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In this bold new book, Elizabeth Deeds Ermarth traces the broadly
established challenges to modernity that now confront historians
and citizens of Western societies generally. She puts forward a
clear definition of both The Modern Condition and of The Discursive
Condition that challenges it, and she briefly introduces the most
important practical implications of those challenges to accepted
definitions and tools of thought. After decades of conflicting work
on related issues this book provides a succinct, lucid and
wide-ranging discussion of what is at stake. Drawing on a broad
range of intellectual and cultural history from Homer to Hayden
White and from the arts to physics, philosophy and politics, this
book defines a new stage in the history of ideas. With the practice
and assumptions of historians at its core, the book demonstrates
the importance of interdisciplinary practice in addressing the big
questions currently confronting the humanities and social sciences.
This work traces the form of the Victorian novel, as well as
placing it in an historical context. It analyzes the key novelists
of the period - including George Eliot, Dickens, the Brontes,
Thackeray, Trollape and Hardy - in terms of the social and cultural
conditions forming a backdrop to their work, such as the
controversial work of Darwin, and the Industrial Revolution. This
combination of historical survey and literary critique comes
together to create an overview of the Victorian novel. The issues
in Victorian fiction discussed include: the question of the
individual as historical self; the idea of history; social and
collective order; the "women question"; gender and culture; and the
laws of nature - contrasting with the Romantics' view. This work
should be useful background reading for undergraduate students of
English literature and Victorian studies.
In this bold new book, Elizabeth Deeds Ermarth traces the broadly
established challenges to modernity that now confront historians
and citizens of Western societies generally. She puts forward a
clear definition of both The Modern Condition and of The Discursive
Condition that challenges it, and she briefly introduces the most
important practical implications of those challenges to accepted
definitions and tools of thought. After decades of conflicting work
on related issues this book provides a succinct, lucid and
wide-ranging discussion of what is at stake. Drawing on a broad
range of intellectual and cultural history from Homer to Hayden
White and from the arts to physics, philosophy and politics, this
book defines a new stage in the history of ideas. With the practice
and assumptions of historians at its core, the book demonstrates
the importance of interdisciplinary practice in addressing the big
questions currently confronting the humanities and social sciences.
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