Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

"The power of Pentecost is inseparable from the good news of the Christ who is proclaimed in the Gospels, in accordance with the Scriptures." Pentecost may well be the most misconstrued day on the church calendar. A long legacy of cessationism has drained Pentecost of much of its significance, and it's largely misunderstood in many Western churches today, if not outright ignored. That's not the case in Emilio Alvarez's tradition, though. In this Fullness of Time volume, the Pentecostal bishop and theologian offers us a rich biblical and theological introduction to the day of Pentecost and sets it in its liturgical context—not only in the Protestant tradition but also in Catholic, Orthodox, and Pentecostal expressions. The result is a rich theological feast and an invitation to find afresh the power of the gospel for all peoples. Each volume in the Fullness of Time series invites readers to engage with the riches of the church year, exploring the traditions, prayers, Scriptures, and rituals of the seasons of the church calendar.

"Can anything orthodox come from Pentecostalism?" This recasting of Nathaniel's familiar question from the Gospel is a fair summary of many modern Christians' assessment of the Pentecostal tradition. Yet in recent years, a growing number of Pentecostals have been turning afresh to the ancient, creedal Christian faith. Bishop Emilio Alvarez has himself been at the forefront of this movement. In Pentecostal Orthodoxy he introduces the phenomenon, and extends the project of paleo-orthodox ressourcement (associated with scholars such as Thomas Oden and Robert Webber) to include orthodox expressions within Pentecostalism, particularly his own Afro-Latino Pentecostal movement. This book is a manifesto of sorts, promising not only to open up the possibility of a genuinely orthodox Pentecostalism, but to reframe modern ecumenical dialogue as well.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Galatea: Zarzuela En Dos Actos, En Verso Arreglada a La Espanola Francisco Camprodon, Emilio alvarez Music; General; Music / General

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

"La bestia, la tragedia de migrantes centroamericanos en Mexico," es un libro que expande y profundiza lo visto en el documental la Bestia, y expone con m?'s detalle las dificultades, los peligros y sentimientos que enfrentan miles de seres humanos que salen desde sus pa ses de origen en Centroam rica para transitar por una de las rutas m?'s arriesgadas y violentas de todo el mundo para migrantes indocumentados. Como escritor, Pedro Ultreras se vale del profuso material producido durante y despu?'s de la filmaci n de su pel cula y lo transfiere a una dimensi n m?'s amplia, narrando las aventuras, los peligros y las haza as vividas por los migrantes y por l mismo -montado tambi n sobre la bestia- a trav?'s del temible trayecto que estos osados seres humanos siguen en pos de una prosperidad econ mica que con frecuencia los lleva a un tr gico desenlace de sus planes. As, el documentalista mexicano presenta en este libro un recuento de los sucesos m?'s recientes como la atroz masacre de migrantes en Tamaulipas en 2010, la dram tica caravana de familias en busca de migrantes desparecidos en 2011, as como un an lisis de la primera ley de migraci n expedida por el gobierno mexicano que a principios del 2012 a n no se implementa. "La bestia, la tragedia de migrantes centroamericanos en M xico" (The beast, the tragedy of Central American migrants in Mexico) is a book that expands and goes in depth about what was seen in the documental "The Beast," exposing in detail the difficulties, the dangers and the feelings faced by thousands of human beings who leave their home countries in Central America. They travel through one of the most risky and violent routes in the world for undocumented immigrants as they cross through Mexico on top of "la bestia" (or the beast), as the perilous freight trains they ride to try to make it to the United States is called. Journalist, filmmaker and author, Pedro Ultreras (7 Soles, 2007) makes use of the profuse material he produced during and after the shooting of his documentary "The Beast" and transfers it to a deeper dimension, narrating the adventures, the hazards and the deeds lived by these migrants and himself -as he also rides "the beast" along migrants- go through on the dreadful journey that these daring men and women follow in pursuit of an economic prosperity that often leads them to a tragic outcome of their plans. La bestia, la tragedia de migrantes centroamericanos en Mexico is a well-documented book that serves as a historical record of the most recent events about of the phenomenon of Central American migration, as well as gathers the testimonies of the migrants he meets along the "migrant's route," presenting his chilling interviews with men and women who desperately seek to reach the U.S. In this book, Ultreras presents a summary of the 2010 atrocious mass massacre of migrants in Mexico, the 2011 dramatic caravan of Central American family members seeking their missing relatives in Mexico, as well as a brief analysis of the first ever immigration law the Mexican government enacted in the wake of the mass killings of migrants. La bestia, la tragedia de migrantes centroamericanos en Mexico is profusely enriched with photographs taken by the author.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Las Amazonas Del Tormes: Zarzuela En Dos Actos Arreglada Del Frances Emilio alvarez, Jose Rogel Gonzalez, 1865