British sci-fi drama. After an asteroid crashes into Earth, aliens invade the ravaged planet to depopulate its surface. As the invaders' spacecraft hangs ominously in the sky above them, survivors of the first cull Cole (Richard J. Danum) and Maya (Gillian MacGregor) frantically search for their missing daughter. As they embark on their search, the couple's relationship yields to the conflict of survival in the apocalyptic event's aftermath.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

musicals, Dance, Popular, Broadway, musical revue, Black Studies, History, Criticism

They said only men could paint powerful pictures, but Helen Frankenthaler (1928-2011) splashed her way through the modern art world. Channeling deep emotion, Helen poured paint onto her canvas and danced with the colors to make art unlike anything anyone had ever seen. She used unique tools like mops and squeegees to push the paint around, to dazzling effects. Frankenthaler became an originator of the influential "Color Field" style of abstract expressionist painting with her "soak stain" technique, and her artwork continues to electrify new generations of artists today. Dancing Through Fields of Color discusses Frankenthaler's early life, how she used colors to express emotion, and how she overcame the male-dominated art world of the 1950s.

This book was originally published in 1998, when over 6,000 children lived in residential homes in England and Wales. The fact that some children's homes are better than others is well established, but why should this be so? Past answers have tended to be tautologous - rather on the lines of 'a good home is one where children do well; children do well because they are in a good home.' This study examines various aspects of children's homes and explores the connections between them in an attempt to break down the old circular argument. Structures are discernible in the relationship between different types of goals - societal, formal and belief; the variable balance between these goals determines staff cultures, which, in turn, shape the child cultures that develop. Such relationships are important because of their close association with outcomes - whether the children do well, whether the homes prosper. The model described in the book provides a conceptual framework and a set of causal relationships that should help professionals to plan and manage residential care better and so meet the needs of vulnerable children more effectively.

Kettle's Yard, Cambridge, exhibition catalogue on the internationally renowned Chinese artist Ai Weiwei (b. 1957, Beijing) in which new and existing work will be shown alongside historic Chinese objects. The exhibition will explore notions of truth, authenticity and value, as well as globalisation, the coronavirus pandemic and the current geopolitical crisis. Ai Weiwei will reflect upon the liberty in the West, in contrast to China and other authoritarian regimes, to question truth and authority, express doubt and seek transparency in political matters. However, in relation to art appreciation, the Chinese have a long tradition of a more fluid and less fixed view in relation to authenticity than is the case in the West, often valuing the act of copying.

Written by Liz Keeley-Browne, the aim of this book is to introduce new and already trained teachers, tutors or trainers working in the learning and skills sector to the routes toward becoming licensed to practise. Each chapter is designed as a journey from 'survival' to 'success'.

The title page calls the author of this 1888 work 'A Lady Astronomer'. She was Elizabeth Brown (1830 99), and the shadow she was pursuing was the eclipse of the sun on 19 August 1887, which could be best observed in northern Russia. Brought up by her father to make weather observations and to use a telescope, she became a member of the Liverpool Astronomical Society - on behalf of which she undertook her Russian expedition - and was later active in founding the British Astronomical Association. (The Royal Astronomical Society did not at this point admit women.) The book describes her journey, from her arrival at Hull to meet her travelling companion, to Russia, and home again. The actual viewing of the eclipse, at Kineshma, 200 miles north-east of Moscow, was spoiled by cloud cover, but her lively and observant account of her adventures is a fascinating record by a pioneering female scientist."

Inspired by the verbal exuberance and richness of all that can be heard by audiences both on and off Shakespeare's stages, Shakespeare's Auditory Worlds examines such special listening situations as overhearing, eavesdropping, and asides, It breaks new ground by exploring the complex relationships between sound and sight, dialogue and blocking, dialects and other languages, re-voicings, and, finally, non-verbal or meta-verbal relationships inherent in noise, sounds, and music, staging interstices that have been largely overlooked in the critical literature on aurality in Shakespeare. Its contributors include David Bevington, Ralph Alan Cohen, Steve Urkowitz, and Leslie Dunn, and, in a concluding "Virtual Roundtable" section, six seasoned repertory actors of the American Shakespeare Center as well, who discuss their nuanced hearing experiences "on stage." Their "hearing" invites us to understand the multiple dimensions of Shakespeare's auditory world from the vantage point of actors who are listening "in the round" to what they hear from their onstage interlocutors, from offstage and backstage cues, from the musicians' galleries, and often most interestingly, from their audiences.

Widely known today as the "Angel of the Battlefield," Clara Barton's personal life has always been shrouded in mystery. In Clara Barton, Professional Angel, Elizabeth Brown Pryor presents a biography of Barton that strips away the heroic exterior and reveals a complex and often trying woman. Based on the papers Clara Barton carefully saved over her lifetime, this biography is the first one to draw on these recorded thoughts. Besides her own voluminous correspondence, it reflects the letters and reminiscences of lovers, a grandniece who probed her aunt's venerable facade, and doctors who treated her nervous disorders. She emerges as a vividly human figure. Continually struggling to cope with her insecure family background and a society that offered much less than she had to give, she chose achievement as the vehicle for gaining the love and recognition that frequently eluded her during her long life. Not always altruistic, her accomplishments were nonetheless extraordinary. On the battlefields of the Civil War, in securing American participation in the International Red Cross, in promoting peacetime disaster relief, and in fighting for women's rights, Clara Barton made an unparalleled contribution to American social progress. Yet the true measure of her life must be made from this perspective: she dared to offend a society whose acceptance she treasured, and she put all of her energy into patching up the lives of those around her when her own was rent and frayed.

This book was originally published in 1998, when over 6,000 children lived in residential homes in England and Wales. The fact that some children's homes are better than others is well established, but why should this be so? Past answers have tended to be tautologous - rather on the lines of 'a good home is one where children do well; children do well because they are in a good home.' This study examines various aspects of children's homes and explores the connections between them in an attempt to break down the old circular argument. Structures are discernible in the relationship between different types of goals - societal, formal and belief; the variable balance between these goals determines staff cultures, which, in turn, shape the child cultures that develop. Such relationships are important because of their close association with outcomes - whether the children do well, whether the homes prosper. The model described in the book provides a conceptual framework and a set of causal relationships that should help professionals to plan and manage residential care better and so meet the needs of vulnerable children more effectively.

Criminal justice practices such as policing and imprisonment are integral to the creation of racialized experiences in U.S. society. Race as an important category of difference, however, did not arise here with the criminal justice system but rather with the advent of European colonial conquest and the birth of the U.S. racial state. Race and Crime examines how race became a defining feature of the system and why mass incarceration emerged as a new racial management strategy. This book reviews the history of race and criminology and explores the impact of racist colonial legacies on the organization of criminal justice institutions. Using a macrostructural perspective, students will learn to contextualize issues of race, crime, and criminal justice. Topics include: How "coloniality" explains the practices that reproduce racial hierarchies The birth of social science and social programs from the legacies of racial science The defining role of geography and geographical conquest in the continuation of mass incarceration The emergence of the logics of crime control, the War on Drugs, the redefinition of federal law enforcement, and the reallocation of state resources toward prison building, policing, and incarceration How policing, courts, and punishment perpetuate the colonial order through their institutional structures and policies Race and Crime will help students understand how everyday practices of punishment and surveillance are employed in and through the police, courts, and community to create and shape the geographies of injustice in the United States today.