Rejected by his tribe and hunted by the kin of the man he killed, Ukhayyad and his thoroughbred camel flee across the desolate Tuareg deserts of the Libyan Sahara. Between bloody wars against the Italians in the north and famine raging in the south, Ukhayyad rides for the remote rock caves of Jebel Hasawna. There, he says farewell to the mount who has been his companion through thirst, disease, lust, and loneliness. Alone in the desert, haunted by the prophetic cave paintings of ancient hunting scenes and the cries of jinn in the night, Ukhayyad awaits the arrival of his pursuers and their insatiable hunger for blood and gold. Gold Dust is a classic story of the brotherhood between man and beast, the thread of companionship that is all the difference between life and death in the desert. It is a story of the fight to endure in a world of limitless and waterless wastes, and a parable of the struggle to survive in the most dangerous landscape of all: human society.

WINNER OF THE ENGLISH PEN AWARD Walid Dahman is going home. Returning to Gaza after nearly four decades in exile, he looks forward to embracing his mother and reconnecting with the people and place he once left behind. Boarding the flight from London, Walid's life intersects with that of Dana, an Israeli actress, on her way back to Tel Aviv. As the night sky hurtles past, what each confides and conceals will expose the chasm between them in the land they both call home. The Lady from Tel Aviv a powerful and poetic story of love, loss and belonging.

"This is your last day. Be strong. Don't hesitate. Cut and run. An exit with no return." Idris Alis confessional novel opens with these words, spoken on an unbearably hot August afternoon in downtown Cairo, where the Nubian narrator has just decided, once and for all, to end his life. Delirious and thirsty, he wanders around venting his resentments large and small, his sexual frustrations, and his sense of powerlessness in the face of unremitting injustice. He seeks to expunge his failed life in the Nile: the river that had been the life blood of his country for millennia, and that with Egypt's new dam now drowns Nubia, flinging her dispossessed sons north and south into exile. Many years ago, the narrator was one of those sons, fleeing flood and famine only to arrive in Cairo, penniless and shoeless, in time to see it go up in flames, the old regime overthrown by "the men in tanks." Poor is the story of a life of hardship, adversity, and emotional starvation. It is also the story of opportunities squandered and hopes traded away for nothing of a life lived, at times, all too poorly.

Conflicted Antiquities is a rich cultural history of European and Egyptian interest in ancient Egypt and its material culture, from the early nineteenth century until the mid-twentieth. Consulting the relevant Arabic archives, Elliott Colla demonstrates that the emergence of Egyptology-the study of ancient Egypt and its material legacy-was as consequential for modern Egyptians as it was for Europeans. The values and practices introduced by the new science of archaeology played a key role in the formation of a new colonial regime in Egypt. This fact was not lost on Egyptian nationalists, who challenged colonial archaeologists with the claim that they were the direct heirs of the Pharaohs, and therefore the rightful owners and administrators of ancient Egypt's historical sites and artifacts. As this dispute developed, nationalists invented the political and expressive culture of "Pharaonism"-Egypt's response to Europe's Egyptomania. In the process, a significant body of modern, Pharaonist poetry, sculpture, architecture, and film was created by artists and authors who looked to the ancient past for inspiration.Colla draws on medieval and modern Arabic poetry, novels, and travel accounts; British and French travel writing; the history of archaeology; and the history of European and Egyptian museums and exhibits. The struggle over the ownership of Pharaonic Egypt did not simply pit Egyptian nationalists against European colonial administrators. Egyptian elites found arguments about the appreciation and preservation of ancient objects useful for exerting new forms of control over rural populations and for mobilizing new political parties. Finally, just as the political and expressive culture of Pharaonism proved critical to the formation of new concepts of nationalist identity, it also fueled Islamist opposition to the Egyptian state.

Baghdad, November 2003. The US occupation is not yet a disaster but the CPA has disbanded the Iraqi army and decimated the police in its policy of de-Ba'athification of Iraqi society. Inspector Muhsin al-Khafaji is a mid-level Iraqi cop who deserted his post back in April. Khafaji has lived long enough in pre- and post-Saddam Iraq to know that clinging on to anything but poetry and his daughter, Mrouj, is asking for trouble. Nabbed by the Americans and imprisoned in Abu Ghraib, Khafaji is offered only one way out - he has to work for the CPA to rebuild the Iraqi Police Services. But it's only after US forces take Mrouj that he figures out a way to make his collaboration palatable, and even rewarding. Soon, he is investigating the disappearance of young translators working for the US Army.