Women's poetry of the Spanish early modern period. This collection of fourteen scholarly essays on women's poetry from Spain's early modern period shows that women did indeed have a Golden Age, and that they were significant cultural actors in the realms of poetic production. Thestudies of secular verse demonstrate how female poets of this period devised strategies to confront the dominant masculine poetic discourse, while the essays on sacred poetry explore the multiple manifestations of female piety andmysticism. The women's words are brought to life and modern readers helped to understand the socio-cultural, interpersonal, and aesthetic components of the poets' oeuvre. The volume, a companion to Julian Olivares' and ElizabethBoyce's revised anthology "Tras el espejo la musa escribe": Lirica femenina de los Siglos de Oro, constitutes an authoritative critical enterprise focused on the recuperation of the female literary voice, and marks an important step forward in the battle to include women's writing as part of Spain's literary canon. Contributors: Electa Arenal, Aranzazu Borrachero Mendibil, Anne J. Cruz, Adrienne L. Martin, Rosa Navarro Duran, Julian Olivares, Inmaculada Osuna, Amanda Powell, Elizabeth Rhodes, Stacey Schlau, Lia Schwartz, Alison Weber, Judith Whitenack. JULIAN OLIVARES is Professor of Spanish at the University of Houston and editor of Caliope, Journal ofthe Society for Renaissance and Baroque Hispanic Poetry.

Is a Universal Basic Income the answer to an increasingly precarious job landscape? Could it bring greater financial freedom for women, tackle the issue of unpaid but essential work, cut poverty and promote greater choice? Or is it a dead-end utopian ideal that distracts from more practical and cost-effective solutions? Contributors from musician Brian Eno, think tank Demos Helsinki, innovators such as California's Y Combinator Research and prominent academics such as Peter Beresford OBE offer a variety of perspectives from across the globe on the politics and feasibility of basic income. Sharing research and insights from a variety of nations - including India, Finland, Uganda, Brazil and Canada - the collection provides a comprehensive guide to the impact this innovative idea could have on work, welfare and inequality in the 21st century.

From the mind of Elizabeth Rhodes, author of Walk of Life, a poem, comes a soul stirring book about the life of a young African-American teenager, living in deep Southern America. The story gives an account of how circumstances in life can determine how we turn out in the end. Or does it?

The noble wives in Mar?a de Zayas's Desenga?os suffer terrible fates: one is beheaded, another poisoned, one is cemented into a chimney, while yet another is locked into a tiny wall closet where she dies. The hallmark of Zayas's aesthetics, these characters are the central reason why her fiction has increased in popularity through the ages. Yet their stories pose an apparent contradiction between the author's pro-female rhetoric and her gusto for killing model women, then beautifying their mutilated cadavers.

Dressed to Kill reconciles Zayas's Desenga?os with the age in which it was written, contextualizing the book in baroque poetics, the Spanish honour code, and fifteenth-century martyr saints' lives. Elizabeth Rhodes elegantly uncovers Zayas's intention to reform the Spanish nobility by displaying noble misbehaviour and its deadly consequences. Her book concludes by detailing the Desenga?os' intriguing influence on the aesthetic base of Gothic literature by revealing that its authors were avid readers of Zayas.