In Steward Sinclair, Part II, Sinclair takes on more cases and becomes more and more blunt and outspoken about the dysfunctional society in which he lives to the dismay of his inexperienced assistant who is meek and mild, an archaeological student in a gap year who earns pocket money on the side being a drag artist in a seedy Sailors' Club in London Docklands. One of the cases Sinclair takes on verges on the Gothic horror story, hopefully acting as a brain teaser.

Elizabeth Greenwood studied sculpture at St. Martin's School of Art, and in Florence and Rome. She had a classical education, preferring Greek to Latin for the richness of its vocabulary and her sculpture with its reference to Greek mythology reflects this predilection; she is also a dedicated writer. Apart from poetry, she enjoys producing emblematic fiction based on Mary Poppins' philosophical song 'a spoonful of sugar makes the medicine go down', thus fulfilling the writer's task as entertainer cum moralist, Both creative activities date from early childhood. Although they were largely ignored, she was fortunate in having been born into a family where close relatives had universal minds, uniting a passion for Literature with a keen interest in Politics, the Cinema and Science, especially Space Science. Officially, she began her writing career by producing educational scripts for the BBC World Wide Services which taught her the invaluable benefit of dedicated researching. In later years, to counteract a tendency to create works of the imagination, she has applied herself to the discipline of academic work in the field of biblical studies with particular regard to the Dead Sea discoveries, now well-documented, which give insights into the rise of Christianity. Her particular interest in Sherlock Holmes as an innovative detective relates to his having been born in America in a play on Broadway where it was an immediate success, with a famous actor in the lead while Conan Doyle, the British creator of Sherlock Holmes, was serving with the Friends' Ambulance Service as a volunteer front-line surgeon during the Boer war in South Africa.

This evocative and gripping investigative look into romantic relationships between incarcerated people and their spouses on the outside "is impossible to put down" (The Globe and Mail, Toronto). What is it like to fall in love with someone in prison? Over the course of five years, Elizabeth Greenwood followed the ups and downs of five couples who met during incarceration. In Love in the Time of Incarceration, she pulls back the curtain on the lives of the husbands and wives supporting some of the 2.3 million people in prisons around the United States. In the vein of Modern Love, this book shines a light on how these relationships reflect the desire and delusion we all experience in our romantic pairings. Love in the Time of Incarceration infiltrates spaces many of us have only heard whispers of--from conjugal visits to prison weddings to relationships between the incarcerated themselves. "A tour de force of empathetic nonfiction storytelling" (Vanessa Grigoriadis, author of Blurred Lines), Love in the Time of Incarceration changes the way you look at the American prison system and perhaps relationships in general. Previously published as Love Lockdown.

"A delightful read for anyone tantalized by the prospect of disappearing without a trace." --Erik Larson, New York Times bestselling author of Dead Wake "Delivers all the lo-fi spy shenanigans and caught-red-handed schadenfreude you're hoping for." --NPR "A lively romp." --The Boston Globe "Grim fun." --The New York Times "Brilliant topic, absorbing book." --The Seattle Times "The most literally escapist summer read you could hope for." --The Paris ReviewIs it still possible to fake your own death in the twenty-first century? With six figures of student loan debt, Elizabeth Greenwood was tempted to find out. So off she sets on a darkly comic foray into the world of death fraud, where for $30,000 a consultant can make you disappear--but your suspicious insurance company might hire a private detective to dig up your coffin...only to find it filled with rocks. Greenwood tracks down a British man who staged a kayaking accident and then returned to live in his own house while all his neighbors thought he was dead. She takes a call from Michael Jackson (no, he's not dead--or so her new acquaintances would have her believe), stalks message boards for people contemplating pseudocide, and gathers intel on black market morgues in the Philippines, where she may or may not obtain some fraudulent goodies of her own. Along the way, she learns that love is a much less common motive than money, and that making your death look like a drowning virtually guarantees that you'll be caught. (Disappearing while hiking, however, is a way great to go.) Playing Dead is a charmingly bizarre investigation in the vein of Jon Ronson and Mary Roach into our all-too-human desire to escape from the lives we lead, and the men and women desperate enough to give up their lives--and their families--to start again.

A captivating and insightful deep dive into the world of human intuition, exploring the power of this elusive phenomenon and how it can be harnessed to better know and trust ourselves.

We rely on our intuition, even though we don’t fully understand what it is, how it works, or if we can even trust it. In this fresh, mind-opening book, Elizabeth Greenwood takes us on a sweeping investigation into the subject, exploring how, in our data-driven world, we can harness intuition in our day-to-day lives.

Digging deep into her personal experience as well as insights from neuroscience, psychology, , feminist texts, psychics, and everyday people with extraordinary intuitive ability, Greenwood explores what we know about intuition—how to distinguish it from instinct, wishful thinking, anxiety, and denial; how it serves and sometimes fails us; how it impacts our dreams and unconscious behavior; and how it manifests in everything from romantic attraction to premonitions. Greenwood places a special emphasis on “women’s intuition,” and how it has been denigrated throughout history—but can offer us a more hopeful, grounded way of experiencing the world in a time of so much uncertainty.

Everyday Intuition provides practical advice on tapping into our self-knowledge and learning to trust our instincts. It examines the science behind intuition, including how our brains process information, how psychedelic medicine and manifestation are opening new doors of consciousness—as well as how these helpful methods are being abused by charlatans, including some "coaches," "teachers," and social media influencers offering false promises—and how we can train ourselves to be more intuitive and ultimately enhance our daily lives.

Smart, funny, sincere, and profound, this helpful guide is a modern take on one of the oldest tools we possess. It shows us how embracing intuition can lead us to our truest, most mindful selves, and to better align the lives we are living with the lives we desire.

Elizabeth Greenwood studied sculpture at St. Martin's School of Art, and in Florence and Rome. She had a classical education, preferring Greek to Latin for the richness of its vocabulary and her sculpture with its reference to Greek mythology reflects this predilection; she is also a dedicated writer. Apart from poetry, she enjoys producing emblematic fiction based on Mary Poppins' philosophical song 'a spoonful of sugar makes the medicine go down', thus fulfilling the writer's task as entertainer cum moralist, Both creative activities date from early childhood. Although they were largely ignored, she was fortunate in having been born into a family where close relatives had universal minds, uniting a passion for Literature with a keen interest in Politics, the Cinema and Science, especially Space Science. Officially, she began her writing career by producing educational scripts for the BBC World Wide Services which taught her the invaluable benefit of dedicated researching. In later years, to counteract a tendency to create works of the imagination, she has applied herself to the discipline of academic work in the field of biblical studies with particular regard to the Dead Sea discoveries, now well-documented, which give insights into the rise of Christianity. Her particular interest in Sherlock Holmes as an innovative detective relates to his having been born in America in a play on Broadway where it was an immediate success, with a famous actor in the lead while Conan Doyle, the British creator of Sherlock Holmes, was serving with the Friends' Ambulance Service as a volunteer front-line surgeon during the Boer war in South Africa.

Elizabeth Greenwood studied sculpture at St. Martin's School of Art, and in Florence and Rome. She had a classical education, preferring Greek to Latin for the richness of its vocabulary and her sculpture with its reference to Greek mythology reflects this predilection; she is also a dedicated writer. Apart from poetry, she enjoys producing emblematic fiction based on Mary Poppins' philosophical song 'a spoonful of sugar makes the medicine go down', thus fulfilling the writer's task as entertainer cum moralist, Both creative activities date from early childhood. Although they were largely ignored, she was fortunate in having been born into a family where close relatives had universal minds, uniting a passion for Literature with a keen interest in Politics, the Cinema and Science, especially Space Science. Officially, she began her writing career by producing educational scripts for the BBC World Wide Services which taught her the invaluable benefit of dedicated researching. In later years, to counteract a tendency to create works of the imagination, she has applied herself to the discipline of academic work in the field of biblical studies with particular regard to the Dead Sea discoveries, now well-documented, which give insights into the rise of Christianity. Her particular interest in Sherlock Holmes as an innovative detective relates to his having been born in America in a play on Broadway where it was an immediate success, with a famous actor in the lead while Conan Doyle, the British creator of Sherlock Holmes, was serving with the Friends' Ambulance Service as a volunteer front-line surgeon during the Boer war in South Africa.

In Steward Sinclair, Part II, Sinclair takes on more cases and becomes more and more blunt and outspoken about the dysfunctional society in which he lives to the dismay of his inexperienced assistant who is meek and mild, an archaeological student in a gap year who earns pocket money on the side being a drag artist in a seedy Sailors' Club in London Docklands. One of the cases Sinclair takes on verges on the Gothic horror story, hopefully acting as a brain teaser.

In Steward Sinclair, Part II, Sinclair takes on more cases and becomes more and more blunt and outspoken about the dysfunctional society in which he lives to the dismay of his inexperienced assistant who is meek and mild, an archaeological student in a gap year who earns pocket money on the side being a drag artist in a seedy Sailors' Club in London Docklands. One of the cases Sinclair takes on verges on the Gothic horror story, hopefully acting as a brain teaser.

The book is about the cases that the detective takes on and has to solve. There are several different cases in the book. All more exciting one than the other.

All the short stories in SOPHIE'S FRIENDS are based on Mary Poppins' philosophical song 'A spoonful of sugar helps the medicine go down', Elizabeth Greenwood's main purpose being to entertain the writer while describing the various situations which her characters encounter at home and abroad either realistically or figuratively, thus Sophie portrays classical philosophy which needs to be redefined in the Space age.

Elizabeth Greenwood studied Sculpture at St. Martin's School of Art, and in Florence and Rome. She had a classical education, preferring Greek to Latin for the richness of its vocabulary and her sculpture with its references to Greek mythology reflects this predilection. She also writes Poetry. Apart from poetry, she enjoys producing emblematic fiction based on Mary Poppins' philosophical song "a spoonful of sugar makes the medicine go down," thus fulfilling the writer's task as an entertainer cum moralist. Both the poetical and the modelling activities date from early childhood. Although these were largely ignored, she was fortunate in having been born into a family where close relatives had universal minds, uniting a passion for literature with a keen interest in Science (of Space especially), Politics and the Cinema. In latter years, to counteract the tendency to create works of the imagination, she has applied herself to the discipline of academic works in the field of Religion, i.e. the Bible, with particular regard to the Dead Sea discoveries, no well-documented. A successful breeder and trainer of horses, she has campaigned ceaselessly for higher education in Equine Studies, on the lines devised in America where Hippology has been elevated to university status, thus producing educated riders and saving the horse a lot of unnecessary suffering, She considers horses to be regulators and keepers of conscience, teaching stoical wisdom in the exercise of man's power over life and death.