Flowers are beautiful. People often communicate their love, sorrow, and other feelings to each other by offering flowers, like roses. Flowers can also be symbols of collective identity, as cherry blossoms are for the Japanese. But, are they also deceptive? Do people become aware when their meaning changes, perhaps as flowers are deployed by the state and dictators? Did people recognize that the roses they offered to Stalin and Hitler became a propaganda tool? Or were they like the Japanese, who, including the soldiers, did not realize when the state told them to fall like cherry blossoms, it meant their deaths? Flowers That Kill proposes an entirely new theoretical understanding of the role of quotidian symbols and their political significance to understand how they lead people, if indirectly, to wars, violence, and even self-exclusion and self-destruction precisely because symbolic communication is full of ambiguity and opacity. Using a broad comparative approach, Emiko Ohnuki-Tierney illustrates how the aesthetic and multiple meanings of symbols, and at times symbols without images become possible sources for creating opacity which prevents people from recognizing the shifting meaning of the symbols.

Anthropological literature has traditionally been static and synchronic, only occasionally according a role to historical processes. but recent years have seen a burgeoning exchange between anthropology and history, each field taking on a powerful new dimension in consequence. Just what this means for anthropologists has not been clear, and this collection (eight core papers plus introduction and final commentary) introduces focus and direction to this interface between anthropology challenges several basic assumptions long held by anthropologists. Researchers can no longer be satisfied with approaches epitomized in 'the ethnographic present'. Society may be a bounded entity, but culture cannot be treated as such; a culture should be examined as it has interacted with other cultures and with its environment over time. Many traditionalists in anthropology, faced with these disturbing new challenges, fear the disintegration of the discipline; but these thoughtful papers demonstrate, on the contrary, its vitality, growth, and promise. In this volume, major figures in symbolic/semiotic anthropology offer various approaches to examining culture through time - culture mediated by history and history mediated by culture - in its complexity and dynamics. The eight core papers focus on particular cultures in various locales: Hawaii, Nepal, Spain, Japan, Israel, India, and Indonesia. No artifical unity - theoretical, thematic, or epistemological - has been imposed. The strength of the volume derives from a complementary diversity and tension, as each player, drawing on a particular culture, offers an original way of penetrating that culture's historical dimensions.

Anthropological literature has traditionally been static and synchronic, only occasionally according a role to historical processes. but recent years have seen a burgeoning exchange between anthropology and history, each field taking on a powerful new dimension in consequence. Just what this means for anthropologists has not been clear, and this collection (eight core papers plus introduction and final commentary) introduces focus and direction to this interface between anthropology challenges several basic assumptions long held by anthropologists. Researchers can no longer be satisfied with approaches epitomized in 'the ethnographic present'. Society may be a bounded entity, but culture cannot be treated as such; a culture should be examined as it has interacted with other cultures and with its environment over time. Many traditionalists in anthropology, faced with these disturbing new challenges, fear the disintegration of the discipline; but these thoughtful papers demonstrate, on the contrary, its vitality, growth, and promise. In this volume, major figures in symbolic/semiotic anthropology offer various approaches to examining culture through time - culture mediated by history and history mediated by culture - in its complexity and dynamics. The eight core papers focus on particular cultures in various locales: Hawaii, Nepal, Spain, Japan, Israel, India, and Indonesia. No artifical unity - theoretical, thematic, or epistemological - has been imposed. The strength of the volume derives from a complementary diversity and tension, as each player, drawing on a particular culture, offers an original way of penetrating that culture's historical dimensions.

Originally published in 1981, this book explores the issue of how a society understands human illness in the absence of a germ theory. This is done through an interpretation of the illness categories and healing practices of the Sakhalin Ainu, a hunting and gathering people resettled in Japan. The text illustrates how illnesses relate to the Ainu view of the universe and how their medical system is intimately interwoven with their moral cosmology and social networks. Even such minor ailments as headaches and boils are meticulously classified to mirror the classifications of such basic perceptual structures as space and time. With the Ainu medical system as an example, this book probes questions central to research in symbolic, medical and linguistic anthropology, structuralism, and the anthropology of women.

This tripartite study of the monkey metaphor, the monkey performance, and the 'special status' people traces changes in Japanese culture from the eighth century to the present. During early periods of Japanese history the monkey's nearness to the human-animal boundary made it a revered mediator or an animal deity closest to humans. Later it became a scapegoat mocked for its vain efforts to behave in a human fashion. Modern Japanese have begun to see a new meaning in the monkey--a clown who turns itself into an object of laughter while challenging the basic assumptions of Japanese culture and society.

A detailed and historically-informed account of the cultural practices and meaning of health care in urban Japan. The text discusses everyday hygienic practices, as well as formalized medicine that combines traditional treatments with Western biomedicine.

"We tried to live with 120 percent intensity, rather than waiting for death. We read and read, trying to understand why we had to die in our early twenties. We felt the clock ticking away towards our death, every sound of the clock shortening our lives." So wrote Irokawa Daikichi, one of the many kamikaze pilots, or "tokkotai," who faced almost certain death in the futile military operations conducted by Japan at the end of World War II.
This moving history presents diaries and correspondence left by members of the "tokkotai "and other Japanese student soldiers who perished during the war. Outside of Japan, these kamikaze pilots were considered unbridled fanatics who willingly sacrificed their lives for the emperor. But the writings explored here by Emiko Ohnuki-Tierney clearly and eloquently speak otherwise. A significant number of the kamikaze were university students who were drafted and forced to volunteer, and in their diaries and correspondence they often wrote heartbreaking soliloquies in which they poured out their anguish and fear and expressed profound ambivalence toward the war as well as opposition to their nation's imperialism.
A salutary correction to the many caricatures of the kamikaze, this poignant work will be essential to anyone interested in the history of Japan and World War II. "Emiko Ohnuki-Tierney's book is designed to challenge Western perceptions of the kamikaze generation. By assembling brief biographies of some of the young Japanese who perished on suicide missions, and by quoting extensively from their wartime diaries and poetry, she portrays a group of literate, thoughtful people, most of whom hated the war and were reluctant to die."--" SundayTelegraph "(UK)

"We tried to live with 120 percent intensity, rather than waiting for death. We read and read, trying to understand why we had to die in our early twenties. We felt the clock ticking away towards our death, every sound of the clock shortening our lives." So wrote Irokawa Daikichi, one of the many kamikaze pilots, or "tokkotai," who faced almost certain death in the futile military operations conducted by Japan at the end of World War II.
This moving history presents diaries and correspondence left by members of the "tokkotai "and other Japanese student soldiers who perished during the war. Outside of Japan, these kamikaze pilots were considered unbridled fanatics and chauvinists who willingly sacrificed their lives for the emperor. But the writings explored here by Emiko Ohnuki-Tierney clearly and eloquently speak otherwise. A significant number of the kamikaze were university students who were drafted and forced to volunteer for this desperate military operation. Such young men were the intellectual elite of modern Japan: steeped in the classics and major works of philosophy, they took Descartes' "I think, therefore I am" as their motto. And in their diaries and correspondence, as Ohnuki-Tierney shows, these student soldiers wrote long and often heartbreaking soliloquies in which they poured out their anguish and fear, expressed profound ambivalence toward the war, and articulated thoughtful opposition to their nation's imperialism.
A salutary correction to the many caricatures of the kamikaze, this poignant work will be essential to anyone interested in the history of Japan and World War II.

Are we what we eat? What does food reveal about how we live and how we think of ourselves in relation to others? Why do people have a strong attachment to their own cuisine and an aversion to the foodways of others? In this engaging account of the crucial significance rice has for the Japanese, "Rice as Self" examines how people use the metaphor of a principal food in conceptualizing themselves in relation to other peoples. Emiko Ohnuki-Tierney traces the changing contours that the Japanese notion of the self has taken as different historical Others--whether Chinese or Westerner--have emerged, and shows how rice and rice paddies have served as the vehicle for this deliberation. Using Japan as an example, she proposes a new cross-cultural model for the interpretation of the self and other.

Why did almost one thousand highly educated "student scholars" volunteer to serve in Japan's "tokkotai" (kamikaze) operations near the end of World War II, even though Japan was losing the war? Did they embody the imperial ideology both in thought and in action? In this study of the role of symbolism and aesthetics in totalitarian ideology, Emiko Ohnuki-Tierney shows how the state manipulated the time-honoured Japanese symbol of the cherry blossom to convince people that it was their honour to "die like beautiful falling cherry petals" for the emperor. Drawing on diaries never before published in English, Ohnuki-Tierney describes these young men's agonies and even defiance against the imperial ideology. Passionately devoted to cosmopolitan intellectual traditions, the pilots saw the cherry blossom not in militaristic terms, but as a symbol of the painful beauty and unresolved ambiguities of their tragically brief lives. Using Japan as an example, the author breaks new ground in the understanding of symbolic communication, nationalism and totalitarian ideologies and their execution.