First published in 1907, 'The Convert' was based on Elizabeth Robins' hugely successful play, 'Votes for Women ', which advocated militancy as the only means of achieving female suffrage. The story centres on Vida Levering, a society beauty who turns personal tragedy into political triumph by throwing her considerable intellect and energy behind the campaign. She also uses a guilty secret to gain the support of her ex-lover, the rising Tory politician Geoffrey Stonor.

First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

Of course they were bound for the Klondyke. Every creature in the North-west was bound for the Klondyke. Men from the South too, and men from the East, had left their ploughs and their pens, their factories, pulpits, and easy-chairs, each man like a magnetic needle suddenly set free and turning sharply to the North; all set pointing the self-same way since that July day in '97, when the Excelsior sailed into San Francisco harbour, bringing from the uttermost regions at the top of the map close upon a million dollars in nuggets and in gold-dust.

An important new student source book for colleges, universities, and libraries, this is an anthology of the best short plays by female dramatists concerning woman suffrage. Launched in conjunction with "Classic Plays by Women."

The astonishing women involved in the Actresses Franchise League set up their own theatre companies and engaged with the battle for the vote by writing and performing campaigning plays all over the country. They launched themselves onto the political stage with their satirical plays, sketches and monologues whilst at the same time challenging the staid conventions of the Edwardian Theatre of the day. The legacy of their inspiring work to change both theatre and society has survived in the political theatre, agit-prop and verbatim theatre we know today.

Votes for Women! (1907) is a play by American actress, writer, and suffragette Elizabeth Robins. Having established herself as one of England's leading actresses with her productions of Henrik Ibsen's dramas, Robins retired from the stage to pursue a writing career. Votes for Women!, inspired by Robins' own activism as a suffragette, was the first major play to represent the movement on stage. Despite its lukewarm reception and controversial subject matter, Robins' work would inspire countless other so-called suffragette plays, not only making space in the male-dominated theatrical world for plays written by, for, and about women, but also reclaiming the political influence of the dramatic arts in order to promote a contemporary social struggle. The play opens in the opulent Wynnstay House, a country home in Hertforshire owned by Lady and Lord John Wynnstay. There, Vida Levering, a militant activist for women's suffrage, prepares to leave for a rally in Trafalgar Square. Defending her political beliefs and motivations against the skepticism and conservative values of her hosts, Miss Levering stays true to her values and leaves for London with a renewed sense of purpose. At the crowded demonstration held at one of London's most iconic sites, a symbol of state power and military might, Miss Levering works up the courage to address the gathered people. Initially nervous, she overcomes hecklers and her own fears to deliver a rousing speech in support of women's suffrage, powerfully demonstrating the determination necessary to resist the powers that be in order to achieve what must and will be done. Votes for Women! is a captivating work of political theater from one of the leading actresses and dramatists of the early twentieth century. With a beautifully designed cover and professionally typeset manuscript, this edition of Elizabeth Robins' Votes for Women! is a classic of English literature reimagined for modern readers.

Washington Irving has long been admired for his writings on American lore and history, but his work on Islamic subjects, particularly his studies of Moorish Spain, deserve wider recognition. This edition of The Alhambra, here republished in facsimile from the 1908 edition, complete with illustrations by Joseph Pennell, presents a welcome opportunity to reassess Irving's European writings. The author first visited Granada in 1828, and revisited the city many times, living within the precincts of the Alhambra and having access to the many historical documents housed there. He later composed his two-volume work Mahomet and His Successors (1849-50), derived from original sources held in Granada. The Alhambra is a more personal study, reflecting the author's enchantment with the splendours of the palace and his intimate knowledge of the history of the Moors in Spain.