In A Critical Companion to Wes Craven, contributors use a variety of theoretical frameworks to analyze distinct areas of Craven’s work, including ecology, auteurism, philosophy, queer studies, and trauma. This book covers both the successes and failures contained in Craven’s extensive filmography, ultimately revealing a variegated portrait of his career. Scholars of film studies, horror, and ecology will find this book particularly interesting.

Arthur Machen: Critical Essays offers a study of the works by Arthur Machen (1863-1947), the Welsh writer who has attracted a cult following for decades, especially among fans and scholars of weird fiction and Gothic studies. These essays take readers into different areas and address several topics in Machen's literary production: the literary, the artistic, the scientific, the religious, the socio-cultural, and the personal. The twelve chapters constituting the volume examine the representation of human beings in the writer's works and their relationship with the surrounding environment, whether it is the omnipresent London or the mysterious, menacing nature. The contributors also interpret Machen's writings through a series of disciplines and academic theories that were contemporary to the writer (such as paleontology and medicine) and demonstrate how he was influenced by the scientific discourses of his time and reproduced them in his works. The last section of the volume considers Machen's interest in the occult and mysticism and the religious themes present in many of his works.

Arthur Machen: Critical Essays offers a study of the works by Arthur Machen (1863-1947), the Welsh writer who has attracted a cult following for decades, especially among fans and scholars of weird fiction and Gothic studies. These essays take readers into different areas and address several topics in Machen's literary production: the literary, the artistic, the scientific, the religious, the socio-cultural, and the personal. The twelve chapters constituting the volume examine the representation of human beings in the writer's works and their relationship with the surrounding environment, whether it is the omnipresent London or the mysterious, menacing nature. The contributors also interpret Machen's writings through a series of disciplines and academic theories that were contemporary to the writer (such as paleontology and medicine) and demonstrate how he was influenced by the scientific discourses of his time and reproduced them in his works. The last section of the volume considers Machen's interest in the occult and mysticism and the religious themes present in many of his works.

Dark Forces at Work examines the role of race, class, gender, religion, and the economy as they are portrayed in, and help construct, horror narratives across a range of films and eras. These larger social forces not only create the context for our cinematic horrors, but serve as connective tissue between fantasy and lived reality, as well. While several of the essays focus on “name� horror films such as IT, Get Out, Hellraiser, and Don’t Breathe, the collection also features essays focused on horror films produced in Asia, Europe, and Latin America, and on American classic thrillers such as Alfred Hitchcock’s Psycho. Key social issues addressed include the war on terror, poverty, the housing crisis, and the Time’s Up movement. The volume grounds its analysis in the films, rather than theory, in order to explore the ways in which institutions, identities, and ideologies work within the horror genre.