All 13 episodes from the third season of the American crime drama starring Timothy Olyphant as US Marshal Raylan Givens. In this season, though Raylan is still recovering from a gunshot injury, he refuses to sit behind his desk and becomes active in a murder case. The episodes are: 'The Gunfighter', 'Cut Ties', 'Harlan Roulette', 'The Devil You Know', 'Thick As Mud', 'When the Guns Come Out', 'The Man Behind the Curtain', 'Watching the Detectives', 'Loose Ends', 'Guy Walks Into a Bar', 'Measures', 'Coalition' and 'Slaughterhouse'.

Aincent Majestyk saw too much death in the jungles of Southeast Asia. All he wants to do now is farm his melons and forget. But peace can be an elusive commodity, even in the Arizona hinterlands--and especially when the local mob is calling all the shots. And one quiet, proud man's refusal to be strong-armed by a powerful hood is about to start a violent chain reaction that will leave Mr. Majestyk ruined, in shackles, and without a friend in the world--except for one tough and beautiful woman. But his tormentors never realized something about their mark: this is not his first war. Vince Majestyk knows more than they'll ever know about survival . . . and everything about revenge.

Ironworker Wayne Colson has come to the real estate office where his wife, Carmen, works at the worst possible time: while Ojibway Indian hit man Armand Degas and loose cannon Richie Nix are there to shake down Carmen's boss. Unable to help himself, Wayne steps into harm's way . . . and sends the two malefactors out the door bleeding. Now the shooter-for-hire and his ex-con partner are after the Colsons and there's little the state police and local law enforcement can do about it. The best the feds can offer is the Witness Security Program. So it's coming down to just Wayne and Carmen--and ultimately to Carmen herself--to deal with two rough-trade misfits with murder on their minds.

Hard-ass Palm Beach County judge Bob Isom Gibbs enjoys sending even petty offenders away to do hard time--which has made the list of miscreants who want him dead longer than a fully grown Florida gator's tail. And a good number of his ill-wishers are probation officer Kathy Baker's clients, including young Dale Crowe and his psycho uncle Elvin. Suddenly Kathy's got an even more daunting task than keeping BIG's horny hands off her: keeping "Maximum Bob" alive. Because Gibbs's many enemies seem to be willing to go to any lengths--be it death by amphibian or some more tried-and-true method--to permanently end the career of an oversexed, racist jurist who's more interested in scoring than saving his own red neck.

David Flynn is a legend in the rugged Arizona Territory--a U.S. cavalry turned army scout and the only man alive who can bring in the fierce Apache renegade Soldado Viejo. Tracking an elusive Indian with a price on his head south of the border is dangerous business. And when a cunning outlaw and a murderous bounty hunter dog his path, Flynn gets on a bloody trail of treachery and slaughter in a lawless land where a man has to watch his back against friend and enemy alike. On the deadliest mission of his career, in a sultry desert hell where the hunter becomes the hunted, Flynn's struggle for justice has just turned into the battle of his lifetime.

Working at his brother-in-law's New Orleans funeral home isn't reformed jewel thief Jack Delaney's idea of excitement--until he's dispatched to a leper's hospital to pick up a corpse that turns out to be very much alive . . . and under the care of a beautiful, radical ex-nun in designer jeans. The "deceased" is the one-time squeeze of a Nicaraguan colonel who's ordered her dead for trying to infect him, and Sister Lucy's looking to spirit the young woman away from his guns and goons. Plus Lucy's getting ideas about spiriting away some of the colonel's millions as well--and someone with Jack Delaney's talents could come in very handy indeed.

Before he brilliantly traversed the gritty landscapes of underworld Detroit and Miami, Elmore Leonard wrote breathtaking adventures set in America's nineteenth-century western frontier--elevating a popular genre with his now-trademark twisting plots, rich characterizations, and scalpel-sharp dialogue.

No author has ever written more evocatively of the dusty, gutsy heyday of the American West than Elmore Leonard. This complete collection of his thirty-one Western tales will thrill lovers of the genre, his die-hard fans, and everyone in between. From his very first story ever published--"The Trail of the Apache"--through five decades of classic Western tales, "The Complete Western Stories of Elmore Leonard" demonstrates the superb talent for language and gripping narrative that has made Leonard one of the most acclaimed and influential writers of our time.

'Elmore Leonard is the crime-writer's crime-writer, king of all he surveys. For sharp plots and spot-on dialogue, he's in a different league' Ian Rankin When Elmore Leonard died in 2013, he left behind a 60-year legacy of crime novels, many of which have become modern classics. He also left behind a treasure trove of unpublished early stories. Largely written during his years as a copywriter at a Detroit ad agency, these stories introduce us to unforgettable Leonard characters, some of whom star in his later works. Razor-sharp and effortlessly entertaining, this collection reveals a master who honed his craft from a young age, and reminds us why Leonard is so sorely missed.

Prohibition is a big headache for some . . . and a big payday for others, the fearless entrepreneurs with little respect for the law of the land. With $125,000 worth of Kentucky's finest homemade whiskey in his possession, big, hell-raising Son Martin counts himself among the latter. Son knows having this much illegal hooch makes him a very tasty target, but nobody's going to steal it from him. Ware may be coming to his backyard, but Son's not worried. Because when it comes to fighting, shooting, and keeping one step ahead of the Big Boys, he's more than good--he's bad . . . and dangerous . . . and deadly.

"Powerful...clever...astonishing...a delicious read."
--Detroit Free Press

Rum Punch is classic Elmore Leonard--the electrifying thriller that served as the basis for the acclaimed film Jackie Brown by director Quentin Tarantino, starring Pam Grier, Robert DeNiro, and Samuel L. Jackson. Leonard's story of a not-altogether-blameless flight attendant on the run from her vicious gun-running sometime employer who sees her as a troublesome loose end, Rum Punch is "the King Daddy of crime writers" (Seattle Times) at his sharpest and most ingeniously entertaining. In fact, People magazine calls it, "Leonard's best work. He brilliantly reaffirms his right to the title of America's finest crime fiction writer." Enjoy this sensational noir winner from the creator of the character of U.S. Marshal Raylan Givens, lately of TV's hit series Justified, and see why the great Elmore Leonard stands tall in the company of America's most legendary crime fiction masters: John D. MacDonald, Dashiell Hammett, James M. Cain, et al.

Father Terry Dunn thought he'd seen everything on the mean streets of Detroit, but that was before he went on a little retreat to Rwanda to evade a tax-fraud indictment. Now the whiskey-drinking, Nine Inch Nails-T-shirt-wearing padre is back trying to hustle up a score to help the little orphans of Rwanda. But the fund-raising gets complicated when a former tattletale cohort pops up on Terry's tail. And then there's the lovely Debbie Dewey. A freshly sprung ex-con turned stand-up comic, Debbie needs some fast cash too, to settle an old score. Now they're in together for a bigger payoff than either could finagle alone. After all, it makes sense . . . unless Father Terry is working a con of his own.

Daredevil Dennis Lenahan has brought his act to the Tishomingo Lodge & Casino in Tunica, Mississippi--diving off an eighty-foot ladder into nine feet of water for the amusement of gamblers, gangsters, and luscious belles. His riskiest feat, however, was witnessing a Dixie-style mob execution while atop his diving platform. Robert Taylor saw the hit also. A blues-loving Detroit hustler touring the Southland in a black Jaguar, Taylor's got his own secret agenda re the "Cornbread Cosa Nostra," and he wants Dennis in on the game. But there's a lot more in Robert Taylor's pocket than a photo of his lynched great-grandfather. And high-diver Dennis could be about to take a long, fatal fall--right into a mess of hoop skirts, Civil War playacting . . . and more trouble than he ever dreamed possible.

There aren't any textbooks on armed robbery. The only way to learn is through experience, and small-time crooks Frank and Stick are determined to do as much learning on the job as possible. In 1970s' Detroit they embark on a crime spree, holding up liquor stores and supermarkets. They invent their 'Ten Golden Rules For Successful Armed Robbery' and for a short time the cash is rolling in. But then they bend their own rules, and it looks like trouble is heading their way.

OUT OF SIGHT was made into the highly-acclaimed movie starring George Clooney and Jennifer Lopez. Jack Foley was busting out of Florida's Glades Prison when he ran head-on into Karen Sisco with a shotgun. Suddenly the world-class gentleman felon was sharing a cramped car trunk with a disarmed federal marshal - whose Chanel suit cost more than the take from Foley's last bank job - and the chemistry was working overtime. Here's a lady Jack could fall for in a big way, if she weren't a dedicated representative of the law that he breaks for a living. And as soon as she escapes, he's already missing her. But there are some seriously bad men and a major score waiting for Jack in Motown. And there's a good chance that when his path crosses Karen's again, she's going to be there for business, not pleasure.

Ordell Robbie and Louis Gara hit it off in prison, where they were both doing time for grand theft auto. Now that they're out, they're joining forces for one big score. The plan is to kidnap the wife of a wealthy Detroit developer and hold her for ransom. Looks good until they learn the lowlife husband doesn't want his wife back. So it's time for Plan B and the opportunity to make a real killing--with the unlikely help of a beautiful, ticked-off housewife who's hungry for a large helping of sweet revenge.

John Russell was raised as an Apache, and even served as a member of the tribal police. Now the time has come for him to leave the San Carlos reservation far behind and live again as a white man. The stagecoach passengers he's traveling with want nothing to do with this man they call "Hombre," forcing him to ride in the boot with the driver. But they change their tune when outlaws ride down on them. Suddenly they all must rely on Russell's guns and his ability to survive in the desert. They shunned John Russell, and now they must follow him . . . or die.

'Wicked and irresistible . . . Leonard is a genius' New York Times Palm Beach playboy Chip Ganz needs money - fast. He has spiralling debts, and his mother's gravy-train has just derailed. So he has a plan: he's going to find somebody rich, and take them hostage. With the help of an ex-con, a psycho gardener and the beautiful psychic Reverend Dawn, he chooses bookmaker Harry Arno as the lucky victim. The trouble is, Harry can scam with the best of them. And that's not the only problem. US Marshal Raylan Givens is sleeping with Harry's ex girlfriend, Joyce, and she wants Harry found...

The last time Florida motel owner George Moran was in the Dominican Republic he was in a uniform and people were shooting at him. Years later he's back looking for a girl he lost--and finding one he'd be better off without. But that doesn't matter to George while he's sleeping with beautiful Mary DeBoya--only when he discovers his lover is the wife of a former death squad general in exile with solid mob connections. Now George is bringing big trouble back with him to the Sunshine State--as his nostalgic trip down memory lane has tangled him up in a cat's cradle of drug deals, swindles, vengeance, and murder . . . and a love that's not only blind but lethal.

After serving time for armed robbery, Ernest "Stick" Stickley is back on the outside and trying to stay legit. But it's tough staying straight in a crooked town--and Miami is a pirate's paradise, where investment fat cats and lowlife drug dealers hold hands and dance. And when a crazed player chooses Stick at random to die for another man's sins, the struggling ex-con is left with no choice but to dive right back into the game. Stick knows a good thing when he sees it--and a golden opportunity to run a very profitable sweet-revenge scam seems much too tasty to pass up.

Clement Mansell knows how easy it is to get away with murder. The cool killer is already back on the Detroit scene--thanks to some nifty courtroom moves by his lawyer--and he's feeling invincible enough to execute a crooked judge on a whim. Lieutenant Raymond Cruz thinks the "Oklahoma Wildman" crossed the line long before this latest outrage, and he's determined to see that the hayseed psycho meets an end he deserves, with a gun pointed at him. But that means a good cop, having to play somewhat fast and loose with the rules . . . in order to maneuver Mansell into a wild Midwest showdown that he can't walk away from.

A lean and mean thriller about one man and the Mob from 'the crime laureate' INDEPENDENT. The last time Florida motel owner George Moran was in the Dominican Republic he was in a uniform and people were shooting at him. Years later he's back looking for a girl he lost - and finding one he'd be better off without. Mary de Boya may be beautiful, but she's also the wife of a former death squad general in exile with mob connections. So much for the trip down memory lane - now Moran finds himself in a cat's cradle of drug deals, swindles, vengeance and murder. 'Dialogue like broken glass, sharp and glittering, and a raft of low-lifes individualised in primary colours like hard-edged pop art' Independent

Mob-connected loan shark Chili Palmer is sick of the Miami grind--plus his "friends" have a bad habit of dying there. So when he chases a deadbeat client out to Hollywood, Chili figures he might like to stay. This town, with its dream-makers, glitter, hucksters, and liars--plus gorgeous, partially clad would-be starlets everywhere you look--seems ideal for an enterprising criminal with a taste for the cinematic. Besides, Chili's got an idea for a killer movie, though it could very possibly kill him to get it made.

John Russell has been raised as an Apache. Now he's on his way to live as a white man. But when the stagecoach passengers learn who he is, they want nothing to do with him. and his ability to lead them out of the desert. He can't ride with them, but they must walk with him or die... western novels also stand as some of the most vivid writing of his career. Crackling with Leonard's trademark dialogue, set against a beautifully evoked landscape, this is a classic work that captures the wild and glorious spirit of the American West.

The Library of America inaugurates its Elmore Leonard edition with four funny, street-smart early masterpieces, gathered in one volume for the first time: Blending gritty toughness and unpredictable violence with wild humor and an uncanny ear for the rhythms of ordinary speech, Elmore Leonard (1925-2013) was the most widely and enthusiastically admired crime novelist of his time. His genius for scene and dialogue led Time magazine to describe him as "a Dickens of Detroit," and Newsweek called him "the best American writer of crime alive, possibly the best we've ever had." Now The Library of America inaugurates a three-volume edition of Leonard's greatest work, prepared in consultation with the author shortly before his death and edited by his long-time researcher Gregg Sutter. The four novels collected in this first volume re-invented the American crime novel and cemented Leonard's reputation. All are set in his hometown Detroit, a hard-working "shot and a beer" kind of place whose lawless underside becomes a stage for an unforgettable cast of rogues, con artists, and psychopaths. Fifty-Two Pickup (1974), fast and sharply written, is an insidiously brutal book about an adulterous businessman who runs afoul of a crew of murderous blackmailers. Swag (1976) finds Leonard moving for the first time into the more comic mode that would become his signature, as he charts the small-time criminal careers of an amiable ex-con and an ambitious car salesman who share a bachelor pad and pursue their hedonistic dream of the good life through a string of armed robberies. Unknown Man No. 23 (1977) spins a complex web of crisscrossing rip-offs and con games, with process server Jack Ryan, a typically laid-back Leonard protagonist, caught in the middle. In The Switch (1978), one of Leonard's funniest books, Mickey Dawson, a discontented housewife held for ransom, manages to turn the tables on her kidnappers while exacting overdue revenge on her scheming husband. This volume also contains a newly researched chronology of Elmore Leonard's life, drawing on materials in his personal archive, and detailed annotations, which include as a special bonus a scene from the typescript for Swag that did not appear in the published book. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.