An instant New York Times and Sunday Times bestseller SHORTLISTED FOR THE 2021 DYLAN THOMAS AWARD 'A package of dynamite' Stephen King 'Powerful, compulsive, brilliant' Marian Keyes An era-defining novel about the relationship between a fifteen-year-old girl and her teacher ALL HE DID WAS FALL IN LOVE WITH ME AND THE WORLD TURNED HIM INTO A MONSTER Vanessa Wye was fifteen-years-old when she first had sex with her English teacher. She is now thirty-two and in the storm of allegations against powerful men in 2017, the teacher, Jacob Strane, has just been accused of sexual abuse by another former student. Vanessa is horrified by this news, because she is quite certain that the relationship she had with Strane wasn't abuse. It was love. She's sure of that. Forced to rethink her past, to revisit everything that happened, Vanessa has to redefine the great love story of her life - her great sexual awakening - as rape. Now she must deal with the possibility that she might be a victim, and just one of many. Nuanced, uncomfortable, bold and powerful, My Dark Vanessa goes straight to the heart of some of the most complex issues of our age.

Is the utopian project dead? Is it possible to imagine a utopian society or a utopian world in the aftermath of the collapse of ideologies? This book contains fifteen essays which are the result of the 7th International Conference of Utopian Studies held in Spain in 2006, either debating the subject, or suggesting alternative readings to some of the theoretical ideas raised within utopian studies. The title of the volume suggests that the idea or dream of utopia is indeed very important, but that the framework and boundaries of the concept are fast changing. The contributors to this first volume of essays write from different countries and represent different standpoints. Their discussions focus on the analysis of films, political theories, utopian projects of the past and present, and an insight into the dialectics of global movements.

Is the utopian project dead? Is it possible to imagine a utopian society or a utopian world in the aftermath of the collapse of ideologies? This book contains eighteen essays which are the result of the 7th International Conference of Utopian Studies held in Spain in 2006, either debating the subject, or suggesting alternative readings to some of the theoretical ideas raised within utopian studies. This volume focuses on the importance of narratives in utopian literature. They define the world we live in and the world we wish to live in. Through narratives of confession, and indeed through silence itself, the unconscious emerges and desire is articulated. The articles in this volume question and challenge the power of the word, the stability of meaning, and the relationship between thought and action in the construction of utopia and dystopia. They also point to the various literary frameworks of utopian and dystopian narratives, thus connecting stories from the past, present and future of both real and imaginary and communities.

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In a Summer Season is one of Elizabeth Taylor's finest novels in which, in a moving and powerful climax, she reveals love to be the thing it is: beautiful, often funny, and sometimes tragic. 'You taste of rain', he said, kissing her. 'People say I married her for her money', he thought contentedly, and for the moment was full of the self-respect that loving her had given him. Kate Heron is a wealthy, charming widow who marries, much to the disapproval of friends and neighbours, a man ten years her junior: the attractive, feckless Dermot. Then comes the return of Kate's old friend Charles - intelligent, kind and now widowed, with his beautiful young daughter. Kate watches happily as their two families are drawn together, finding his presence reassuringly familiar, but slowly she becomes aware of subtle undercurrents that begin to disturb the calm surface of their friendship. Before long, even she cannot ignore the gathering storm . . .

From award-winning writer Elisabeth Russell Taylor comes a dazzling new collection of short stories. Whether examining the unspoken deals brokered in every marriage, the inherent menace of daily exchanges or the secret lives of the unattached, each of these sixteen stories sparkles with Russell Taylor's extraordinary talent. 'The Contract' brilliantly reimagines Pushkin's Eugene Onegin; 'Supporting Roles' reverses the client-therapist relationship; 'Charlotte' looks at the life of a Jewish immigrant in postwar London; 'Les Amants' is a lyrical paean to love and loss in rural France; 'Take Care' sees the visitors getting too comfortable in a house that's not theirs; 'The Inquest' is a whimsical feat of magical realism; while 'Who She?' and 'Carter' explore the mysteries and complications of identity. Here is a writer unafraid to probe the dark corners of character, who sharpens her teeth on the casual cruelties, subtle ironies and alarming contradictions of everyday life. * 'She is entirely original and wholly brilliant' Elizabeth Young 'Much admired by other writers ... reflective, lyrical prose' Times Literary Supplement 'She writes brilliantly' Elaine Feinstein, The Times Pillion Riders 'In this chilling tale of the failure of romantic love, the writing is precise, tight-knit, beautifully paced' Isobel Quigley, Financial Times 'One of those works in which there is not a single wrong note. Best of all is the way that the author evokes the atmosphere of post-war Paris, making the city ... seem vividly real, so that one longs to be there' The Times Present Fears 'A sparkling collection of stories, each with a sting in its tail' Sunday Times 'Witty, deadpan language with a bleakness reminiscent of Roald Dahl' Ruth Padel, Daily Telegraph 'Taylor mingles the elegant with the grotesque, as if seating Flaubert next to William S. Burroughs at dinner' Publishers Weekly Will Dolores Come to Tea? 'Elisabeth Russell Taylor slowly unfolds bizarre, incisive tales of sex and loss ... dark and sharp and often disturbing' Carol Birch, Times Literary Supplement Tomorrow 'A haunting, beautifully written lament for the isolating power of love' Financial Times ISBN 978-1491285312 Price 8.99 (pb) / 4.99 (eBook) www.elisabethrusselltaylor.wordpress.com

From the author of PRESENT FEARS, SWANN SONG, MOTHER COUNTRY, PILLION RIDERS and I IS ANOTHER, set in 1960. A woman returns to the island of Mon for the fifteenth time in fifteen years, and for the seven days of her holiday, her head is filled with happy memories from childhood - but also with darker thoughts, which she must struggle to control.

"Rationing Medical Care on the Basis of Age" explores this highly topical issue and presents a critical argument on the nature of the possible crisis. Its in-depth philosophical analysis of the main ethical positions adopts an interdisciplinary and international approach. This book is important reading for healthcare policy makers and shapers and healthcare managers. Academics in ethics, philosophy, economics, and all healthcare disciplines will find it useful, as will public health specialists, health economists, and social scientists with an interest in health and medicine.