A brand-new Baby-sitters Club graphic novel adapted by National Book Award finalist and Eisner-nominated cartoonist Ellen T. Crenshaw! Stacey is so excited! Her friends from The Baby-sitters Club are coming to New York City for a long weekend. It's going to be perfect -- a party and a sleepover on Friday night, a big baby-sitting job on Saturday, and lots of sightseeing throughout. But it turns out that the baby-sitters are way out of place in the big city. Mary Anne sounds like a walking guidebook, Dawn is afraid of everything, Kristy can't keep her mouth shut, Claudia is jealous of Laine -- Stacey's New York best friend -- and Mallory and Jessi feel intimidated by Stacey's classmates. With ten kids to baby-sit and a full schedule of activities, how will Stacey keep the weekend from becoming a complete disaster?

The biblical psalms are perhaps the most commented-upon texts in human history. They are at once deeply alluring and deeply troubling. In this addition to the acclaimed Brazos Theological Commentary on the Bible, a highly respected scholar offers a theological reading of Psalms 1-50, exploring the various voices in the poems to discern the conversation they engage about God, suffering, and hope as well as ways of community belonging. The commentary examines the context of the psalms as worship--tending to both their original setting and their subsequent Jewish and Christian appropriation--and explores the psychological dynamics facing the speaker. Foreword by William P. Brown.

Provides a general, supportive framework for understanding the reasons for record keeping and its parameters Clarifies dilemmas and strategies surrounding confidentiality and privacy in order to help professionals protect themselves and their clients, patients, students, and supervisees Contains numerous case examples that help readers with a broad range of topics related to ethical and clinical issues in record keeping and confidentiality Helps readers plan for interruptions or closures of their psychotherapy practice Contains a new chapter on electronic records Appendices include excerpts from the mental health professions' code of ethics Accompanying CD offers sample forms designed to assist readers in implementing their own record system Can be used as a reference book, a guide to establishing and maintaining sound supervisory contracts, and for teaching ethical practice in undergraduate and graduate programs Written in a reader-friendly style Introduces the concept of using records as therapeutic tools Contains practitioners' experiences with implementing the Health Insurance Portability and Accountability Act

Social media platforms are often denounced as “bubbles� or “echo chambers.� In this view, what we see tends to reinforce what we already believe, and what we already believe shapes what we see. Yet social movements such as Black Lives Matter rely heavily on the widespread dissemination of digital photographs and videos through social media. In at least some cases, visual images can challenge normative and normalized ways of grasping the world and prompt their viewers to see differently—and even bring people together. Seeing and Believing marshals religious resources to recast the significance of digital images in the struggle for social justice. Ellen T. Armour examines what distinguishes digital photography from its analogue predecessor and places the circulation of digital images in the broader context of virtual visual cultures. She explores the challenges and opportunities that visually saturated social media landscapes present for users and organizers. Despite the power of digital platforms and algorithms, possibilities for disruption and resistance emerge from how people engage with these systems. Armour offers ways of seeing drawn from Christianity and found in other religious traditions to help us break with entrenched habits and rethink how we engage with the images that grab our attention. Developing theological perspectives on the power and peril of photography and technology, Seeing and Believing provides suggestions for navigating the new media landscape that can spark what Armour calls “photographic insurrection.�

Provides a general, supportive framework for understanding the reasons for record keeping and its parameters Clarifies dilemmas and strategies surrounding confidentiality and privacy in order to help professionals protect themselves and their clients, patients, students, and supervisees Contains numerous case examples that help readers with a broad range of topics related to ethical and clinical issues in record keeping and confidentiality Helps readers plan for interruptions or closures of their psychotherapy practice Contains a new chapter on electronic records Appendices include excerpts from the mental health professions' code of ethics Accompanying CD offers sample forms designed to assist readers in implementing their own record system Can be used as a reference book, a guide to establishing and maintaining sound supervisory contracts, and for teaching ethical practice in undergraduate and graduate programs Written in a reader-friendly style Introduces the concept of using records as therapeutic tools Contains practitioners' experiences with implementing the Health Insurance Portability and Accountability Act

Social media platforms are often denounced as “bubbles� or “echo chambers.� In this view, what we see tends to reinforce what we already believe, and what we already believe shapes what we see. Yet social movements such as Black Lives Matter rely heavily on the widespread dissemination of digital photographs and videos through social media. In at least some cases, visual images can challenge normative and normalized ways of grasping the world and prompt their viewers to see differently—and even bring people together. Seeing and Believing marshals religious resources to recast the significance of digital images in the struggle for social justice. Ellen T. Armour examines what distinguishes digital photography from its analogue predecessor and places the circulation of digital images in the broader context of virtual visual cultures. She explores the challenges and opportunities that visually saturated social media landscapes present for users and organizers. Despite the power of digital platforms and algorithms, possibilities for disruption and resistance emerge from how people engage with these systems. Armour offers ways of seeing drawn from Christianity and found in other religious traditions to help us break with entrenched habits and rethink how we engage with the images that grab our attention. Developing theological perspectives on the power and peril of photography and technology, Seeing and Believing provides suggestions for navigating the new media landscape that can spark what Armour calls “photographic insurrection.�

Seventeen studies by noted experts that demonstrate recent approaches toward the creative interpretation of primary sources regarding Renaissance and Baroque music, Mozart, Beethoven, Mendelssohn, Verdi, Debussy, and beyond. How do we know what notes a composer intended in a given piece? -- how those notes should be played and sung? -- the nature of musical life in Bach's Leipzig, Schubert's Vienna? -- how music related to literature and other arts and social currents in different times and places? -- what attitudes musicians and music lovers had toward the music that they heard and made? We know all this from musical manuscripts and prints, opera libretti, composers'letters, reviews in newspapers and magazines, archival data, contemporary pedagogical writings, essays on aesthetics, and much else. Some of these categories of sources are the bedrock of music history and musicology. Others havebegun to be examined only in recent years. Furthermore, musicologists -- including biographers of famous composers -- now explore these various kinds of sources in a variety of ways, some of them richly traditional and others exciting and novel. These seventeen essays, all newly written, use a wide array of source materials to probe issues pertaining to a cross section of musical works and musical life from the sixteenth through the twentieth centuries. The resulting, pluralistic profile of current musicology will prove welcome to anyone fascinated by the problems of reconstructing -- reimagining, sometimes -- the evanescent musical art of the past and pondering its implications for musical life today and in the future. Roberta Montemorra Marvin is a Research Fellow at the Obermann Center for Advanced Studies at the University of Iowa where she is also Director of the Institute for Italian Opera Studies; Stephen A. Crist is associate professor and chair of the Music Department at Emory University.

During his lifetime, the sounds of Handel s music reached from court to theater, echoed in cathedrals, and filled crowded taverns. But the man himself known to most as the composer of Messiah is a bit of a mystery. Though he took meticulous care of his musical manuscripts and provided for their preservation in his will, very little of an intimate nature survives. In search of the private man behind the public persona, Ellen T. Harris has tracked down the letters, diaries, financial accounts, court cases, and other documents connected with the composer s closest friends. The result is a tightly woven tapestry of London life in the first half of the eighteenth century, one that weaves together vibrant descriptions of Handel s music with stories of loyalty, cunning, and betrayal. With this wholly new approach, Harris introduces us to an ambitious, shrewd, generous, brilliant, and flawed man."

Fresh and innovative takes on the dissemination of music in manuscript, print, and, now, electronic formats, revealing how the world has experienced music from the sixteenth century to the present. This collection of essays examines the diverse ways in which music and ideas about music have been disseminated in print and other media from the sixteenth century onward. Contributors look afresh at unfamiliar facets of the sixteenth-century book trade and the circulation of manuscript and printed music in the seventeenth to nineteenth centuries. They also analyze and critique new media forms, showing how a dizzying array of changing technologies has influenced what we hear, whom we hear, and how we hear. The repertoires considered include Western art music -- from medieval to contemporary -- as well as popular music and jazz. Assembling contributions from experts in a wide range of fields, such as musicology, music theory, music history, and jazz and popular music studies, Music in Print and Beyond: Hildegard von Bingen to The Beatles sets new standards for the discussion of music's place in Western cultural life. Contributors: Joseph Auner, Bonnie J. Blackburn, Gabriela Cruz, Bonnie Gordon, Ellen T. Harris, Lewis Lockwood, Paul S. Machlin, Roberta Montemorra Marvin, Honey Meconi, Craig A. Monson, Kate van Orden, Sousan L. Youens. Roberta Montemorra Marvin teaches at the University of Iowa and is the author of Verdi the Student -- Verdi the Teacher (Istituto Nazionale di Studi Verdiani, 2010) and editor of The Cambridge Verdi Encyclopedia (Cambridge University Press, 2013). Craig A. Monson is Professor of Musicology at Washington University (St Louis, Missouri) and is the author of Divas in the Convent: Nuns, Music, and Defiance in Seventeenth-Century Italy (University of Chicago Press, 2012).

The Animal Rescue Friends gang is back with ten sweet tales about their furry, feathered, and flying friends! Join Bell, Maddie, Noah, and the rest of the Animal Rescue Friends as they learn to love an affectionate rat named Whiskers, find Sergio the tortoise a forever home that's just his speed, fall for the antics of a chatty parrot with a familiar name, and more! Along the way, they make a few new friends and learn that everyone--even insects--can sometimes use a helping hand.

Applies the notion of musical "voice" to diverse repertoires, ranging from the operas and cantatas of Handel to the autograph albums of nineteenth-century collector Charlotte de Rothschild. The concept of musical voice has been a subject of controversy in recent decades, as the primacy of the composer's place in the creation of the work has been called into question. The essays in Word, Image, and Song: Essays onMusical Voices take the notion of musical voice as a starting point, and apply it in varying ways to diverse repertoires and music-historical circumstances, ranging from the operas and cantatas of Handel to the autograph albums of nineteenth-century collector Charlotte de Rothschild. Rather than attributing interpretive control to the composer, performer, or audience alone, these essays present a range of interpretive strategies with respect to the various voices that one might hear and understand as emerging from a musical work: the composer's voice, the performer's voice, the patron's voice, the collector's voice, and the social or receptive voice. Contributors: Bathia Churgin, Rebecca Cypess, Roger Freitas, Philip Gossett, Ellen T. Harris, Joseph Kerman, Nathan Link, Daniel R. Melamed, Giovanni Morelli, Kristina Muxfeldt, Ruth Smith, Ruth A. Solie. Rebecca Cypess is Assistant Professor of Music at the Mason Gross School of the Arts at Rutgers, the State University of New Jersey. Beth L. Glixon is instructor in musicology at the University of Kentucky School of Music. Nathan Link is NEH Associate Professor of Music at Centre College.

The ten essays in Literature and the Arts explore the intermedial plenitude of eighteenth-century English culture, honoring the memory of James Anderson Winn, whose work demonstrated how seeing that interplay of the arts and literature was essential to a full understanding of Restoration and eighteenth-century English culture. Scenery, machinery, music, dance, and texts transformed one another, both enriching and complicating generic distinctions. Artists were alive to the power of the arts to reflect and shape reality, and their audience was quick to turn to the arts as performative pleasures and critical lenses through which to understand a changing world. This collection's eminent authors discuss estate design, musicalized theater, the visual spectacle of musical performance, stage machinery and set designs, the social uses of painting and singing, drama’s reflection of a transformed military infrastructure, and the arts of memory and of laughter.

In such works as "Gender Trouble" and "Bodies That Matter" Judith Butler broke new ground in understanding the construction and performance of identities. While Butler's writings have been crucial and often controversial in the development of feminist and queer theory, "Bodily Citations" is the first anthology centered on applying her theories to religion. In this collection scholars in anthropology, biblical studies, theology, ethics, and ritual studies use Butler's work to investigate a variety of topics in biblical, Islamic, Buddhist, and Christian traditions. The authors shed new light on Butler's ideas and highlight their ethical and political import. They also broaden the scope of religious studies as they bring it into conversation with feminist and queer theory.

Subjects discussed include the woman's mosque movement in Cairo, the ordination of women in the Catholic Church, the possibility of queer ethics, religious ritual, and biblical constructions of sexuality.

Contributors include: Karen Trimble Alliaume, Lewis University; Teresa Hornsby, Drury University; Amy Hollywood, Harvard Divinity School; Christina Hutchins, Pacific School of Religion; Saba Mahmood, University of California, Berkeley; Susanne Mrozik, Mount Holyoke College; Claudia Schippert, University of Central Florida; Rebecca Schneider, Brown University; Ken Stone, Chicago Theological Seminary

Title: Rose Sommerville, or, a Husband's Mystery and a Wife's Devotion. A romance. By Ellen T.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T., Ellen; Sommerville, Rose; 1847. 8 . C.140.e.32.(4.)

This work presents, in an easy-to-use tabular format, a complete list of the 25,000 persons who bought land in southwestern Ohio and eastern Indiana through the Cincinnati Land Office between the years 1800 and 1840. Data furnished with each entry includes the name of the purchaser, date of purchase, place of residence at the time of purchase, and the range, township, and section of the purchased land, thus enabling the researcher to ascertain the exact location of an ancestor's land. Previously, in locating a settler in southwestern Ohio, the researcher was obliged to spend hours if not days searching through numerous volumes of unindexed land records, but with this volume the task is reduced to seconds.

In 1785 lands of the Northwest Territory were offered for sale to the public. By 1800 four land offices were established and sales from the Zanesville office, which included tracts originally reserved for the Marietta and Steubenville offices and, more importantly, parts of the United States Military District, reserved for veterans of the Revolutionary War, form the basis of this volume. In addition, this volume also includes records from the Steubenville office for the period 1820-1840, the first twenty years of sales records having already been published.In tabular format this volume has a complete list of 22,770 persons who bought land in central and east central Ohio between 1800 and 1840. Data includes the name of the purchaser (in alphabetical order), date of purchase, place of residence at the time of purchase, and the range, township, and section of the purchased land, thus enabling the researcher to ascertain the exact location of the ancestor's land see also Items 480 and 481).

The ten essays in Literature and the Arts explore the intermedial plenitude of eighteenth-century English culture, honoring the memory of James Anderson Winn, whose work demonstrated how seeing that interplay of the arts and literature was essential to a full understanding of Restoration and eighteenth-century English culture. Scenery, machinery, music, dance, and texts transformed one another, both enriching and complicating generic distinctions. Artists were alive to the power of the arts to reflect and shape reality, and their audience was quick to turn to the arts as performative pleasures and critical lenses through which to understand a changing world. This collection's eminent authors discuss estate design, musicalized theater, the visual spectacle of musical performance, stage machinery and set designs, the social uses of painting and singing, drama’s reflection of a transformed military infrastructure, and the arts of memory and of laughter.

Synopsis: The Austin Dogmatics brought the theology of Karl Barth to the United States in an accessible and forceful statement of the most exciting theology of the day. In addition, the yearlong course of lectures proposed a radical theology of Christian mission and ministry to the American churches that grew from the author's three years of working in the inner city. While at times hammering home a single point, the lectures often flower into a passionate homiletical style that is still captivating half a century later. Publication of the Austin Dogmatics fills a gap in American theological history. In 1963, the author published The Secular Meaning of the Gospel, which the press identified with the death of God movement. While the author denied the association, the Austin Dogmatics explains how he moved from the strict Barthianism of his early period to the linguistic analysis of his middle period. His late and perhaps most important work that lay ahead was yet in another direction entirely, making van Buren one of the most versatile and adventuresome American theologians of the second half of the twentieth century. The current publication includes personal reminiscences by friends and colleagues after the author's passing. Endorsements: "This hitherto unpublished cycle of early career lectures makes absorbing reading for those interested in the reception of Barth's theology as well as for those concerned with constructive doctrinal work . . . Here we catch a glimpse of how a] deep admiration for Barth's theological achievement inspired van Buren] to a vigorous practical dogmatics." --John Webster, Professor at University of Aberdeen Author Biography: Paul van Buren was Assistant Professor of Theology at the Episcopal Seminary of the Southwest (1957-1960) when he wrote the Austin Dogmatics and Associate Professor there (1960-1964) when he wrote The Secular Meaning of the Gospel. He was later Professor of Religion at Temple University (1964-1986) when he wrote the trilogy A Theology of the Jewish-Christian Reality. Ellen Charry is the Margaret W. Harmon Professor of Theology at Princeton Theological Seminary. Her most recent book is God and the Art of Happiness (2010).