Kali Lightfoot’s kindergarten teacher told her parents that Kali had “a well-developed sense of beauty and can skip with both feet.� This proved prophetic for a life that has included a number of careers and passions—Lightfoot has earned a master's degree in physical education, worked as an executive and a teacher, served as a wilderness ranger, managed educational travel, and provided body-oriented psychotherapy. After gaining her sobriety and coming out as queer, Lightfoot returned to poetry at the age of sixty-five, earning her MFA at age seventy. In a debut collection of poems that favor a narrative style but also experiment successfully with poetic forms, Lightfoot writes in a voice that is by turns wistful, comedic, and grave. After a long career, she has come late and happily to a life in poetry.

*Selected as a Top 10 Must-Read Book About Antarctica by the International Association of Antarctic Tour Operators Poet-naturalist Elizabeth Bradfield's fourth collection, Toward Antarctica, documents and queries her work as a guide on ships in Antarctica, offering an incisive insider's vision that challenges traditional tropes of The Last Continent. Inspired by haibun, a stylistic form of Japanese poetry invented by 17th-century poet, Matsuo Basho to chronicle his journeys in remote Japan, Bradfield uses photographs, compressed prose, and short poems to examine our relationship to remoteness, discovery, expertise, awe, labor, temporary societies, "pure" landscapes, and tourism's service economy. Antarctica was the focus of Bradfield's Approaching Ice, written before she had set foot on the continent; now Toward Antarctica furthers her investigation with boots on the ground. A complicated love letter, Toward Antarctica offers a unique view of one of the world's most iconic wild places.

Natural history, work, queerness, and family collide in Interpretive Work. When they do, a deep stubborn will emerges, a belief in the unexpected beauty of the world "flaws and all. The poems of this collection foreground the role of the viewer" the interpreter "smudging self across what's seen." From neighborhood kids cussing in the cul-de-sac to marbled murrelets calling in Southeast Alaska, the poems of this book reach toward a moment where one finds "this unsettlement, / this beauty applauded at last." Bradfield delivers her bruised truths through a quiet honesty that stands in ardent defense of mainstream normative expectations. A male singer has a woman's high, sweet voice, redefining beauty. A female deer grows antlers. A woman chooses to be child-free without regret. As a whole, these poems furtively suggest that the tourist on the sunset cruise ship misinterprets the cravings of humpback whales in the same way Bradfield's family, neighbors and bureaucratic officials misunderstand love, sexuality and gender.