Hank Willis Thomas: All Things Being Equal presents a survey of the artist's prolific and extraordinary interdisciplinary career, with a particular focus on the work's relationship to the photographic image and to issues of representation and perception. At the core of Hank Willis Thomas's practice, is his ability to parse and critically dissect the flow of images that comprises American culture, and to do so with particular attention to race, gender, and cultural identity. Other powerful themes include the commodification of identity through popular media, sports, and advertising. In the ten years since his first publication, Pitch Blackness , Thomas has established himself as a significant voice in contemporary art, equally at home with collaborative, trans-media projects such as Question Bridge, Philly Block, and For Freedoms as he is with high-profile, international solo exhibitions. This extensive presentation of his work contextualizes the material with incisive essays from Portland Art Museum curators Julia Dolan and Sara Krajewski and art historian Sarah Elizabeth Lewis, and an in-depth interview between Dr. Kellie Jones and the artist that elaborates on Thomas's influences and inspirations.

Examine group work's roots and fundamental beliefs to get a glimpse of the future For more than 80 years, social group work has survived difficult timesa testament to the persistence of its practitioners as well as the strength of its methods. Growth and Development Through Group Work chronicles the evolution of this groundbreaking practice through a collection of peer-reviewed papers presented at the 23rd Annual International Symposium on Social Work with Groups. The book examines practice, policy, and education issues in specific settings and populations from both theoretical and historical perspectives. Presented in the wake of the September 11 terrorist attacks in New York City and Washington, DC, the papers that comprise Growth and Development Through Group Work reflect a heightened awareness of the importance of social action group worknow, and in the future. The book represents the best of social work's tradition of social reform and concern for oppressed people, never straying far from the concept of the group, with its multiple helping relationships, as the primary source of change. A comprehensive overview of the field in international, intercultural, and cross-gender contexts, Growth and Development Through Group Work is equally effective for coursework or independent reading. Topics addressed in Growth and Development Through Group Work include: contributions of the late Ruby B. Pernell to the development of social group work research in support of group work education and practice group work in Germany-its development from American roots and its current advances social justice as a major objective of group work practice teaching group work mutual aid in support groups for particularly sensitive health problems psychoeducational group work contributions from Hull House as guides for the future of social group work Growth and Development Through Group Work is an invaluable resource for clinicians, neighborhood and community activists, educators and students, researchers, therapists, administrators, and anyone working in policy and/or program development.

Between 1651 and 1740 hundreds of fables, fable collections, and biographies of the ancient Greek slave Aesop were published in England. In The English Fable, Jayne Elizabeth Lewis describes the national obsession with Aesop's fables during this period as both a figural response to sociopolitical crises, and an antidote to emerging anxieties about authorship. Lewis traces the role that fable collections, Augustan fable theory, and debates about the figure of Aesop played in the formation of a modern, literate, and self-consciously English culture, and shows how three Augustan writers - John Dryden, Anne Finch, and John Gay - experimented with the seemingly marginal symbolic form of fable to gain access to new centres of English culture. Often interpreted as a discourse of the dispossessed, the fable in fact offered Augustan writers access to a unique form of cultural authority.

A dynamic look at the vast creative production of contemporary women artists from around the globe A celebration of the work of women artists of color, this book explores the ways in which struggles for freedom and equality are deeply intertwined with shared feminist practices, art techniques and movements, and the notion of diaspora through the extraordinary collection of social activist and patron Eileen Harris Norton. Featuring work by Sonia Boyce, Maya Lin, Julie Mehretu, Shirin Neshat, Adrian Piper, Faith Ringgold, Kara Walker, Carrie Mae Weems, and many others, All These Liberations draws out the intimate connections among artist, collector, and the social worlds that surround them. For nearly five decades, Harris Norton has championed both artists and curators of color, helping to reshape museum practice and the surrounding art market.   Essays in this volume by art historians and curators address vital political, social, and personal issues, as well as topics such as spirituality, domestic life, memory and historical trauma, the body, intimacy, power dynamics, and violence toward women. The book also features an interview with Harris Norton by Thelma Golden, director and chief curator at the Studio Museum in Harlem; a foreword by artist Lorna Simpson; and a roundtable conversation among leaders in the art world discussing Harris Norton’s impact on their careers and on the careers of contemporary women artists globally. Distributed for Marquand Books  

Between 1651 and 1740 hundreds of fables, fable collections, and biographies of the ancient Greek slave Aesop were published in England. Jayne Elizabeth Lewis decribes the explosion of interest in fable from its origins at the end of the English Civil Wars to its decline, and shows how three Augustan writers--John Dryden, Anne Finch and John Gay--experimented with fable as a literary form. Often underestimated because of its links with popular nonliterary forms, fable is shown to have played a major role in the formation of the modern English culture.

Architecture 2030; BUG; Biophilic Design; BIPV; Circular Economy; LEED; Passive Design; Solar Chimney; Systems Thinking; WELL; Xeriscaping. What does it all mean? The complex and evolving language used in the sustainable design community can be very challenging, particularly to those new to environmentally friendly and resource-efficient design strategies that are needed today. Definitions of over two hundred terms with further sources. Clearly cross-referenced with Sustainaspeak, Theoryspeak, and Archispeak terms. Illustrated throughout with sustainable award-winning buildings by e.g. Behnisch, Brooks + Scarpa, EHDD, KieranTimberlake, Lake|Flato, Leddy Mahtum Stacy, SmithGroup, Perkins+Will, ZGF, VMDO, and McDonough + Partners. Sustainaspeak: A Guide to Sustainable Design Terms provides a current guide to the sustainable design strategies, terms, and practices needed for the next generation of designers, architects, students, and community leaders to design a carbon-neutral world for future generations.

In "Air's Appearance", Jayne Elizabeth Lewis enlists her readers in pursuit of the elusive concept of atmosphere in literary works. She shows how diverse conceptions of air in the eighteenth century converged in British fiction, producing the modern literary sense of atmosphere and moving novelists to explore the threshold between material and immaterial worlds. "Air's Appearance" links the emergence of literary atmosphere to changing ideas about air and the earth's atmosphere in natural philosophy, as well as to the era's theories of the supernatural and fascination with social manners - or, as they are now known, "airs". Lewis thus offers a striking new interpretation of several standard features of the Enlightenment - the scientific revolution, the decline of magic, character-based sociability, and the rise of the novel - that considers them in terms of the romance of air that permeates and connects them. As it explores key episodes in the history of natural philosophy and in major literary works like "Paradise Lost", "The Rape of the Lock", "Robinson Crusoe", and "The Mysteries of Udolpho", this book promises to change the atmosphere of eighteenth-century studies and the history of the novel.

Architecture 2030; BUG; Biophilic Design; BIPV; Circular Economy; LEED; Passive Design; Solar Chimney; Systems Thinking; WELL; Xeriscaping. What does it all mean? The complex and evolving language used in the sustainable design community can be very challenging, particularly to those new to environmentally friendly and resource-efficient design strategies that are needed today. Definitions of over two hundred terms with further sources. Clearly cross-referenced with Sustainaspeak, Theoryspeak, and Archispeak terms. Illustrated throughout with sustainable award-winning buildings by e.g. Behnisch, Brooks + Scarpa, EHDD, KieranTimberlake, Lake|Flato, Leddy Mahtum Stacy, SmithGroup, Perkins+Will, ZGF, VMDO, and McDonough + Partners. Sustainaspeak: A Guide to Sustainable Design Terms provides a current guide to the sustainable design strategies, terms, and practices needed for the next generation of designers, architects, students, and community leaders to design a carbon-neutral world for future generations.

Religion in Enlightenment England introduces its readers to a rich array of BritishChristian texts published between 1660 and 1750. The anthology documents the arc of Christian writings from the reestablishment of the Church of England to the rise of the Methodist movement in the middle of the eighteenth century. The Enlightenment era witnessed the explosion ofmass print culture and the unprecedented expansion of literacy across society. These changes transformed many inherited Christian genresasuch as the sermon and the devotional manualawhile also generating new ones, from the modern church hymn to spiritual autobiography. The authors included in this collection confronted the rise of modern science and forged new rules of modern toleration.Their writing reveals the unprecedented spiritual authority assumed by women and helps explain how emotion moved to the center of religious experience. Religion in Enlightenment England captures the literary energy and excitement unleashed by the Enlightenment itself: authorsengageone another in spirited dialogue that pits reason against revelation, religious conformity against dissent, innovation against tradition, andFreethinking against natural religion. An indispensable asset for any scholar's library, the anthology includes texts by William Law, John Bunyan, Elizabeth Singer Rowe, John and Charles Wesley, Richard Baxter, John Toland, Mary Astell, Daniel Defoe, John Norris, Margaret Fell Fox, Isaac Watts, Thomas Traherne, John Tillotson, William Penn, and Anne Conway.

Lorenzo of Sarzana is set in Genoa, Italy, exploring life among expatriot art students.

With Explanatory Notes, Accompanied By A Memoir, Embracing The Period From The Close Of Personal Recollections To Her Death.