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In A Memory of the Future, critically acclaimed poet Elizabeth
Spires reflects on selfhood and the search for a core identity.
Inspired by the tradition of poetic interest in Zen, Spires
explores the noisy space of the mind, interrogating the necessary
divide between the social persona that navigates the world and the
artist's secret self. With vivid, careful attention to the minute
details of everyday moments, A Memory of the Future observes,
questions and meditates on the ordinary, attempting to make sense
of the boundaries of existence. As the poems move from Zen
reflections outward into the identifiable worlds of Manhattan,
Maine and Maryland's Eastern shore, houses, both real and imagined,
become metaphorical extensions of the self and psyche. These poems
ask the unanswerable questions that become more pressing in the
second half of life. How are we changed by the passage of time? How
does memory define and shape us? As Spires reminds us, any memory
of the future will become, paradoxically, a memory of the past and
of forgetting.
"Spinning, I can't stop spinning, so stay a minute, and I, Arachne,
will spin a story for you . . ."
In this singular collection, the heroes and heroines of fifteen
Greek and Roman tales give their own dramatic accounts of events.
From the magnificent spinner Arachne, who learns that a mortal
should never challenge a god, to the god Pan, who prefers Earth to
Mount Olympus, to the beautiful, self-indulgent Pandora and the
gold-stricken Midas--the reader becomes a confidant to the tellers
of these sometimes humorous, sometimes sad, always engaging tales
of wonder, woe, romantic love, and jealousy. Mordicai Gerstein's
energetic, whimsical illustrations combine with Elizabeth Spires's
playful renditions for a totally fresh take on familiar and
not-so-familiar myths.
In A Memory of the Future, critically acclaimed poet Elizabeth
Spires reflects on selfhood and the search for a core identity.
Inspired by the tradition of poetic interest in Zen, Spires
explores the noisy space of the mind, interrogating the necessary
divide between the social persona that navigates the world and the
artist's secret self. With vivid, careful attention to the minute
details of everyday moments, A Memory of the Future observes,
questions, and meditates on the ordinary, attempting to make sense
of the boundaries of existence. As the poems move from Zen
reflections outward into the identifiable worlds of Manhattan,
Maine, and Maryland's Eastern shore, houses, both real and
imagined, become metaphorical extensions of the self and psyche.
These poems ask the unanswerable questions that become more
pressing in the second half of life. How are we changed by the
passage of time? How does memory define and shape us? As Spires
reminds us, any memory of the future will become, paradoxically, a
memory of the past, and of forgetting.
A mouse's-eye-view of Emily Dickinson
When a mouse named Emmaline takes up residence behind the
wainscoting of Emily Dickinson's bedroom, she wonders what it is
that keeps Emily scribbling at her writing table throughout the day
and into the night. Emmaline sneaks a look, and finds that it's
poetry! Inspired, Emmaline writes her own first poem and secretly
deposits it on Emily's desk. Emily answers with another poem, and a
lively exchange begins. In this charming and fanciful introduction
to Emily Dickinson, Elizabeth Spires demonstrates the power of
poetry to express our deepest feelings, while Claire A. Nivola's
delicate pencil drawings capture the intricacies of life in Emily's
world. Included are eight of Dickinson's most loved poems, with
seven corresponding poems by Emmaline that are sure to bring out
the poet in any child.
In Elizabeth Spires's sixth collection of poetry, the pilgrim soul,
in its various guises, meditates on its own slow becoming, finding
humble companions in creatures as unlikely as a lowly snail, a
prehistoric coelacanth, or a tiny Japanese netsuke of a badger
disguised as a monk. For Spires, life is both a pilgrimage and a
deepening birth, death, and transformation all part of a seamless
continuum. Possessed of a calm, crystalline sense of eternity, her
poems invite fellow travelers to sit for a little while and be
cleansed of the dust of existence."
Opening with a powerful sequence of poems about her mother's death,
Elizabeth Spires writes about the life-and-death matters of
midlife: the separation of parent from child, the loss of family
and friends, the evolving nature of our closest friendships. These
poems find hope in the seasonal and spiritual moment when "the
green blade rises."
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Worldling (Paperback)
Elizabeth Spires
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R494
R423
Discovery Miles 4 230
Save R71 (14%)
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Ships in 10 - 15 working days
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Winner of a 1996 Whiting Award. In her fourth collection of poems
Elizabeth Spires addresses the elemental subjects of life and of
literature: birth, death, creation, and intimations of immortality.
The first section focuses on the experiences of conception,
pregnancy, and childbirth from the points of view of both mother
and child. The second section offers a reversal and reply in which
the poems move out into a divided and divisive world. These poems
are distinguished by an immaculate lyricism, a pristine sense for
the natural world and the rhythms of language.
Josephine Jacobsen, born in 1908, had her first poem published when
she was just ten years old. Though Jacobsen has been writing and
publishing for almost eighty years, she remained outside the
literary world until she was named Consultant in Poetry to the
Library of Congress in 1971. She has since been honored numerous
times, receiving such prestigious awards as the annual Fellowship
of the Academy of American Poets, the Lenore Marshall Poetry Prize,
and election to the American Academy of Arts and Letters.
"The Instant of Knowing: Lectures, Criticism and Occasional Prose"
joins recent collections of Jacobsen's poetry and short stories,
bringing together for the first time the highlights of this
distinguished poet's long and varied career as a literary critic,
lecturer, and reviewer. Of special interest are two lectures
delivered at the Library of Congress while she was Consultant in
Poetry there, and a rich assortment of never before collected op-ed
and travel pieces from the "Baltimore Sun," The volume also
includes critical pieces on Robert Frost, William Carlos Williams,
e.e. cummings, Robert Lowell, A.R. Ammons, Samuel Beckett, and J.D.
Salinger; an unpublished lecture, "The Admiring Bog," on the perils
of poetic celebrity; and an extended interview with John
Wheatcroft. The book is edited and introduced by the poet Elizabeth
Spires, and concludes with three recent, uncollected poems of
Jacobsen's.
Josephine Jacobsen is author of "In the Crevice of Time: New and
Collected Poems" ( 1995), a nominee for the National Book Award,
and "What Goes Without Saying Collected Short Stories" (1996.) She
continues to live and write in Baltimore. Elizabeth Spires is a
writer-in-residence, Goucher College, Baltimore, Maryland, and the
author of four collections of poetry.
In Elizabeth Spires's sixth collection of poetry, the pilgrim soul,
in its various guises, meditates on its own slow becoming, finding
humble companions in creatures as unlikely as a lowly snail, a
prehistoric coelacanth, or a tiny Japanese netsuke of a badger
disguised as a monk. For Spires, life is both a pilgrimage and a
deepening birth, death, and transformation all part of a seamless
continuum. Possessed of a calm, crystalline sense of eternity, her
poems invite fellow travelers to sit for a little while and be
cleansed of the dust of existence."
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