The German artist Johann David Passavant (1787 1861) visited Britain in 1831 in order to examine works by Raphael in private and public galleries for a book he was preparing. He had not been able to find any helpful German accounts of British collections, and so decided to publish a narrative of his own travels and observations. The British writer and art critic Elizabeth Rigby (later Lady Eastlake) produced a two-volume translation in 1836, believing that English readers would benefit from Passavant's descriptions of little-known collections in their own country, as well as from his practitioner's response to the works themselves. Volume 1 covers the National Gallery, the Royal Academy and the royal collections at Buckingham and Kensington Palaces, Windsor Castle and Hampton Court, as well as the private galleries of aristocrats and wealthy commoners in London and the home counties, ending with the colleges of Oxford."

The German artist Johann David Passavant (1787 1861) visited Britain in 1831 in order to examine works by Raphael in private and public galleries for a book he was preparing. He had not been able to find any helpful German accounts of British collections, and so decided to publish a narrative of his own travels and observations. The British writer and art critic Elizabeth Rigby (later Lady Eastlake) produced a two-volume translation in 1836, believing that English readers would benefit from Passavant's descriptions of little-known collections in their own country, as well as from his practitioner's response to the works themselves. Volume 2 begins with the duke of Marlborough's collection at Blenheim, and continues to cover Chatsworth, Althorpe, Holkham, and other 'country seats', finishing in Cambridge. Passavant also provides a catalogue of drawings at Buckingham Palace, a list of the pictures discussed, and an overview of collections not visited."

When Elizabeth Rigby (1809 1893) embarked on her travels to the Baltic states in 1838, she was already a published author. She was to play a significant role as a writer and public figure throughout the nineteenth century. Originally published in 1841 as two separate volumes, this book is a compilation of letters written to her mother during her journey to Estonia. Travelling alone was an unusual undertaking for a single woman at the time, and here she demonstrates her ability to provide detailed descriptions of the life and places she experiences. The first volume describes her journey to Reval (Tallinn) in Estonia, where she will stay with her sister. The second offers her fascinating insights into the political and social life of Estonia in the mid-nineteenth century, combining personal observations and historical facts. For more information on this author, see http: //orlando.cambridge.org/public/svPeople?person_id=rigbel