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Friends, Lovers, Co-Workers, and Community analyzes how television
narratives form the first decade of the twenty-first century are
powerful socializing agents which both define and limit the types
of acceptable interpersonal relationships between co-workers,
friends, romantic partners, family members, communities, and
nations. This book is written by a diverse group of scholars who
used a variety of methodological and theoretical approaches to
interrogate the ways through which television molds our vision of
ourselves as individuals, ourselves as in relationships with
others, and ourselves as a part of the world. This book will appeal
to scholars of communication studies, cultural studies, media
studies, and popular culture studies.
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