Community Responses to Disasters in the Pacific Rim presents different aspects of place-making in displacement in the Pacific Rim region. It focuses focus on how people respond and readjust to changes and captures the long-term community development outcomes and the critical moments that facilitate this development. Interdisciplinary and using diverse research approaches, the book includes contributions by authors from a variety of disciplines across disaster research, sociology, urban planning, architecture, anthropology, earth science, and education. Mixed methods are adopted to carry out the research projects that ground this volume, including qualitative research for social scientific research, ethnographic methods and more importantly, Participatory Action Research (PAR) is also included by authors who have a background in design professions and a few indigenous scholars who are themselves survivors of disasters. The chapters are structured in the following five thematic sections: 1. Learning as place-making in displacement 2. Gender and place-making in response to displacement 3. Community resilience in keeping indigenous sense of place 4. Community (Re)building in displacement 5. Transnational Place-making: Talk to the Actor. Understanding how affected communities are recovering from their own perspectives, this book will be of interest to academics in the fields of area studies, political science, disaster planning and human geography.

With its intricate rhyme scheme and dance-like pattern of repeated lines, its marriage of recurrence and surprise, the villanelle has fascinated poets ever since it was introduced almost two centuries ago. Many well-known names in the past have tried their hand at it, and the villanelle is enjoying a revival among writers today. The poems collected here range from the classic villanelles of the nineteenth century - by Thomas Hardy, Edwin Arlington Robinson, Oscar Wilde and others - to such famous and memorable examples as Dylan Thomas's 'Do not go gentle into that good night,' Elizabeth Bishop's 'One Art' and Sylvia Plath's 'Mad Girl's Love Song'. Here too are the cutting-edge works of contemporary poets, including Seamus Heaney, Paul Muldoon, Sherman Alexie and Rita Dove, demonstrating the dazzling variety that can be found within the parameters of a single strict poetic form.