How have the goddesses of ancient myth survived, prevalent even now as literary and cultural icons? How do allegory, symbolic interpretation, and political context transform the goddess from her regional and individual identity into a goddess of philosophy and literature? Emilie Kutash explores these questions, beginning from the premise that cultural memory, a collective cultural and social phenomenon, can last thousands of years. Kutash demonstrates a continuing practice of interpreting and allegorizing ancient myths, tracing these goddesses of archaic origin through history. Chapters follow the goddesses from their ancient near eastern prototypes, to their place in the epic poetry, drama and hymns of classical Greece, to their appearance in Platonic and Neoplatonic philosophy, Medieval allegory, and their association with Christendom. Finally, Kutash considers how goddesses were made into Jungian archetypes, and how some contemporary feminists made them a counterfoil to male divinity, thereby addressing the continued role of goddesses in perpetuating gender binaries.

Proclus' commentary on Plato's "Timaeus" is perhaps the most important surviving Neoplatonic commentary. In it Proclus contemplates nature's mysterious origins and at the same time employs the deductive rigour required to address perennial philosophical questions. Nature, for him, is both divine and mathematically transparent. He renders theories of Time, Eternity, Providence, Evil, Soul and Intellect and constructs an elaborate ontology that includes mathematics and astronomy. He gives ample play to pagan theology too, frequently lapsing into the arcane language of the "Chaldaean Oracles." "Ten Gifts of the Demiurge" is an essential companion to this rich but complex and densely wrought text, providing an analysis of its arguments and showing that it, like the cosmos Proclus reveres, is a living coherent whole. The book provides aides to understanding Proclus' work within the complex background of Neoplatonic philosophy, familiarising the reader with the political context of the Athenian school, analysing Proclus' key terminology, and giving background to the philosophical arguments and ancient sciences upon which Proclus draws.Above all, it helps the reader appreciate the varicoloured light that Proclus sheds on the secrets of nature.

How have the goddesses of ancient myth survived, prevalent even now as literary and cultural icons? How do allegory, symbolic interpretation, and political context transform the goddess from her regional and individual identity into a goddess of philosophy and literature? Emilie Kutash explores these questions, beginning from the premise that cultural memory, a collective cultural and social phenomenon, can last thousands of years. Kutash demonstrates a continuing practice of interpreting and allegorizing ancient myths, tracing these goddesses of archaic origin through history. Chapters follow the goddesses from their ancient near eastern prototypes, to their place in the epic poetry, drama and hymns of classical Greece, to their appearance in Platonic and Neoplatonic philosophy, Medieval allegory, and their association with Christendom. Finally, Kutash considers how goddesses were made into Jungian archetypes, and how some contemporary feminists made them a counterfoil to male divinity, thereby addressing the continued role of goddesses in perpetuating gender binaries.