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood's The Mercenary Lover is a classic of English literature reimagined for modern readers.

Idalia: Or, The Unfortunate Mistress (1723) is a novel by Eliza Haywood. Blending tragedy and comedy, Haywood explores the intersection of ambition, family, and desire to reveal how women so often fall victim to the whims of villainous men. Idalia: Or, The Unfortunate Mistress is considered a prime example of the popular genre of amatory fiction, which often used love triangles to expose the imbalance between male and female desire in a patriarchal society. Idalia is a young woman at the center of Venetian social life. Having lost her mother at a young age, she lacks the guidance necessary for navigating the world of courtship. When her father rejects her suitor Florez, a handsome, rakish man, Idalia turns her attentions to Don Ferdinand, with whom she maintains a steady correspondence. When his friend Henriquez falls in love with her, the two men decide to fight for Idalia's affections. Their duel ends in death for both men, leaving Idalia to turn her attentions elsewhere. Soon, she attempts to enter a convent in order to live chastely, beyond the reach of men. But the world has other plans. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood's Idalia: Or, The Unfortunate Mistress is a classic of English literature reimagined for modern readers.

Eliza Haywood (1693?-1756) was one of the first women in England to earn a living writing fiction. Her early tales of amorous intrigue, sometimes based on real people, were exceedingly popular though controversial. Haywood, along with her contemporary Daniel Defoe, did more than any other writer to create a market for fiction in the period just prior to the emergence of Samuel Richardson, Henry Fielding, and Tobias Smollett, the dominant novelists of the mid-eighteenth century. The scheming, sexually predatory anti-heroine of The Injur'd Husband is a memorable villain who defies all expectations of a woman's conduct in marriage. The heroine of Lasselia is initially a model of virtue who bravely resists the advances of a king, only to be driven by her passion and desire into an illicit affair with a married man and ultimately into ruin. These two provocative narratives strikingly represent Haywood's extraordinary contribution to the development of the novel.

The Anti-Pamela: Or, Feign'd Innocence Detected (1741) is a novel by Eliza Haywood. Blending tragedy and comedy, Haywood explores the intersection of gender and class to reveal how women perform and experience desire. Written in response to Samuel Richardson's Pamela; Or, Virtue Rewarded, a novel in which a young girl resists the advances of her wealthy employer and eventually marries him honorably, Haywood's novel flips the portrayal of static feminine desire on its head. Unlike Pamela, her protagonist is an anti-heroine who wields her sexuality for the purpose of social mobility, showing resilience and determination despite her repeated failures. Syrena Tricksy knows what she wants from men. To get it, she disguises herself as an unmarried aristocrat, a mistress, a widow, and a libertine, each time in pursuit of a wealthy nobleman to marry. Playing these parts with ease, she frequently gets in her own way, failing at the last moment through carelessness and greed. Resourceful and independent, Syrena is a character at odds with the stereotypical portrayal of feminine sexuality. She may not be perfect, but she is never passive. As a parody of Samuel Richardson's popular novel of morality, The Anti-Pamela: Or, Feign'd Innocence Detected lampoons the unrealistic character at the heart of Pamela, a woman who gets what she wants through virtue alone. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood's The Anti-Pamela: Or, Feign'd Innocence Detected is a classic of English literature reimagined for modern readers.

Love in Excess (1719-1720) is a novel by Eliza Haywood. Published in three parts by printer William Chetwood, the novel marked Haywood' debut on the London literary scene. It was an immediate bestseller, going through several reprintings in Haywood's lifetime. Love in Excess is considered a prime example of the popular genre of amatory fiction, which often used love triangles to expose the imbalance between male and female desire in a patriarchal society. Like all young aristocratic women of their time, Alovisa and Amena are expected to wait for a marriage proposal to fall into their laps. Forbidden from expressing her desires, Alovisa decides to send an anonymous letter to the handsome, rakish D'Elmont. When he receives it, however, he thinks it has been sent by Amena, whom her promptly begins to pursue. Disappointed, Alovisa conspires with Amena's father-who disapproves of D'Elmont-to have her rival sent to a convent. Although Alovisa ends up with her beau of choice, she soon realizes that desire has a funny way of concealing a lover's true nature. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood's Love in Excess is a classic of English literature reimagined for modern readers.

Published together for the first time, Eliza Haywood's Anti-Pamela and Henry Fielding's An Apology for the Life of Mrs. Shamela Andrews are the two most important responses to Samuel Richardson's novel Pamela. Anti-Pamela comments on Richardson's representations of work, virtue, and gender, while also questioning the generic expectations of the novel that Pamela establishes, and it provides a vivid portrayal of the material realities of life for a woman in eighteenth-century London. Fielding's Shamela punctures both the figure Richardson established for himself as an author and Pamela's preoccupation with virtue. This Broadview edition also includes a rich selection of historical materials, including writings from the period on sexuality, women's work, Pamela and the print trade, and education and conduct.

The History of Miss Betsy Thoughtless (1751) is a novel by Eliza Haywood. Blending tragedy and comedy, Haywood explores the intersection of ambition, family, and desire to reveal how women so often fall victim to the whims of men. The History of Miss Betsy Thoughtless has been recognized as one of the first novels in English literature to depict the development of an independent heroine, as well as to move away from the more popular genre of amatory fiction toward the marriage plot. Widely read in the eighteenth century, Haywood influenced such authors as Fanny Burney and Jane Austen. Having completed her education at an all-girls boarding school, Betsy Thoughtless moves to the city of London. For the first time, she finds herself thrust into the orbit of young and marriageable men, whose attention and affections she craves, though remains cautious to reciprocate. Betsy knows the dangers inherent to sexual impropriety-pregnancy out of wedlock would all but guarantee her a life of poverty and misfortune, not to mention the shame it would bring to her aristocratic family. Despite these pressures, Betsy finds a way to enjoy single life while learning to recognize the signs of deceitful, unworthy men. When marriage does come, she soon realizes the institution is far from perfect. Unhappy, she grows as a person and looks for a way to regain her former independence. With a beautifully designed cover and professionally typeset manuscript, this edition of Eliza Haywood's The History of Miss Betsy Thoughtless is a classic of English literature reimagined for modern readers.

After Aphra Behn, Eliza Haywood was the most important English female novelist of the early eighteenth century. She also edited several serial newspapers, the most important of which, the Female Spectator, was the first modern periodical written by a woman and addressed to a female audience. This fully annotated collection of articles selected from the Female Spectator includes romantic and satiric fiction, moral essays, and social commentary, covering the broad range of concerns shared by eighteenth-century middle-class women. Perhaps most compelling to a twentieth-century audience is the evidence of what we might be tempted to call feminist awareness.
By no means revolutionary in her attitudes, Haywood nonetheless perceives the inequities of her periods social conditions for women. She offers pragmatic advice, such as how to avoid disastrous marriages, how to deal with wandering husbands, and what kind of education women should seek. The essays also report on a broad range of social actualities, from the craze for tea drinking and the dangers of gossip to the problem of compulsive gambling. They allude to such larger matters as politics, war, and diplomacy, and promote the importance of science and the urgency of developing informed relations with nature.

After Aphra Behn, Eliza Haywood was the most important English female novelist of the early eighteenth century. She also edited several serial newspapers, the most important of which, the Female Spectator, was the first modern periodical written by a woman and addressed to a female audience. This fully annotated collection of articles selected from the Female Spectator includes romantic and satiric fiction, moral essays, and social commentary, covering the broad range of concerns shared by eighteenth-century middle-class women. Perhaps most compelling to a twentieth-century audience is the evidence of what we might be tempted to call feminist awareness.
By no means revolutionary in her attitudes, Haywood nonetheless perceives the inequities of her periods social conditions for women. She offers pragmatic advice, such as how to avoid disastrous marriages, how to deal with wandering husbands, and what kind of education women should seek. The essays also report on a broad range of social actualities, from the craze for tea drinking and the dangers of gossip to the problem of compulsive gambling. They allude to such larger matters as politics, war, and diplomacy, and promote the importance of science and the urgency of developing informed relations with nature.

Although Eliza Haywood was one of the best known and most prolific writers in her own time, there is no modern edition of her works. This edition provides representative texts from Haywood's entire career, which overlaps that of Daniel Defoe, Samuel Richardson, Henry Fielding, and Tobias Smollett. The six fictions and two plays provided here illustrate the many kinds of writing Haywood produced, the ways she treated important themes and issues, and the contributions she made to the development of the English novel.

This collection of early works by Eliza Haywood includes the well-known novella Fantomina (1725) along with three other short, highly engaging Haywood works: The Tea-Table (1725), Reflections on the Various Effects of Love (1726), and Love-Letters on All Occasions (1730). In these writings, Haywood arouses the vicarious experience of erotic love while exploring the ethical and social issues evoked by sexual passion. This Broadview edition includes an introduction that focuses on Haywood's life and career and on the status of prose fiction in the early eighteenth century. Also included are appendices of contextual materials from the period comprising writings by Haywood on female conduct, eighteenth-century pornography (from Venus in the Cloister), and a source text (Nahum Tate's A Present for the Ladies).