This substantial monograph on the respected German Concrete artist features a selection of floor and skirting-board paintings from the late 60s and 70s, large-scale and multi-media architectural paintings, furniture, abstract geometric oils and acrylics and sculptural wall-works. A serious study of post-Constructivist color and space.

Is there an option to oppose without automatically participating in the opposed? This volume explores different perspectives on dissent, understanding practices, cultures, and theories of resistance, dispute, and opposition as inherently participative. It discusses aspects of the body as a political instance, the identity and subjectivity building of individuals and groups, (micro-)practices of dissent, and theories of critique from different disciplinary perspectives. This collection thus touches upon contemporary issues, recent protests and movements, artistic subversion and dissent, online activism as well as historic developments and elemental theories of dissent.

German-born artist Thomas Mullenbach plays with our everyday perception of the normal and well-known and undermines ourcollective ideas of sense, value, and purpose of the visible world. To this end, the now Zurich-based artist explores the discipline of art history and puts the possibilities and limits of painting up for discussion.This lavishly illustrated new monograph features a range of Thomas Mullenbach's paintings and drawings. Published inconjunction with a recent exhibition at Kunsthalle Zurich, it focuses on Mullenbach's more recent works, many of which hecreated especially for this show. Essays by Elke Bippus and Juri Steiner and a conversation between curator Beatrix Ruf and Thomas Mullenbach complement the illustrations.