Beginning in January 1692, Salem Village in colonial Massachusetts witnessed the largest and most lethal outbreak of witchcraft in early America. Villagers-mainly young women-suffered from unseen torments that caused them to writhe, shriek, and contort their bodies, complaining of pins stuck into their flesh and of being haunted by specters. Believing that they suffered from assaults by an invisible spirit, the community began a hunt to track down those responsible for the demonic work. The resulting Salem Witch Trials, culminating in the execution of 19 villagers, persists as one of the most mysterious and fascinating events in American history. Historians have speculated on a web of possible causes for the witchcraft that stated in Salem and spread across the region-religious crisis, ergot poisoning, an encephalitis outbreak, frontier war hysteria-but most agree that there was no single factor. Rather, as Emerson Baker illustrates in this seminal new work, Salem was "a perfect storm": a unique convergence of conditions and events that produced something extraordinary throughout New England in 1692 and the following years, and which has haunted us ever since. Baker shows how a range of factors in the Bay colony in the 1690s, including a new charter and government, a lethal frontier war, and religious and political conflicts, set the stage for the dramatic events in Salem. Engaging a range of perspectives, he looks at the key players in the outbreak-the accused witches and the people they allegedly bewitched, as well as the judges and government officials who prosecuted them-and wrestles with questions about why the Salem tragedy unfolded as it did, and why it has become an enduring legacy. Salem in 1692 was a critical moment for the fading Puritan government of Massachusetts Bay, whose attempts to suppress the story of the trials and erase them from memory only fueled the popular imagination. Baker argues that the trials marked a turning point in colonial history from Puritan communalism to Yankee independence, from faith in collective conscience to skepticism toward moral governance. A brilliantly told tale, A Storm of Witchcraft also puts Salem's storm into its broader context as a part of the ongoing narrative of American history and the history of the Atlantic World.

In 1682, ten years before the infamous Salem witch trials, the town of Great Island, New Hampshire, was plagued by mysterious events: strange, demonic noises; unexplainable movement of objects; and hundreds of stones that rained upon a local tavern and appeared at random inside its walls. Town residents blamed what they called "Lithobolia" or "the stone-throwing devil." In this lively account, Emerson Baker shows how witchcraft hysteria overtook one town and spawned copycat incidents elsewhere in New England, prefiguring the horrors of Salem. In the process, he illuminates a cross-section of colonial society and overturns many popular assumptions about witchcraft in the seventeenth century.

Born in 1651 in what is now Maine, William Phips became a sea captain out of Boston, an adventurer in search of Spanish treasure in the Caribbean. He captured and plundered Port Royal in Acadia, now Nova Scotia, and led an unsuccessful expedition against Quebec in 1690. He became the first royal governor of Massachusetts in 1692, put an end to the Salem witchcraft trials, and negotiated a treaty with the native Wabanaki.

This biography presents a well-rounded picture of Phips, one that looks at all phases of his colourful career. He was an unusual figure among colonial governors, and his very uniqueness, as well as his difficulties as governor, help us to understand the politics and society of New England during his era. Helped and hindered by his obscure origins, Phips struggled for advancement, and his struggle illustrates the fluid nature of the British Empire in the late seventeenth century.

Phips's life was left unexplored by scholars for the past seventy years. The New England Knight reconstructs his career using contemporary material that brings life and immediacy to the narrative. It interacts with recent studies in colonial, imperial, aboriginal, and marine history to set Phips's eventful life in context.