|
Showing 1 - 25 of
1666 matches in All Departments
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
"Its force of impact, its narrative muscle and its psychological
clarity make it still, nearly 150 years on, one of the most
shocking books in the canon." --Julian Barnes A BRAND NEW
TRANSLATION BY ADAM THORPE
Mysterious disappearances, domestic cases, noiseless, bloodless
snuffings-out... the law can look as deep as it likes, but when the
crime itself goes unsuspected... oh yes, there's many a murderer
basking in the sun.
When Therese Raquin is forced to marry the sickly Camille, she
sees a bare life stretching out before her, leading every evening
to the same cold bed and every morning to the same empty day.
Escape comes in the form of her husband's friend, Laurent, and
Therese throws herself headlong into an affair. There seems only
one obstacle to their happiness; Camille. They plot to be rid of
him. But in destroying Camille they kill the very desire that
connects them. First published in 1867, Therese Raquin has lost
none of its power to enthral. Adam Thorpe's unflinching translation
brings Zola's dark and shocking masterwork to life.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
|
Paris (Paperback)
Emile Zola
|
R693
Discovery Miles 6 930
|
Ships in 12 - 17 working days
|
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
|
Rome (Paperback)
Emile Zola
|
R734
Discovery Miles 7 340
|
Ships in 12 - 17 working days
|
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
|
Paris, Vol. 1 (Paperback)
Emile Zola; Translated by Ernest A. Vizetelly
|
R406
Discovery Miles 4 060
|
Ships in 12 - 17 working days
|
Emile Zola (1840-1902) was an influential French writer and a major
figure in the exoneration of the falsely accused and convicted army
officer Alfred Dreyfus, which is encapsulated in the renowned
newspaper headline J'Accuse. The two volumes of Paris are part of
Zola's The Three Cities: Lourdes, Rome, Paris.
Emile Zola (1840-1902) was an influential French writer and a major
figure in the exoneration of the falsely accused and convicted army
officer Alfred Dreyfus, which is encapsulated in the renowned
newspaper headline J'Accuse The Fortunes of the Rougons is the
first novel in Zola's monumental twenty-volume series, Les
Rougon-Macquart.
Emile Zola (1840-1902) was an influential French writer and a major
figure in the exoneration of the falsely accused and convicted army
officer Alfred Dreyfus, which is encapsulated in the renowned
newspaper headline J'Accuse. The Joy of Life( Joie de Vivre) is the
12th first in Zola's monumental twenty-volume series, Les
Rougon-Macquart.
|
Paris, Vol. 2 (Paperback)
Emile Zola; Translated by Ernest A. Vizetelly
|
R403
Discovery Miles 4 030
|
Ships in 12 - 17 working days
|
Emile Zola (1840-1902) was an influential French writer and a major
figure in the exoneration of the falsely accused and convicted army
officer Alfred Dreyfus, which is encapsulated in the renowned
newspaper headline J'Accuse. The two volumes of Paris are part of
Zola's The Three Cities: Lourdes, Rome, Paris.
|
Fruitfulness (Paperback)
Emile Zola; Translated by Ernest A. Vizetelly
|
R474
Discovery Miles 4 740
|
Ships in 12 - 17 working days
|
Emile Zola (1840-1902) was an influential French writer and a major
figure in the exoneration of the falsely accused and convicted army
officer Alfred Dreyfus, which is encapsulated in the renowned
newspaper headline J'Accuse Fruitfulness Fecundite] is the first of
Zola's Four Gospels - Fruitfulness, Work, Truth, and the unfinished
Justice.
|
|