Selections from this widely varied original mystical treatise offer insight into the lives of C13 female religious in northern Europe. Here is one of the great surprises of German medieval literature. Compiled between c.1250 and c.1282, it is an extraordinary piece of imaginative writing. It integrates visions, auditions, dialogues, prayers, hymns, lyrical love poems, letters, allegories and parables, and draws creatively on features from hagiography, the disputation, the treatise, and magic spells, as the author documents her relationship with God and with her contemporaries. Selectionsfrom the text are presented here in translation with introduction and notes. Dr Elizabeth A. Andersen teaches in the School of Modern Languages, Newcastle University.

Mechthild of Magdeburg's singular book Das Flieende Licht der Gottheit ('The Flowing Light of the Godhead') must be accounted one of the most significant texts in German that we have from the thirteenth century. As a piece of first-rate imaginative writing in the vernacular it is a highly rewarding text for those interested in medieval literature and women's writing. It is also of considerable interest to historians and theologians as a document of female spirtuality. This introduction to Mechthild's extraordinary account of her revelations and of her relationship with God and with her contemporaries makes Mechthild's book more accessible to the English speaker. It takes as its central focus the multi-voiced nature of Mechthild's writings, suggesting ways of reading her work through an analysis of key voices in the text: (i) the social-historical voice of Mechthild as beguine and nun (ii) the authorial voice (iii) the voice of the mystic and prophet with particular reference to the influence of the Psalter and the Song of Songs (iv) the temporal voice of the visionary at the intersection of Mechthild's personal story with the master story of Christian salvation.

Papers on women and religion in the middle ages, drawn from archive, manuscipt and early printed sources. Taking a variety of critical approaches, the papers in Women, the Book and the Godlyanalyse the subject of women and religion, illustrating clearly the wealth of previously untapped material on this topic, whether in archive, manuscript or early printed source. The volume examines writing by women, writing which excludes women, and writing which ignores them, as well as women readers, women patrons, and women who were read to. Archaeology, canon and civil law, and trial depositions are all represented. The common determinants of marital and social status are, of course, explored, but so also are the problems of women and language, women's various roles as creators, recipients, and objects, and women's positions on the sliding scale between the orthodox, the reforming, and the heterodox churches. The essays thus represent something of the variety and range of work being done on medieval women today. Contributors: ALCUIN BLAMIRES, JACQUELINE MURRAY, WYBREN SCHEEPSMA, ANNEM. DUTTON, ROSALYNN VOADEN, GRACE JANTZEN, ELIZABETH A. ANDERSEN, THOMAS LUONGO, BENEDICTA WARD, GOPA ROY, GEORGES WHALEN, CATHERINE INNES-PARKER, HELENPHILLIPS, SHANNON McSHEFFREY, PETER BILLER

New essays on the first flowering of German literature, in the High Middle Ages and especially during the period 1180-1230. The High Middle Ages, and particularly the period from 1180 to 1230, saw the beginnings of a vibrant literary culture in the German vernacular. While significant literary achievements in German had already been made in earlier centuries, they were a somewhat precarious vernacular extension of Christian Latin culture. But the vernacular literary culture of the High Middle Ages was an integral part of broader cultural developments in which the unquestioned validity of traditional authoritative models began to lose its hold. A secular culture began to emerge in which positive value began to be attached to the -- however transitory -- allegiances, pleasures, and loves of life. In new essays dealing with the most significant literary genres (the heroic epics, the romances, the love lyrics, and political poetry) and with broader political, social, and cultural issues (control of aggression, territorialization), this third volume of the Camden House History of German Literature demonstrates how the emergence of a vernacular literary culture in Germany was an important part of a broader cultural transformation in which medieval people began to redefine themselves, their relationships to one another, and the position of humanity in the scheme of things. Contributors: Albrecht Classen, Nicola McLelland, Rodney Fisher, Neil Thomas, Marion Gibbs and Sidney Johnson, Rudiger Krohn, Will Hasty, Nigel Harris, Susann Samples, Sara Poor, Michael Resler, Rudiger Brandt, Elizabeth A. Andersen, Ulrich Muller and Franz Viktor Spechtler, Ruth Weichselbaumer, W. H. Jackson, Charles Bowlus. Will Hasty is Professor of German Studies and co-founder and co-director of the Center for Medieval and Early Modern Studies at the University of Florida.

Mechthild of Magdeburg's singular book Das Flieende Licht der Gottheit ('The Flowing Light of the Godhead') must be accounted one of the most significant texts in German that we have from the thirteenth century. As a piece of first-rate imaginative writing in the vernacular it is a highly rewarding text for those interested in medieval literature and women's writing. It is also of considerable interest to historians and theologians as a document of female spirtuality. This introduction to Mechthild's extraordinary account of her revelations and of her relationship with God and with her contemporaries makes Mechthild's book more accessible to the English speaker. It takes as its central focus the multi-voiced nature of Mechthild's writings, suggesting ways of reading her work through an analysis of key voices in the text: (i) the social-historical voice of Mechthild as beguine and nun (ii) the authorial voice (iii) the voice of the mystic and prophet with particular reference to the influence of the Psalter and the Song of Songs (iv) the temporal voice of the visionary at the intersection of Mechthild's personal story with the master story of Christian salvation.