The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This third edition of Twelfth Night retains the text edited and annotated by Elizabeth Story Donno for the first edition of 1985, and features an updated introduction by Penny Gay, which focuses on recent scholarship and performance history. Building on her Introduction to the second edition, Gay stresses the play's theatricality, its elaborate linguistic games and its complex use of Ovidian myths. She analyses the delicate balance Shakespeare strikes in Twelfth Night between romance and realism, and explores representations of gender, sexuality and identity in the text. A selection of new photographs completes the edition.

The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This third edition of Twelfth Night retains the text edited and annotated by Elizabeth Story Donno for the first edition of 1985, and features an updated introduction by Penny Gay, which focuses on recent scholarship and performance history. Building on her Introduction to the second edition, Gay stresses the play's theatricality, its elaborate linguistic games and its complex use of Ovidian myths. She analyses the delicate balance Shakespeare strikes in Twelfth Night between romance and realism, and explores representations of gender, sexuality and identity in the text. A selection of new photographs completes the edition.

Based on recent studies of existing manuscripts, this collection of works by the seventeenth-century poet much admired by T. S. Eliot includes modern translations of Marvell's Greek and Latin poems, as well as his works in English.

Professor Donno’s fully annotated edition, based on the Folio text, explains Shakespeare’s language in its sixteenth -century social and dramatic context. The introduction emphasises the play’s Illyrian setting, a locale that distances the mad actions of the romantic lovers and the comic Sir Toby with his crew from the real world where the wind blows and the rain falls, The play’s major themes and characters are defined against their counterparts in Shakespeare’s sources and against later parodies or plot adaptations. An illustrated history of the play’s fortunes on stage pays particular attention to the part of Malvolio, whether he is played as tragic, burlesque or ‘straight’. The interpretation of his role offers a clue to the different preoccupations of productions and critics.